Seller: CMG Books and Art, Toronto, ON, Canada
hardcover. Condition: As New. Decorative hardcover, no dust jacket as issued. Text in English & Hungarian. 215 pages. U.S. orders are shipped from N.Y. state.
Language: English
Published by Budapest, 2004., 2004
Seller: Antiquariat Im Seefeld / Ernst Jetzer, Zürich, Switzerland
Condition: Sehr gut. 52 pp., large octavo, brochure, with full-page colour photographs. Sprache(n)/language(s): enVery good condition.
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. National museums and civic patrons | Practices of cultural accumulation in Central and Eastern Europe | Gabor Ebli | Taschenbuch | Französisch | 2021 | Harmattan Hongrie | EAN 9782343214184 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Published by www.sinclay.com, 2017
ISBN 10: 6155456321 ISBN 13: 9786155456329
Seller: Griffin Books, Stamford, CT, U.S.A.
Signed
Hardcover. Condition: Like New. Nathenson inscribed to previous owners and signed with additional artist material tipped into the front paste down. Looks new and unread, illustrated hardcover in jacket. Text is in English and Hungarian. D44 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Signed by Other.
Language: English
Published by Harmattan Hongrie Jan 2021, 2021
ISBN 10: 2343214182 ISBN 13: 9782343214184
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Eager to present their cultural assets, most nations in Eastern Europe, while ruled by foreign empires, were setting up museums from the 19th century on. With many of them attaining national sovereignty in the 20th century only, the museum expansion in this region has been taking new twists and turns to date. Much of this development has relied on private initiatives, even under Communism when defiant cohorts of the suppressed civil society helped art patronage survive. By spanning two-hundred years and integrating numerous case studies, this volume examines public institutions and private collections in their historical progress and in a coherent, unified approach, as equal pillars of national heritage as much as of contemporary art. 280 pp. Französisch.
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnEager to present their cultural assets, most nations in Eastern Europe, while ruled by foreign empires, were setting up museums from the 19th century on. With many of them attaining national sovereignty in the 20th century only, t.
Language: English
Published by Harmattan Hongrie Jan 2021, 2021
ISBN 10: 2343214182 ISBN 13: 9782343214184
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Eager to present their cultural assets, most nations in Eastern Europe, while ruled by foreign empires, were setting up museums from the 19th century on. With many of them attaining national sovereignty in the 20th century only, the museum expansion in this region has been taking new twists and turns to date. Much of this development has relied on private initiatives, even under Communism when defiant cohorts of the suppressed civil society helped art patronage survive. By spanning two-hundred years and integrating numerous case studies, this volume examines public institutions and private collections in their historical progress and in a coherent, unified approach, as equal pillars of national heritage as much as of contemporary art. Französisch.
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Eager to present their cultural assets, most nations in Eastern Europe, while ruled by foreign empires, were setting up museums from the 19th century on. With many of them attaining national sovereignty in the 20th century only, the museum expansion in this region has been taking new twists and turns to date. Much of this development has relied on private initiatives, even under Communism when defiant cohorts of the suppressed civil society helped art patronage survive. By spanning two-hundred years and integrating numerous case studies, this volume examines public institutions and private collections in their historical progress and in a coherent, unified approach, as equal pillars of national heritage as much as of contemporary art.