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ISBN 10: 1444332317 ISBN 13: 9781444332315
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Language: English
Published by Wiley-Blackwell 2012-06-01, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
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Language: English
Published by John Wiley and Sons Ltd, GB, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
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Hardback. Condition: New. A COMPANION TO EARLY CINEMA "This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research." - Martin Loiperdinger, Universitaet Trier "A fabulous selection of first-rate articles!" - Rick Altman, University of Iowa "One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past - the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world." - Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.
Language: English
Published by John Wiley and Sons Ltd, Hoboken, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Hardcover. Condition: new. Hardcover. A COMPANION TO EARLY CINEMA This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research. Martin Loiperdinger, Universitaet Trier A fabulous selection of first-rate articles! Rick Altman, University of Iowa One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world. Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field. A Companion to Early Cinema is an authoritative reference on the subfield of early cinema. An international group of expert scholars interrogate major concerns in early cinema studies, such as exhibition, promotion, industry, pre-cinema, and film criticism, and take an ambitious look at ideas and themes that take the subject into the future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by John Wiley and Sons Ltd, GB, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. A COMPANION TO EARLY CINEMA "This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research." - Martin Loiperdinger, Universitaet Trier "A fabulous selection of first-rate articles!" - Rick Altman, University of Iowa "One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past - the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world." - Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.
Condition: New. pp. 648.
Language: English
Published by John Wiley and Sons Ltd, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. A Companion to Early Cinema is an authoritative reference on the subfield of early cinema. An international group of expert scholars interrogate major concerns in early cinema studies, such as exhibition, promotion, industry, pre-cinema, and film criticism, and take an ambitious look at ideas and themes that take the subject into the future. Editor(s): Gaudreault, Andre; Dulac, Nicolas; Hidalgo, Santiago. Num Pages: 648 pages, Illustrations. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 252 x 183 x 31. Weight in Grams: 1272. . 2012. 1st Edition. Hardcover. . . . .
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Language: French
Published by Imprimerie d'Art Le Croquis, 1931
Seller: Librairie du Cardinal, GRADIGNAN, France
First Edition
souple. Condition: Bon. 1 brochure in-4, ill., Imprimerie d'Art Le Croquis, Paris, 1931, pp. 203-224 Bon exemplaire (très bon état) sur parchemin filigrané. Avec un portrait de Jean Angeli. Langue: Français.
Published by Paris, Nouvelle Revue Française, 1978
Seller: Librairie Diona, Lattes, France
Couverture souple. Condition: Très bon. IN-8 broché, 192 pages. Sommaire : Cioran: Écartèlement, Pages 1-21 --- Jacques Almira: L'amour en rêve, Pages 22-24 --- Ernst Jünger: Eumeswil, Pages 25-35 --- Ludovic Janvier: Encore un crime d'amour, Pages 36-42 --- Yvon Belaval: Le pouvoir de l'esprit selon Paul Valéry, Pages 43-55 --- Gérard Macé: Rimbaud recently deserted, Pages 56-69 --- Eugène Ionesco: Quelques nouvelles raisons de désespérer, Pages 70-79 --- Henri Meschonnic: La vie pour le sens, Groethuysen (Fin), Pages 80-91 --- Henri Thomas: Reportage : Les longues ombres du solstice d'hiver, Pages 92-95 --- Gilbert Chateau: Pérennactualité du mélodrame : Et nous, enfants, à la Tour de Nesle!, Pages 96-100 --- Jean Grosjean: Dieu protège les roses!, par Jean-Michel Frank (Gallimard), Pages 101-104 --- Jean-Charles Gateau: uvres complètes, II, de Tristan Tzara (Flammarion), Pages 105-107 --- Daniel Leuwers: Le Libertinage, par Aragon (Gallimard), Pages 107-110 --- Roger Judrin: Correspondance générale, de Chateaubriand (Gallimard), Pages 110-112 --- Christine Jordis: Chateaubriand, I, par Georges D. Painter (Chatto and Windus), Pages 112-115 --- Philippe Dulac: L'arrêt de mort, par Maurice Blanchot (Gallimard), Pages 116-119 --- Gilles Quinsat: Enfantines, par Valery Larbaud (Gallimard), Pages 119-124 --- Laurand Kovacs: Le vice-consul, par Marguerite Duras (Gallimard), Pages 124-127 --- Hervé Cronel: Staline, l'homme et son temps, par Adam B. Ulam (Calmann-Lévy - Gallimard), Pages 127-128 --- Hervé Cronel: Freud, par Jacques Nassif (Éditions Galilée), Pages 128-131 --- Pierre Pachet: Essais d'esthétique paradoxale, par Éric Gans (Gallimard), Pages 131-133 --- Pierre-Louis Rey: Roman du roman, par Jacques Laurent (Gallimard), Pages 134-136 --- Pierre-François Moreau: uvres, II, de William Blake (Aubier-Montaigne), Pages 137-138 --- Florence de Meredieu: I was sitting on my patio this guy appeared I thought I was hallucinating de Bob Wilson et Lucinda Childs (Théâtre de la Renaiss, Pages 138-139 --- Jérôme Prieur: Faux mouvement, de Wim Wenders, Pages 140-146 --- Alain Duault: Don Carlo, Un ballo in maschera, de Verdi (Scala de Milan), Pages 146-152 --- Dominique Fernandez: Katia Kabanova, de Leos Janacek, Pages 152-156 --- André Pieyre de Mandiargues: Ne donne pas la main aux malades!, Pages 157-158 --- Pierre Pachet: L'homme accidentel, Pages 159-172 --- Jean-Loup Trassard: Passe-partout, scies et serpes, Pages 173-177 --- Dominique Allan Michaud: Gaston Chaissac à Jean Paulhan, Pages 178-191 --- Gaston Chaissac: Lettres à Jean Paulhan, Pages 178-191.
