Condition: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. Supplemental items such as access codes and CDs not guaranteed.
Seller: Booklegger's Fine Books ABAA, Park Ridge, IL, U.S.A.
First Edition Signed
Soft cover. Condition: Fine. 1st Edition. A fine, clean and tight softcover copy in stiff card wrapper. First Edition. SIGNED/INSCRIBED BY Ursula O'Farrell. A very nice copy in like new condition. Illustrated throughout with full color paintings of her work. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 36 YEARS.
Published by Los Angeles County Museum of Art, Los Angeles, 1967
Seller: johnson rare books & archives, ABAA, Covina, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. 82 p. Four color plates, with 44 black and white illustrations. This catalogue of the Los Angeles County Museum's retrospective exhibition records the work of the Italian-American painter and sculptor. Original cloth binding, with black titles. A fine copy in a fine dust jacket.
Published by Richmond Art Center, 1999
Seller: Wonderland Books, Berkeley, CA, U.S.A.
Signed
Soft cover. Condition: Very Good. inscribed and signed by Peter Selz - very good condition. Signed by Author(s).
Published by Greenwich, CT: New York Graphic Society, [1967]., 1967
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. [ca 80 pp.]. Very Good. Hard covers. Dust Jacket Good, with minor shelf wear and one inch tear at top, near spine. Illustrated with color and B&W plates throughout. From the library of Pasquale Iannetti, as indicated by stamp and nameplate on front pages.
Published by [San Francisco]: Fine Arts Press., 2011
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Signed
Condition: Good. Autographed. Folio. 103 pp. Very Good+. Soft Cover. Illustrated paper wraps with French folds. Color plates throughout. Signed on half-title page. Scarce.From the Collection of the Art Historian Peter Selz.