Dys Jules Auguste (10 results)

Condition: Fair. This antique print is toned and and soiled and tattered in the margins. One tear extends inside the print border by 1/2". Size: 12.75" x 9.5". Illustration: 11" x 7.75". .; Prints.

Condition: trés bon état. MUCHA (Alfonse) - VOGEL(Hermann) - HABERT-DYS (Jules-Auguste) - ORAZI (Manuel) & FRAIKIN (Alexis, ill. de) paris Beauchamp 1904 in-4 bradel demi-toile un volume, reliure Bradel demi-toile (half cloth-bound) verte grand in-quarto éditeur avec son étui vert editeur imprimé en vert et "or", dos long (spine without raised band) décoré et imprimé en vert fonçé, plats en plaquage de bois décoré en couleurs d'une fleur de chardon sur le premier plat, d'une cigogne sur le second, médaillon-portrait en ivoirine de Sarah Bernhardt dans Princesse lointaine d'après le tableau de Mucha sur le premier plat de couverture. tête lisse (top edge smooth) dorée (gilt top edge), gouttière et tranche de queue non rognées (no smooth fore-edge and edge of bottom), Textes sur papier vergé, Belle impression sur vergé. Luxueuse publication dont seul le présent volume a paru. Il recèle - et est complet - de ses 28 superbes planches réalisées dans le plus pur style Art Nouveau, avec ornementations de Vogel, Habert-Dys, Orazi ou encore Fraikin. En regard du portrait de chacune des 28 personnalités ici présentées, sa notice biographique ainsi que la reproduction de son autographe. En outre, illustrations dans le texte en sanguine et lettrines. Les portraits photographiques ont été réalisés par Nadar, Boyer, Reutlinger, Pierre Petit ou encore Braun. Figurent dans cet album : Victorien Sardou, Sarah Bernhardt, François Coppée, Mme Edmond Adam, Anatole France, Mme la Duchesse D'Uzès, Jules Lemaître, Mme Réjane, Jules Claretie, Mme Segond-Weber, Jean Richepin, Melle Marthe Brandès, Coquelin aîné, Mme Jeanne Granier, Jules Massenet, Mme Aïno Ackté, Mounet-Sully, Mme Jane Hading, Gérôme, Mme Jane Hatto, Antonin Mercié, Mme Marie Delna, Luc-Olivier Merson, Mme Sibyl-Sanderson, F.-A. Bartholdi, Mme Carrère-Xanrof, Alfred Capus et La reine Ranavalo , non paginé [66] p.-[28] f. de planches, Janvier 1904 Paris Publication Octave Beauchamp (Imprimerie G. De Malherbe) Editeur, trés bon état Seule la 1ère série a paru.Publication publicitaire dans le plus pur style Art Nouveau, extrêmement soignée jusque dans le choix des papiers de gardes gaufrés.RARETE. en trés bon état (very good condition).…

Folio. (16 3/4 x 12 inches). [iv] pp. illustrated with 48 plates printed on india paper in superb chromolithography by Gillot. Occasional light foxing. 19th-century quarter black morocco and green cloth boards, spine gilt lettered, patterned endpapers A rare and visually arresting album of Art Nouveau design, Fantasies Décoratives is a key transitional work between the decorative eclecticism of the 19th century and the full flowering of modernist ornament in the early 20th. One of the most imaginative works of late 19th-century French Decorative Art, showcasing the highly stylized and fantastical ornamentation of Jules-Auguste Habert-Dys, a leading figure in the French Art Nouveau movement. A master designer, illustrator, and ceramicist, Habert-Dys trained under Eugène Grasset and brought to his work a distinctive sensibility that combined naturalism with abstraction, and medieval revivalism with japonisme and Symbolist poetics. In Fantasies Décoratives, Habert-Dys's ornamental imagination is on full display: peacocks, insects, sea creatures, botanical arabesques, and mythical beasts intertwine in flowing, organic forms across decorative panels and vignettes. Each plate reflects the design principles that would help define the Art Nouveau style just a few years later: asymmetry, sinuous lines, nature as inspiration, and a rejection of rigid classical motifs. The chromolithography captures the subtle gradations of colour exquisitely, evoking the textures of enamel, embroidery, and stained glass. These plates were intended as models for artisans across applied arts: ceramicists, textile designers, illustrators, and decorative painters; and represent a culmination of late 19th-century interest in the unity of the arts and the elevation of design. Although less known today than contemporaries like Grasset or Mucha, Habert-Dys was highly respected in his time and regularly exhibited at the Salons and Expositions Universelles. He also worked for the prestigious Sèvres porcelain manufactory and contributed designs for stained glass, jewelry, and furniture.…

