Doherty Tiarna (28 results)

Condition: Very Good. 2 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. 2 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New. Brand New.

Soft cover. Condition: New. Brand new in shrink wrap.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. vii + 91 78 Illus. (71 Col.).

Soft cover. Condition: Fine. 1st Edition. Fine oversized paperback. Overall a bright and attractive copy, as new. Numerous color plates and b&w reproductions. 274 pp.

Condition: new.

Paperback. Condition: Brand New. revised edition. 100 pages. 9.00x6.10x0.30 inches. In Stock.

Condition: New. In English.

Condition: New. pp. vii + 91.

Condition: New.

Condition: As New. Unread book in perfect condition.

2006, xiii (1) 274 pp, softcover, in zeer goede staat.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Text in Dutch, some light wear to edges and corners of dustjacket, light wear to covers and spine, internally in good condition, pages crisp and clear.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. The aesthetic qualities of a painted work of art are determined by composition, the colours used and the application method. Equally important are the support and its preparation. Preparatory layers are fundamental to the creative process and to the perception of the work: they influence the final surface texture, the paints' luminosity and the durability of a painting. For centuries painters were well aware of these facts and took great care in this stage of the process.These papers were presented at the first conference devoted to preparatory layers used by artists, organised by the working group 'Paintings: scientific study, conservation and restoration' within the Conservation Committee of the International Council of Museums (ICOM-CC) in 2007 at the British Museum, London.A wide range of issues is covered including the consideration of the preparatory layer(s)' function: optical properties, terminology, as well as materials and techniques used in the preparation of more unusual supports. The results of technical examination, experimental reconstruction and analysis of documentary sources provide fascinating insights into the relationships between supports, preparatory layers and artistic forms of expression; they offer new insights on the origin and dissemination of certain techniques and related questions of artistic exchange. Furthermore, the influence of preparatory layers on mechanical properties, changes in appearance and deterioration as well as the impact on conservation treatment decisions are explored. The influence of the environment on traditional and modern materials is addressed. This volume consists of papers presented at the first conference devoted to preparatory layers used by artists Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: Brand New. illustrated edition. 208 pages. 12.00x8.00x0.50 inches. In Stock.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. The aesthetic qualities of a painted work of art are determined by composition, the colours used and the application method. Equally important are the support and its preparation. Preparatory layers are fundamental to the creative process and to the perception of the work: they influence the final surface texture, the paints' luminosity and the durability of a painting. For centuries painters were well aware of these facts and took great care in this stage of the process.These papers were presented at the first conference devoted to preparatory layers used by artists, organised by the working group 'Paintings: scientific study, conservation and restoration' within the Conservation Committee of the International Council of Museums (ICOM-CC) in 2007 at the British Museum, London.A wide range of issues is covered including the consideration of the preparatory layer(s)' function: optical properties, terminology, as well as materials and techniques used in the preparation of more unusual supports. The results of technical examination, experimental reconstruction and analysis of documentary sources provide fascinating insights into the relationships between supports, preparatory layers and artistic forms of expression; they offer new insights on the origin and dissemination of certain techniques and related questions of artistic exchange. Furthermore, the influence of preparatory layers on mechanical properties, changes in appearance and deterioration as well as the impact on conservation treatment decisions are explored. The influence of the environment on traditional and modern materials is addressed. This volume consists of papers presented at the first conference devoted to preparatory layers used by artists Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: Brand New. 1st edition. 270 pages. 11.50x9.25x1.00 inches. In Stock.

Paperback. Condition: New. Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625. Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Achelo?s, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. This is the first such publication to fully address and reproduce these works in depth.…