Pincus Debra (32 results)

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardbound. Condition: VG/VG. Dark green cloth with cream, color-pictorial dustjacket. 280 pp., profusely illustrated, mostly in bw. A research on small-scale bronze production of the Renaissance from the 15th through the early 17th century in Italy and the North. It reexamines the controbution of Donatello and his immediate followers in the first stages of bronze production. Contents as follows: The Winged woman holding a torch: a Donatellesque bronze from Quattrocento Tuscany /; Alison Luchs --; Rehabilitating a fallen athlete: evidence for a date of 1453/1454 in the Veneto for the Bust of a Platonic youth by Donatello /; Douglas Lewis --; A new interpretation of the casting of Donatello's Judith and Holofernes /; Richard E. Stone --; Verrocchio and the bronze statuette /; Andrew Butterfield --; "The; faun who plays on the pipes": a new attribution to Desiderio da Firenze /; Jeremy Warren --; An allegorical bronze statuette newly attributed to Ammanati /; Ian Wardropper --; A group of Giambologna female nudes: analysis and manufacture /; Shelley Sturman --; Original ideas and their reproduction in Venetian foundries: Tiziano Aspetti's Mars in the Frick collection; a case study /; Claudia Kryza-Gersch --; The sculpture of Adriaen de Vries: a technical study /; Francesca G. Bewer --; Small bronzes by Hubert Gerhard: a review of recent scholarship /; Dorothea Diemer --; Some eighteenth-century frameworks for the Renaissance bronze: historiography, authorship, and production /; Malcolm Baker --; Johann Wolfgang von Goethe as a collector of bronzes /; Volker Krahn --; Leo Planiscig and Percy Straus, 1929-1939: collecting and historiography /; Carolyn C. Wilson.…

Condition: Good. B/w Illustrations (illustrator).

Paperback. Condition: New. Illustrated.

Hardcover. Condition: near fine/near fine. Quarto. 280pp A very nice copy in an equally nice dust jacket. In a brodart protective wrrapper. Studies in the History of At.

Wraps. Condition: Near Fine Plus. First Edition. Thin oblong, 11" x 8 1/2", 40 pages. Colour and B&W reproduction of Lodge's abstract paintings. Exhibition Catalogue.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Hardcover, 4to, pp.282. Green clothbound hardcover, with dust jacket. As New condition in original shrink wrap.

Hardcover. Condition: Very Good. No Jacket. 1976 hardcover published without jacket/minor wear & bumping on the cover/clean & unmarked text. 576 p.

Softcover. Condition: Very good. 74 p. 28 cm. 47 b&w illustrations. Softcover with a little soiling on rear. Only marking is an ink stamp on Contents page. Catalogue of an exhibition held at the Art Gallery of Greater Victoria April - June 1993. Essays by various authors on such topics as print culture in the early 16th century, personal religion and devotion to the Virgin on the eve of the Reformation, the printed Bible and popular piety, Dürer and nature and architecture, etc.…

hardcover. Condition: Very Good. No D/J. No D/J. Slight mark to front board.

Hardcover. Condition: Very Good. Reprint. Publisher's hardback in very good condition: firm and square, strong joints, just mildly rubbed. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in presentable condition.

Hardback. Condition: Fine. Dust Jacket Condition: Fine. A bright, attractive copy, bound in green cloth. 280 x 230 mm. 280 pp. Studies in the History of Art 62: Center for Advances Study in the Visual Arts, Symposium Papers XXXIX. Comprises thirteen essays on small bronze production from the 15th to the early 17th century, including analyses of methods of manufacture, patterns of collecting and problems in establishing autograph style. Both direct and indirect methods of bronze casting are examined, and the spread of technological and artistic advances from Italy into northern countries is considered. Proceedings of a symposium held 4-5 December 1998 in Washington. Copiously illustrated with b&w photographs, drawings, diagrams, radiograph images and contemporary artwork. Book.…

Hardcover. Condition: Very good. Thick octavo (standard siz). Slight wear to edges and corners of boards. First two pages creased lengthwise. 574 p. w/ 184 b&w plates, footnotes, bibliography, appendices - including a fold out appendix on attributions of sculptures. A study of the Arco Foscari, a triumphal arch for the ceremonial entrance in the courtyard of the Doge's Palazzo Ducale in Venice, facing the Scala dei Giganti courtyard.…

Hardcover. Condition: Brand New. 282 pages. 11.50x9.50x1.00 inches. In Stock.

Cartonato. Condition: new. English Text.Edited by Debra Pincus.Preface by Elisabeth Cropper.Washington, 2001; hardback, pp. 280, ill. b/n e col., 3 col. ill., cm 23,5x29.(Center for Advanced Study in the Visual Arts. Studies in the History of Art. 62).ISSN 0091-7338. Libro.

Rigida. Condition: Ottimo (Fine). Studies in the history of art n. 62. Center for Advanced Study in the Visual Arts. Symposium Papers XXXIX. Testo in inglese, 280 p., f.to cm 29x23,5, copertina rigida in tela con sovraccoperta, illustrazioni in b/n. Ottime condizioni. Book.

Paperback. Condition: New. Illustrated.

cm 23x29 pag. 280 ill. b/n e colori inglese.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:0521593549. …

Rilegato. Condition: come nuovo. Dust Jacket Condition: come nuovo. Small Bronzes in the Renaissance ( Studies in the History of Art 62 ) edited by Debra Pincus -Preface Elizabeth Cropper,Alison Luchs,Douglas Lewis,Richard E.Stone,Andrew Butterfield,Jeremy Warren,Ian Wardropper,Shelley Sturman,ClaudiaKryza-Gersch,Francesca G.Bewer,Dorothea Diemer,Malcolm Baker,Wolker Krahn and Carolyn C.Wilson .Washington 2001 Hardback Pages 280 ills. - Language : english text codice articolo 012374.…

hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket. First Edition. First edition published 2000. Pages clean and bright, no markings, light wear to edges. Binding tight. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Condition: Very Good. No Jacket. hardback book in very good condition.

Hardcover. Condition: Very Good. No Jacket. 574 page hardcover with illustrations. Reprint of the author's doctoral dissertation - 1974 New York University. Large bibliography. Full blue cloth exterior with title on spine in silver. Interior is unmarked, tight and clean.

Condition: NEW.

Brossura. Condition: new. A cura di Paul B. Testo Italiano, Inglese e Tedesco. Roma, 2016; br., pp. 660, ill. b/n, cm 15x21. (Venetiana). Libro.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. Back of dust cover shows some wear. ; Inscribed by author. ; 4to 11" - 13" tall; Signed by Author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. HARDBACK BOOK AND DUST JACKET IN NEAR FINE CONDITION.

Hardcover. Condition: Good. Good .Ships From Multiple Locations. book.

4to. pp. 280. numerous illus. (some colour). cloth. dw.

Condition: NEW. Roma: Viella, 2016 9788867285594 Venetiana 18 809 590 p., lxxx p. of plates : ill. col. b/n, fotografie, indice, bibliografia ; 21 cm. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge's relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs' central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. Paul,Benjamin.…