Published by Paris, Nouvelle Revue Française, 1978
Seller: Librairie Diona, Lattes, France
Couverture souple. Condition: Très bon. IN-8 broché, 192 pages. Sommaire : Claude Simon: Les Géorgiques, Pages 1-27 --- Eugène Guillevic: Le Crapaud, Pages 28-33 --- Bertrand Visage: Éloge de la petitesse, Pages 34-46 --- Herman Melville: Poèmes, Pages 47-61 --- Georges Perros: Papiers collés, Pages 63-98 --- Jean-Pierre Richard (1922 - ): L'ail et la grenouille [Colette], Pages 99-110 --- Jude Stéfan: Les vies parallèles de Foucault, Pages 111-116 --- Henri Thomas: Reportage, Pages 117-120 --- Clément Rosset: Propos d'outre-monde (Fin), Pages 121-125 --- Jean Clair: Venise : le déni de peinture, Pages 126-131 --- Alain Bosquet: Les pièges de la page blanche, Pages 132-135 --- Gilles Quinsat: uvres complètes, XIV, d'Antonin Artaud (Gallimard), Pages 135-139 --- Pierre-Louis Rey: André Gide et le premier groupe de La Nouvelle Revue Française, I, par Auguste Anglès (Gallimard), Pages 139-142 --- Jean Blot: L'abolition, par Serge Samarine (Gallimard), Pages 143-145 --- Jean Duvignaud: Pour un autre Moyen Âge, par Jacques Le Goff (Gallimard), Pages 145-149 --- Jean Duvignaud: Le territoire de l'historien, II, par Emmanuel Le Roy Ladurie (Gallimard), Pages 145-149 --- Philippe Dulac: Chaque matin qui se lève est une leçon de courage, par Jean-Édern Hallier (Éditions Libres Hallier), Pages 149-152 --- Laurand Kovacs: La femme gauchère, par Peter Handke (Gallimard), Pages 153-155 --- Jérôme Prieur: Hitler, un film d'Allemagne, de Hans-Jürgen Syberberg, Pages 155-165 --- Florence de Meredieu: L'espace construit et aménagé comme support de stimulation sensorielle, plastique et relationnelle, par Pierre Baqué (soutenance, Pages 165-166 --- Michel Butor: L'école des Gisants, Pages 166-173 --- Élisa Cantarel: À Georges Perros, Pages 174-175 --- Georges Lambrichs: L'ombre de Georges Perros, Pages 176-177 --- Serge Meitinger: La fuite est à l'ordre du jour, Pages 178-182 --- Pierre Pachet: Avant souvenir ou Étude, Pages 183-184 --- André Pieyre de Mandiargues: Fidélité, Pages 185-186 --- Jacques Réda: Nul paradoxe, Pages 187-189 --- Jude Stéfan: En délit de fuite, Pages 190-192.
