Dufwa Jacques (6 results)
- Hardcover
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, ItalyLibro Co. Italia Srl
Contact seller4-star sellerCondition: Used - Fine
US$ 25.72
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Cartonato in tela. Condition: fine. English Text.Atlantic Highlands, 1981; hardbound, pp. 222, b/w ill., cm 17x24. Libro.
- Hardcover
Seller: The Private Library, London, United KingdomThe Private Library
Contact seller5-star sellerCondition: Used - Good
US$ 49.12
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Condition: Good. From the Library of John Russell Taylor.
Published by Almqvist & Wiksell International 1981. 1981 1981
- Hardcover
Seller: Rönnells Antikvariat AB, Stockholm, , SwedenRönnells Antikvariat AB
Contact seller5-star sellerCondition: Used
US$ 31.04
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222 s. Illustrated. Publisher's hardcover. A very good copy. (Stockholm Studies in History of Art 34).
Published by Almqvist & Wiksell International, Stockholm 1981
- Softcover
Seller: studio bibliografico pera s.a.s., LUCCA, LU, Italystudio bibliografico pera s.a.s.
Contact seller5-star sellerCondition: Used
US$ 17.65
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Brossura. Condition: ottime. Testo inglese. Cm.24x17. Pg.224. Brossura editoriale. Con 164 illustrazioni nel testo. "Akademisk avhandling som för avläggande av filosofie doktorsexamen vid Stockholms Universitet offentligen försvaras i Sal F, Norrtullsgatan 2, Stockholm fredagen den 4 december 1981 kl.10.00". Collana "Acta Univer…sitatis Stockholmiensis", nº34. 600 gr.
- Hardcover
Seller: Hatt Rare Books ILAB & CINOA, Hägersten, , SwedenHatt Rare Books ILAB & CINOA
Contact seller5-star sellerCondition: Used
US$ 42.81
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Publisher's boards, as new. Stockholm, Almqvist & Wiksell, 1981. Diss. 8:o. 224 pp. + Abstract leaf. Illustrated. (Abstract:) - - - "The purpose of this work has been to trace the origins of the Japonisme that in the 1860s stimulated painting in the West to a radical renewal. A new trend had begun with Delacroix, but the decisiv…e spark was provided by Japanese colour prints - reproductions of ink paintings to which planes of colour have been added. The fact that ink painting has its roots in Zen Buddhist aesthetics makes the latter of fundamental importance to Japanese prints. - - - This thesis commences by outlining the distinguishing characteristics of Japanese painting and follows its development from Yamato-e to Ukiyo-e. Orientalism in European art is then traced from the Chinoiseries of the Rococo period to the Japonisme of the 1860's. Public interest in Japanese art awoke first in London but it was in Paris that Japanese influence really took root. The importance of Bracquemond, Astruc and others as pioneers of Japonisme is affirmed. - - - The main section of the thesis is devoted to a study of European pictorial art from the time Japanese influence is first discernible in certain works by Manet, Degas, Monet and Whistler up to 1886. I have analysed selected works in order to show how these artists were influenced by the Japanese prints. Their differing temperaments and aspirations were of decisive importance in their relationship to Japanese art. This is characteristic of all four artists - of Manet as a lyricist in colour, of Degas as an innovator of form, of Monet as the spontaneous worshipper of nature and of Whistler, the advocate of pure art." - - - (Acta universitatis Stockholmiensis / Stockholm Studies in History of Art, 34.).
- Softcover
Seller: Hatt Rare Books ILAB & CINOA, Hägersten, , SwedenHatt Rare Books ILAB & CINOA
Contact seller5-star sellerCondition: Used
US$ 42.81
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Sewn as issued, printed wrappers. Very fine. Provenance: Hans Eklund. Stockholm, Almqvist & Wiksell, 1981. Diss. 8:o. 224 pp. + Abstract leaf. Illustrated. (Abstract:) - - - "The purpose of this work has been to trace the origins of the Japonisme that in the 1860s stimulated painting in the West to a radical renewal. A new trend… had begun with Delacroix, but the decisive spark was provided by Japanese colour prints - reproductions of ink paintings to which planes of colour have been added. The fact that ink painting has its roots in Zen Buddhist aesthetics makes the latter of fundamental importance to Japanese prints. - - - This thesis commences by outlining the distinguishing characteristics of Japanese painting and follows its development from Yamato-e to Ukiyo-e. Orientalism in European art is then traced from the Chinoiseries of the Rococo period to the Japonisme of the 1860's. Public interest in Japanese art awoke first in London but it was in Paris that Japanese influence really took root. The importance of Bracquemond, Astruc and others as pioneers of Japonisme is affirmed. - - - The main section of the thesis is devoted to a study of European pictorial art from the time Japanese influence is first discernible in certain works by Manet, Degas, Monet and Whistler up to 1886. I have analysed selected works in order to show how these artists were influenced by the Japanese prints. Their differing temperaments and aspirations were of decisive importance in their relationship to Japanese art. This is characteristic of all four artists - of Manet as a lyricist in colour, of Degas as an innovator of form, of Monet as the spontaneous worshipper of nature and of Whistler, the advocate of pure art." - - - (Acta universitatis Stockholmiensis / Stockholm Studies in History of Art, 34.).