Hardcover. Condition: g to fine. First edition. Elephant Folio. 2pp., 12 parts with 4 plates each, all in original light blue illustrated wraps as issued; housed in it original green cloth portfolio with elaborate gilt decor, flowers and birds, and lettering on cover, beveled edges, with decorative paper-covered flaps; protected by modern mylar. The portfolio provides decorative ideas of artist Jules Hebert-Dys for ceramics, fabric, jewelry, furniture and house decor on forty-eight plates. The beautiful color motifs, with gilt and silver overprinting, depict birds, fish, cows, cranes, flowers, ceramics, wall decorations, umbrellas, jewelry, various fabrics, scarfs, panels, wallpaper, bookbinding, tea sets, an embroidered collar, dishes, etc. The album heralds the movement from the so-called Japonisme (Philippe Burty) to the sentimental glug of past pastiches to Art Nouveau. The plates were printed to "papier du Chine" by the lithographer Charles Gillot and pasted to heavy handmade paper. Includes separate printed leaf listing titles of all plates in six languages, French, German, English, Dutch, Italian, and Spanish. Complete set with some miss- and overprints in the numeration of plates. Portfolio with light wear along edges and inner flaps. Leaf with list of plates with some creasing, small closed tears and very light foxing. Handmade paper with some foxing (margins), prints fine. Quite scarce in the original publisher's case.…

Hardcover. Condition: Good. "Fantaisies Decoratives. Documents pour servir a la decoration des Faiences, Meubles, Tissus, Bijoux, appartements, etc. . Quarante-huit planches renfermant environ deux cents motifs." Paris, Librairie de l'Art, n.d. [1887-8] . 48 superb chromolithograph plates by Gillot, greatly influenced by the Japanese style and in a very accomplished art nouveau air, all heightened with gold, on cream paper, mounted on heavy white paper. Folio, (4) pages, title and list of plates.__+__ This copy bound in library cloth (the original issued in parts in portfolio), with each plate mounted on cloth tabs. The spine of the book has been damaged with tears on the upper portion--one of which is 6" long-- but the plates are FINE. (There were subsequent editions of this work that seem to have appeared in 1904/1908/1910, all of which seem to have had no more than 32 plates. I have seen the plates offered individually from $25-$200/each.)__+__ The following description of the lithographs from the Fantisies Decoratives at the Tides Institute and Museum of Eastport from 2009: "By 1886, Habert-Dys was a well-respected designer and illustrator, but the main problem for him, in terms of posterity, is his subtle style. Without seeing the originals, his work is not striking enough to attract attention and no reproduction can do justice to the delicate, beautiful, details and colors that he incorporates into his designs. The Fantasies Decoratives, published in 1886, was a one-year project with forty-eight lithographs issued in twelve parts. The colored gravures, many containing gold, were printed on "papier du Chine" by noted lithographer, Charles Gillot (1853 1903), whose work was so respected that his lithographs were called "Gillotypes". "The intricate patterns, featuring birds, animals, flowers, fish, insects, shellfish, and frogs, were designed for ceramics, plates and dishes, textiles, wallpaper, vases, and jewelry. In these exquisite creations, Habert-Dys adopted many elements of Japanese influence (Japonisme), which reflect the late nineteenth century's fascination with Japanese art. The Fantasies Decoratives also contain elements of line and curve that later became an intrinsic characteristic of the next major movement in the art world, Art Nouveau.". …

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1883 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 16 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.…

Couverture souple. Condition: Bon. Paris . Librairie de l' Art . J. Rouam . 1886 . FANTAISIES DÈCORATIVES 28 PLANCHES ( Sur 48 ) en CHROMOLITHOGRAPHIES , certaines réhaussées or , 31,5 x 45 cm hors tout , planches contrecollées sur papier de CHINE , 21 x 31 cm . Sous chemises papier impimées . SANS pages de titre , les 4 p de présentation , table & chemise cartonnée . Manque angulaire à 2 supports , déchirures aux chemises , quelques rousseurs sur les supports blancs .…

