Editor Robert Fleck (11 results)

Hardcover. Condition: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, Not a Remainder, No Black Remainder Mark, MH190-508Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

Hardcover. Condition: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, 399-109Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

Pamphlet. Condition: Very Good. Oak Knoll Books. Pamphlet. Very Good.

Soft cover. Condition: Very Good. 80 pages. Professor Paul D Fleck "Romance in Byron's 'The Island's" / A B Morrison "Byron's Lameness" / Professor John D Jump "Reflections On Byron's Prose" / Professor Robert Escarpit "Misunderstanding In France" / Professor Leslie A March and "Byron's Hellenic Muse" (SL#81/1).

Hardcover. Condition: Good. Gd. condition - An exhibition of Marie Raymond's work . (TH17947z). Book.

Paperback. Condition: Brand New. illustrated edition. 184 pages. French language. 9.25x6.50x0.50 inches. In Stock.

Paperback. Condition: Brand New. bilingual edition. 215 pages. German language. 9.50x7.75x1.00 inches. In Stock.

Condition: Brand New. 304 pages. German language. 9.37x1.18x11.10 inches. In Stock.

Hardcover. Condition: Brand New. 01 edition. 400 pages. 12.00x10.25x1.50 inches. In Stock.

First edition. 12 x 9.5 inches. 200 pages. Profusely illustrated in color. Original pictorial wrappers. "Jackson Pollock's pioneering "drip" technique provided the model for what Harold Rosenberg would term "Action Painting"--using the canvas as an arena for the emphatically physical, even balletic application of paint, and as a record of that engagement. Pollock also provided the credo for this approach: "When I am in my painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. The painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess." Featuring works by 25 major representatives of this movement, Action Painting: Jackson Pollock and Gesture in Painting addresses the fundamental qualities of gestural abstraction from 1945 to 1965, assessing common traits as well as contrasts in practice between America and Europe (where it was known as Informel). Essays by acclaimed specialists, alongside introductions to each of the featured artists, make this volume a revealing presentation of one of the most important artistic movements in the twentieth century. Artists include Karel Appel, Lynda Benglis, Norman Bluhm, Jean Dubuffet, Jean Fautrier, Sam Francis, Helen Frankenthaler, Arshile Gorky, Hans Hartung, Eva Hesse, Hans Hofmann, Gerhard Hoehme, Asger Jorn, Franz Kline, Willem de Kooning, Lee Krasner, Morris Louis, Joan Mitchell, Ernst Wilhelm Nay, Jackson Pollock, Kazuo Shiraga, Pierre Soulages, Clyfford Still, Cy Twombly and Wols" (the publisher). A fine copy.

Hollein, Max (editor). JULIAN SCHNABEL: Malerei/Paintings 1978-2003. Texts by various contributors; 176 pp., 68 color, and 29 b&w illustrations. 4to, cloth. Ostfildern-Ruit, Hatje Cantz, 2004. Published to accompany a travelling exhibition. Text in English and German.