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Condition: As New. Unread book in perfect condition.
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Condition: New.
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Patronage and Italian Renaissance Sculpture
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 83.82
US$ 20.22 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
Add to basketCondition: As New. Unread book in perfect condition.
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Patronage and Italian Renaissance Sculpture
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 87.59
US$ 20.22 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
Add to basketCondition: New.
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The Tombs of the Doges of Venice: From the Beginning of the Serenissima to 1907 (Venetiana) (German and English Edition)
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Seller rating 4 out of 5 stars
Condition: NEW.
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Patronage and Italian Renaissance Sculpture
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 220.84
US$ 20.22 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
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Patronage and Italian Renaissance Sculpture
Language: English
Published by Routledge 2010-11-10, 2010
ISBN 10: 0754668428 ISBN 13: 9780754668428
US$ 217.41
US$ 20.88 shipping
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Add to basketHardcover. Condition: New.
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Condition: New.
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Patronage and Italian Renaissance Sculpture
Language: English
Published by Ashgate Publishing Company, 2010
ISBN 10: 0754668428 ISBN 13: 9780754668428
Condition: New. pp. 286.
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Patronage and Italian Renaissance Sculpture
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 333.25
US$ 20.22 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
Add to basketCondition: As New. Unread book in perfect condition.
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Condition: As New. Unread book in perfect condition.
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The tombs of the Doges of Venice from the beginning of the Serenissima to 1907
Language: German
Published by Libreria Editrice Viella, 2016
ISBN 10: 8867285599 ISBN 13: 9788867285594
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Seller rating 4 out of 5 stars
Brossura. Condition: new. A cura di Paul B.Testo Italiano, Inglese e Tedesco.Roma, 2016; br., pp. 660, ill. b/n, cm 15x21.(Venetiana). Libro.
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The Tombs of the Doges of Venice: From the Beginning of the Serenissima to 1907
Language: German
Published by Viella - libreria editrice, 2016
ISBN 10: 8867285599 ISBN 13: 9788867285594
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New. 2016. Paperback. . . . . .
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The tombs of the Doges of Venice : from the beginning of the Serenissima to 1907
Seller: Libreria già Nardecchia s.r.l., Rome, RM, Italy
Seller rating 4 out of 5 stars
Condition: NEW. Roma: Viella, 2016 9788867285594 Venetiana 18 809 590 p., lxxx p. of plates : ill. col. b/n, fotografie, indice, bibliografia ; 21 cm. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. Paul,Benjamin.
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The Tombs of the Doges of Venice: From the Beginning of the Serenissima to 1907
Language: German
Published by Viella - libreria editrice, 2016
ISBN 10: 8867285599 ISBN 13: 9788867285594
Condition: New. 2016. Paperback. . . . . . Books ship from the US and Ireland.
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Patronage and Italian Renaissance Sculpture
Language: English
Published by Taylor & Francis, Routledge, 2016
ISBN 10: 1138253650 ISBN 13: 9781138253650
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Seller rating 5 out of 5 stars
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception. 286 pp. Englisch.
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Patronage and Italian Renaissance Sculpture
Language: English
Published by Taylor & Francis, Routledge, 2016
ISBN 10: 1138253650 ISBN 13: 9781138253650
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
