Downing Noel (30 results)

Condition: New. Mathew Havran (illustrator).

Condition: New.

Hardcover. Condition: Very Good. Very good condition, minor shelfwear, otherwise exellent.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. From the library of a prominent Sherlockian, The Reverend Harold Knowles, whose ownership note is found on the front free end paper.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition.

Hardcover. Condition: Near Fine. Near Fine. First British edition. About fine in like dust jacket.

Perfect Paperback. Condition: Brand New. 36 pages. 11.02x8.50x0.10 inches. In Stock.

Paperback. Condition: Brand New. 46 pages. 11.02x8.50x0.13 inches. In Stock. Mathew Havran (illustrator).

Hardcover. Condition: Very Fine. Dust Jacket Condition: Very Fine. First Edition. As New.

Hardcover. Condition: As New. Dust Jacket Included. First Edition. HB Very Fine/Very Fine. As New, DJ.

Hardcover. Condition: VF/VF. As New, DJ. First Edition. HB.

Condition: New.

Condition: New.

(1991). First edition, first printing. Fine in a fine dust jacket. Doctor Watson investigates a murder and the theft of the notes made by H G Wells's Invisible Man from a Sussex pub and finds himself in a conspiracy involving the German Imperial Embassy and literary figures such as Aleister Crowley and Arthur Machen.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Print on Demand. This book tells the story behind the restoration of the DC Supreme Court building, a site that serves as both a city hall and a courthouse. The journey is documented through excerpts from newspapers, legal documents, diagrams, and speeches given at commemorative events, all of which are bolstered by the author's own insights and analysis. The author explores the fascinating history, architecture, and significance of the building, tracing its evolution from its initial construction in 1820 to its recent and extensive renovations. Along the way, the author discusses the challenges and successes of the restoration project, highlighting the importance of preserving the building's architectural integrity while modernizing it to meet the needs of the 21st century. This book will appeal to anyone interested in the history of Washington DC, architecture, or historic preservation, showcasing the enduring legacy of this iconic building as a symbol of justice and local governance. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Condition: New. Print on Demand. Mathew Havran (illustrator).

Condition: New. Print on Demand. Mathew Havran (illustrator).

Condition: New. PRINT ON DEMAND. Mathew Havran (illustrator).

Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 124.

Condition: New. Print on Demand pp. 124.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1919. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 132, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 132 132.…