Paris A. Quantin 1883 Portfolio avec 6 eaux-fortes (1 frontispice en 5 planches), 18.5x24cm., en bon état (manque le lacet de la chemise, portfolio avec traces d'usure). "Eaux-fortes pour illustrer les contes de Godard d'Aucour" est un portfolio artistique publié à Paris en 1883 et composé de gravures originales réalisées par Jules Habert-Dys. Ces eaux-fortes illustrent les contes galants et satiriques de l'écrivain français Claude Godard d'Aucour, auteur du XVIIIe siècle connu pour ses récits libertins et spirituels décrivant les moeurs de l'aristocratie. Les gravures, exécutées d'après des compositions inspirées de l'époque, recréent l'atmosphère élégante et légèrement ironique de ces récits. L'ensemble s'inscrit dans la série bibliophilique "Petits conteurs du XVIIIe siècle", éditée par Octave Uzanne et publiée par l'imprimeur-éditeur A. Quantin à Paris. Le portfolio comprend six planches gravées à l'eau-forte par Jules Habert-Dys: un frontispice allégorique et cinq scènes illustrant différents épisodes des contes de Godard d'Aucour. Les compositions s'inspirent de l'esthétique du XVIIIe siècle et représentent des scènes galantes mettant en scène personnages aristocratiques, salons élégants et situations satiriques caractéristiques de la littérature libertine de cette période. Les gravures témoignent du renouveau de l'eau-forte artistique au XIXe siècle et de l'intérêt des bibliophiles pour l'illustration d'oeuvres littéraires anciennes. Claude Godard d'Aucour (1716-1795) fut un écrivain français du XVIIIe siècle associé à la littérature galante et libertine. Ses contes et récits courts décrivent avec ironie les intrigues sentimentales et les moeurs de la société aristocratique de son temps. Le graveur Jules Auguste Habert-Dys (1850-1930) était un artiste français, dessinateur et aquafortiste actif dans la seconde moitié du XIXe siècle. Il réalisa de nombreuses illustrations pour des ouvrages bibliophiliques et participa au renouveau de l'estampe artistique en France.…

In-8 (233 x 170 mm), (2) ff. blanc, (2) ff. faux-titre, titre, 38-(2) pp., (2) ff. blanc, eau-forte de E. Abot en frontispice. Reliure d'époque demi-toile à la bradel, dos orné d'un fleuron doré et d'une étiquette de titre, couvertures conservées, première de couverture illustrée, reliure frottée, minimes manques de papier au second plat, ex-libris collé au contreplat non identifié. Bon exemplaire. Édition originale. Tirage à 1050 ex., 1 des 1000 ex. sur vélin du Marais, (n° 823). …

4°. Erste Auflage, 5 nn. Bll., 28 nn. Textblätter, 28 nn. farbig. illustr. Autographenblätter. Farbig illustr. OHalbleinen mit Holzfurnier-Deckelbezügen, eingelegtem Portraitmedaillon (Sarah Bernhardt-Relief) nach Alphonse (Alfons) Mucha und gemusterten Vorsätzen (blindgepr. Muster), OPappschuber. Sprache: Französisch, Mit 28 von Hermann Vogel farbig illustr. Autographenblättern (einseitige bedruckte Tafeln - jeweils mit Photo nach Nadar, Pirou etc. und Handschriftfaksimile) und zahlr. Textillustrationen von Habert-Dys, Orazi und Fraikin in Rotdruck. Schuber leicht berieben und bestoßen und teils beschabt (einige kleine Bezugspapierabschabungen) und die Schuberöffnung mit 2 winzigen Eckeinrissen; Einband gering berieben sowie leicht bestoßen und stockfleckig; Vorsätze stockfleckig (Schmutztitelblatt stärker), Textblätter teils etwas stockfleckig und leicht gebräunt; die lose einliegenden Seidenpapierschutzhemdchen der Autographenblätter teils leicht wellig. Druck der Textblätter in Rot und Schwarz auf Büttenpapier - unbeschnitten. …