Don Foresta (6 results)

Softcover, staple-bound, 12 pages; in English and French; good condition; covers yellowed and pages curled backwards along right edge; no internal marks.

brossura. Condition: Ottimo (Fine). ST1186QCopertina editoriale in brossura pieghevole,La Biennale di Venezia - Pubblicato in occasione della XLII Esposizione Internazionale d'Arte: Arte e scienza, nell'età delle scienze esatte.30 cm.,  volume in ottime condizioni,  in gran parte illustrato, copertina e interno in ottimo stato, 91 pagine circaCopertina come da foto  ISBN/ASIN 8843520652. Book.

Paperback. Condition: Very good condition. First Edition. 258 pages of text, printed in English and Italian. Errors in pagination (as published). Paperback binding with a bump to the lower corner, causing creasing to the page corners. Binding with a small area of scuffing; overall slightly shelfworn. Illustrated in black and white. Includes text on Bruce Nauman, Nam June Paik, William Wegman, Paul Kos, Noel Harding, John Baldessari, Vincenzo Agnetti, Christian Boltanski, Vito Acconci and dozens more. Front cover illustrated with a still of a phantom dream car crashing through a wall of burning TV sets from "Media Burn" by Ant Farm. The text is clean and unmarked. First edition. Size: Octavo (8vo). Book.

Softcover. Condition: Gut bis sehr gut. Arte e Scienza: Biologia - Technologia e Informatica - Biennale di Venezia - Text: Italian, 92 pages.

paperback. Condition: Fine. Text: Foresta Don, Howkins John et al. cm 16x22; pp. 260; BW ills.; paperback.

Paris: Center for Media Art, American Center, [1981]. Oblong octavo (21 × 29.7 cm). Original pictorial staple-stitched wrappers, designed by Don Foresta; [12] pp. wrappers slightly dust-stained; very slight crease to upper corner, extending over the leaves; else about very good. Catalog for the first exhibition of French video art in the USA. The video artist and curator writes about the exhibition and the creation of the remarkable title image: "This exhibit of French video art from the 70's was organized to tour the US in 1981 by the Center for Media Art which I ran at the American Center in Paris and the Vidéothèque de Paris. It was, to my knowledge, the first show of French video art to circulate in the US. It included work from the video section of ENSAD, students and invited artists, as well as tape from other French artists, including Chris Marker's commission from the Georges-Pompidou Center. The work was seen at the Center for Advanced Visual Studies at MIT and in San Francisco. I have forgotten at what other cities it was shown, but it had a long run in the US. (.) The cover shown here, video à la mode, was not from a still, but a photo I shot expressly for the cover. The ice-cream leaked all over my kitchen floor. There were articles which have been lost." (Don Foresta, >ht tps://donf oresta. net/exhibitions/french-video-art.