Eduard J Steichen (16 results)

Stapled wraps. Condition: Very Good. Reprint. 2-Pg. Introduction in French.; 20 pages.

Softcover staple bound, 44 pages, very good condition; moderate rubbing to covers; no internal marks.

Couverture rigide. Condition: Bon. Edition originale. Reliure in-4 demi-chagrin à coins, premier plat conservé, titre doré au dos, pagination absente. Edition originale. 110 planches photographiques en noir et blanc, dont certaines reproduites en photogravure. Texte en anglais, avec traduction française in fine, de Clive Holland, Charles H. Caffin, Horsley Hinton, Enrico Thovez. Photographies de Dan Dunlop, George Davison, Clive Holland, Alvin L. Covurn, Eduard J. Steichen, Alfred Stieglitz, Céline Laguarde, C. Puyo, Robert Demachy, Paul Bergon, et al. Ex-libris manuscrit sur la première garde. Reliure et dos partiellement passés, intérieur bon.

Paperback. Condition: Very good- condition. First Edition. 44 pages of text followed by [xvi] of advertisements. The overhanging (yapped) edges of the original printed gray wrappers/covers are mostly lacking, as is commonly found. The majority of the spine is also lacking, with some remnants of the spine remaining attached. Protected in archival mylar. Though the sewing remains intact, there are several instances of separation to the text block. Issued with 3 four-color double-mounted halftone plates. These Autochrome plates are by Eduard J. Steichen produced through the half-tone process of Lumiere Autochromes; COMPLETE. The first plate of I. G. Bernard Shaw has become detached from both original mounts, and it has two tiny areas of chipping. The other plates are titled "On the House-boat -- 'The Log Cabin'" and "Portrait -- Lady H." each having both mounts remaining intact. Includes a statement and the text of eight letters regarding Mr. Stieglitz's expulsion from the Camera Club. Associate editors include Joseph T. Keiley, Dallet Fuguet, John Francis Strauss, and J.B. Kerfoot. First edition. Size: Quarto (4to). Book.

In-8-carre, 22 cm, 38pp., illustr., A62,

. (illustrator). High quality halftone, 6 5/8 x 5 3/16 inches [16.83 x 13.18 cm] printed on a semi-gloss stock, tipped to a colored stock and tipped on tissue, which is tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-range halftone from CAMERA WORK 2, 1903. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Hand-pulled photogravure, 8 1/16 x 6 5/16 inches [20.48 x 16.3 cm], printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine, full-tone photogravure from CAMERA WORK 42/43, 1913. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Steichen, Edward (illustrator). Hand-pulled photogravure, 6 5/8 x 6 7/16 inches [15.83 x 16.35 cm] printed on tissue and tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 42/43, 1913. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

. (illustrator). High quality halftone, 4 1/4 x 5 3/8 inches [12.10 x 13.65 cm] printed on a semi-gloss stock and tipped on tissue, which is tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-range halftone from CAMERA WORK 2, 1903. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Steichen, Edward (illustrator). Hand-pulled photogravure, 7 1/2 x 5 1/4 inches [19.05 x 13.34 cm] printed on tissue and tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 42/43, 1913. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Hand-pulled photogravure, 9 1/2 x 6 1/2 inches [24.13 x 16.51 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine, full-tone photogravure from CAMERA WORK 34/35, 1911. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Hand-pulled photogravure, 7 3/4 x 5 7/8 inches [19.69 x 14.92 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine, full-tone photogravure from CAMERA WORK 2, 1903. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Hand-pulled photogravure, 8 1/4 x 6 inches [20.96 x 15.24 cm] printed on copper plate paper, tipped to a colored stock, which is tipped to tissue and then tipped to a laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine, full-tone photogravure from CAMERA WORK 2, 1903. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Hand-pulled photogravure, 8 7/16 x 6 3/8 inches [21.43 x 16.19 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine, full-tone photogravure from CAMERA WORK 2, 1903. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

. (illustrator). Hand-pulled photogravure, 7 13/16 x 6 inches [19.83 x 15.24 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 2.1903 Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.

Hand-pulled photogravure, 8 3/16 x 6 1/4 inches [20.80 x 15.88 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine, full-tone photogravure from CAMERA WORK 34/35, 1911. Edward Steichen (Eduard Jean Steichen) was born in Luxembourg, 1879. In 1889, his family settled in Milwaukee, Wisconsin. From the 1894-1898, he served an apprenticeship with the American Fine Art Company, a lithographic firm, where he was introduced to photography, purchasing his first camera in 1895. In 1899, he began exhibiting in photographic salons, and in 1900, he met Alfred Stieglitz, who purchased three photographs. Soon after, he departed for Europe, settling in Paris, exhibiting in salons there and in London, continuing to send photographs to American exhibitions. In 1902 he was back in New York, and joined Stieglitz, as a founding member of the Photo-Secession. In 1911, he was commissioned by Art et Decoration for fashion photographs, an application he practiced for most of his career. Steichen's career was the most varied of the members of the Photo-Secession; an accomplished photographer and painter, Lt. Commander and director of U.S. Naval Photography during WW II, and Director of the Department of Photography for the Museum of Modern Art.