Published by Paris, Nouvelle Revue Française, 1979
Seller: Librairie Diona, Lattes, France
Couverture souple. Condition: Très bon. IN-8 broché, 192 pages. Sommaire : Pierre Gascar: L'Éliacin de la Terreur, Pages 1-13 --- Daniel Klébaner: La Leçon de la seiche, Pages 14-19 --- Marcel Schneider: La Rose de Wasserbourg, Pages 20-29 --- Michel Mohrt: Mes livres d'enfant, Pages 30-39 --- Milan Kundera: Maman (Fin), Pages 40-57 --- Jude Stéfan: Georges Perros, une morale de la résistance, Pages 58-62 --- Jacques Dupont: Jouhandeau, ou la surprise d'exister, Pages 63-73 --- Michel Sicard: Sartre et l'expérience de la totalité, Pages 74-82 --- Henri Thomas: Reportage, Pages 83-86 --- Florence Delay: Mesures, mesure, Pages 87-93 --- Franck André Jamme: Rue Traversière, par Yves Bonnefoy (Marcure de France), Pages 94-96 --- Bernard Chambaz: Inconnu passager, par Claude Michel Cluny (Gallimard), Pages 96-98 --- Jean Duvignaud: Penser la Révolution française, par François Furet (Gallimard), Pages 98-101 --- Philippe Dulac: Leçon, par Roland Barthes (Le Seuil), Pages 102-105 --- Philippe Dulac: Le Roland Barthes sans peine, par Burnier et Rambaud (Balland), Pages 102-105 --- Philippe Dulac: Prétexte : Roland Barthes, colloque de Cerisy (Éditions 10/18), Pages 102-105 --- Pierre-Louis Rey: Albert Camus, par Herbert R. Lottman (Le Seuil), Pages 105-106 --- Hervé Cronel: Violence et politique, par Yves Michaud (Gallimard), Pages 107-110 --- Jean-Charles Gateau: Du même désert à la même nuit, par Vahé Godel (Jacques Antoine), Pages 110-111 --- Alain Calame: L'invention de Morel, par Adolfo Bioy Casares (Laffont), Pages 111-122 --- Christine Jordis: Le magazine du presbytère, par Lewis Carroll (Henri Veyrier), Pages 122-124 --- Gilles Quinsat: Études à propos des chansons de Narayama, par Shichiro Fukazawa (Gallimard), Pages 124-128 --- Jérôme Prieur: Noces et banquets (Un mariage, de Robert Altman - Une histoire simple, de Claude Sautet), Pages 128-130 --- Jérôme Prieur: Martin et Léa, d'Alain Cavalier, Pages 130-131 --- Alain Duault: Quatre derniers lieder, de Richard Strauss (Orchestre de Paris), Pages 131-133 --- Alain Duault: Le rire de Nils Halerius, de Marcel Landowski (Opéra de Nantes), Pages 131-133 --- Gérard Macé: Travaux, de Jean Clareboudt, Pages 134-135 --- Ludovic Janvier: Danielle Collobert, Pages 136-139 --- Jacques Bens: Le pain perdu, Pages 140-143 --- Jean-Noël Vuarnet: L'obsession visuelle du geste muet, Pages 144-151 --- Jean-Loup Trassard: Le piège à mouches, les pots et la chaufferette, Pages 152-158 --- Françoise Lioure: Deux correspondances intégrales de Larbaud ont déjà été publiées dans la collection., Pages 159-161 --- Valery Larbaud, Marcel Ray: Lettres, Pages 162-191.
Published by Paris, Nouvelle Revue Française, 1979
Seller: Librairie Diona, Lattes, France
Couverture souple. Condition: Très bon. IN-8 broché, 192 pages. Sommaire : Pierre Moinot: Le Grand Cerf, Pages 1-20 --- Ludovic Janvier: Âme qui chante, Pages 21-28 --- Danilo Kis: Un couteau au manche en bois de rose, Pages 29-41 --- Ilya Prigogine, Isabelle Stengers: Les Deux Cultures aujourd'hui, Pages 42-54 --- J. M. G. Le Clézio: Ma el Aïnine, l'Eau des Yeux (Fin), Pages 55-67 --- Henri Meschonnic: Historicité de Saint-John Perse (II), Pages 68-78 --- Jean Roudaut: Pur amour, cruel amour, Pages 79-93 --- Clément Rosset: Remarques sur le pouvoir (Fin), Pages 94-99 --- Henri Thomas: Reportage, Pages 100-104 --- Florence Delay: Graal massacre, Pages 105-111 --- Jean Grosjean: Diwan, I à III, par Gunnar Ekelöf (Gallimard), Pages 112-113 --- Michel Mohrt: Fragments d'un paradis, par Jean Giono (Gallimard), Pages 114-116 --- Philippe Dulac: Journal, I, II, de Charles Juliet (Hachette-Littérature), Pages 116-119 --- Nicole Quentin Maurer: Un air de famille, par Roger Grenier (Gallimard), Pages 119-120 --- André Dhôtel: L'homme à la main posée, par Patrick Reumaux (Gallimard), Pages 121-123 --- André Dhôtel: Repérages du vif, par Patrick Reumaux (Gallimard), Pages 121-123 --- Laurand Kovacs: L'angoisse du roi Salomon, par Émile Ajar (Mercure de France), Pages 123-126 --- Henri Raczymow: Seul, comme Franz Kafka, par Marthe Robert (Calmann-Lévy), Pages 126-128 --- Pierre-François Moreau: Du Bien suprême, par Abélard (Bellarmin - Vrin), Pages 128-129 --- Hervé Cronel: Les Trois Ordres ou L'imaginaire du féodalisme, par Georges Duby (Gallimard), Pages 129-132 --- Alain Clerval: Structure du sérail, par Alain Grosrichard (Le Seuil), Pages 132-134 --- Gilles Quinsat: Le Bois de la nuit, par Djuna Barnes (Le Seuil), Pages 134-139 --- Christine Jordis: Les chevaux fantômes et autres contes, par Karen Blixen (Gallimard), Pages 139-141 --- Jérôme Prieur: L'hypothèse du tableau volé, de Raul Ruiz, Pages 142-148 --- Jérôme Prieur: Barbe Bleue, d'Edgar G. Ulmer, Pages 142-148 --- Nicole Quentin Maurer: Lulu, d'Alban Berg (Opéra de Paris), Pages 148-151 --- Jean Clair: Robert Guinan, Pages 152-157 --- Jean-Roger Bourrec: Études, Pages 158-160 --- Patrick Maury: Aorte au hasard, Pages 161-167 --- Jean-Loup Trassard: La poignée de marmite, le rouet et les coffins, Pages 168-176 --- Paule Thévenin: Ces quelques lettres écrites entre août 1926 et janvier 1927, il faut remercier., Pages 177-178 --- Antonin Artaud: Lettres à Janine, Pages 179-191.
Language: English
Published by John Wiley and Sons Ltd, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. A Companion to Early Cinema is an authoritative reference on the subfield of early cinema. An international group of expert scholars interrogate major concerns in early cinema studies, such as exhibition, promotion, industry, pre-cinema, and film criticism, and take an ambitious look at ideas and themes that take the subject into the future. Editor(s): Gaudreault, Andre; Dulac, Nicolas; Hidalgo, Santiago. Num Pages: 648 pages, Illustrations. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 252 x 183 x 31. Weight in Grams: 1272. . 2012. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Condition: New. pp. 648 Index.
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Add to basketHardcover. Condition: Brand New. 1st edition. 648 pages. 9.69x6.85x1.26 inches. In Stock.
Language: English
Published by John Wiley and Sons Ltd, GB, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Hardback. Condition: New. A COMPANION TO EARLY CINEMA "This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research." - Martin Loiperdinger, Universitaet Trier "A fabulous selection of first-rate articles!" - Rick Altman, University of Iowa "One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past - the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world." - Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.
Buch. Condition: Neu. Neuware - An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field\* First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field\* Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault\* Caters to renewed interest in film studies' historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies\* Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism\* Broaches the latest research on the subject of archival practices, important particularly in the current digital context.
Language: English
Published by John Wiley and Sons Ltd, Hoboken, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
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Hardcover. Condition: new. Hardcover. A COMPANION TO EARLY CINEMA This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research. Martin Loiperdinger, Universitaet Trier A fabulous selection of first-rate articles! Rick Altman, University of Iowa One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world. Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field. A Companion to Early Cinema is an authoritative reference on the subfield of early cinema. An international group of expert scholars interrogate major concerns in early cinema studies, such as exhibition, promotion, industry, pre-cinema, and film criticism, and take an ambitious look at ideas and themes that take the subject into the future. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Buch. Condition: Neu. A Companion to Early Cinema | Andre Gaudreault (u. a.) | Buch | List of contributorsIntroductionNicolas Dulac | Englisch | 2012 | John Wiley & Sons | EAN 9781444332315 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Language: English
Published by John Wiley and Sons Ltd, GB, 2012
ISBN 10: 1444332317 ISBN 13: 9781444332315
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Add to basketHardback. Condition: New. A COMPANION TO EARLY CINEMA "This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research." - Martin Loiperdinger, Universitaet Trier "A fabulous selection of first-rate articles!" - Rick Altman, University of Iowa "One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past - the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world." - Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.
Couverture souple. Condition: bon. R150208005: 1969. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 209 pages- 5 croquis en noir et blanc hors texte. . . . Classification Dewey : 303.66-Guerre.