Eggleston William, Signed (53 results)

Condition: Very Good. Dust Jacket Condition: Very Good-. [Birmingham, AL]: Oxmoor House, [1990]. First Edition Stated. Oblong quarto; publisher's cloth in photo-illustrated price-clipped dust jacket; 154pp.; photographic illus. throughout. Moderate wear and dust-soil to jacket, faint dampstain along top edge of upper panel not affecting cloth or textblock; ownership address label to front free endpaper, else a Very Good copy in About Very Good jacket. Inscribed and signed on title page, "New Orleans / 11/28/90 / to Mary Norman, with warm wishes, Wilie Morris.".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. William Eggleston (illustrator). First Edition/First Printing. Signed on the title page by Morris. Nice copy that is lightly handled, price clipped, slight soiling, scratch to rear jacket panel. Still very solid. Signed by Author(s).

Second edition. 23 x 25cm 112pp very good hardback, signed by William Eggleston on the title page. William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Eggleston, William (illustrator). First U. S. Edition. Introduction by Mark Holbern. The cover has dark yellow cloth with red letters on the spine strip. The book is 11 1/4 in. wide. 167 pages; color photographs; chronological biography; bib. The endpapers' folds are split over the hinges and appear to have been tightened with glue. The hinges may have been repaired also. The damage on the back endpaper appears to have been greater. The front FEP has a vertical fold. The bottom end of the text block has a faint, pinpoint size stain and a 1/4 in. scratch. DJ: An L-shaped, closed tear is 6 in. long. Another closed tear is 1 1/4 in. The back panel has scratches and a wrinkled corner. The ends of the spine panel and most of the ends of the folds are rubbed, some of which also have a 1/8 in. chip. The reverse side has a 2 in. x 3/8 in. stain. Scans e-mailed upon request. Priority and international shipping will require extra cost. Signed by the Photographer.

Pictorial Hard Cover. Condition: Very Good. Eggleston, William (illustrator). The cover is black. Unpaginated; 5/8 in. thick; color photographs; text is in English. The front board's pastedown illustration has a 1/4 in. and 3/8 in. lightly, dented line. A corner has an L-shaped, 3/8 in. scrape. The back board's pastedown illustration has a few, fine line scratches. The top end of the text block has pinpoint size stain. Scans e-mailed upon request. Priority shipping for the U.S. will require extra cost. Only priority shipping is available for international orders, at extra cost because of the book's size. Signed by the Photographer.

Hardcover. Condition: Fine. Dust Jacket Condition: Good. William Eggleston (illustrator). 1st Edition. The book is 13 1/4 in. across. The cover has brown cloth. Color photographs. The illustrator's signature, as Bill Eggleston, inscription, and 1995 are on the title page. DJ: The front panel's bottom margin has a crease line, a linear 1/2 in. chip, and a 1/2 in. closed tear. The bottom margin of the back panel has a 1/4 in. closed tear and a short crease line. The lamination has moderate sheen loss from shelf wear rubbing. Scans e-mailed upon request. Priority or international shipping will require extra shipping cost. Inscribed and Signed by the il.

Soft cover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Signed by Friedlander. Boxed set of six volumes sharing the following format: Soft cover. No dust jacket as issued; contained in a printed paper-covered slipcase. Photgraphs by Lee Friedlander. Set 240 pp., with 191 duotone plates. 9 x 8-1/2 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (opened only for signature). From the publisher: "In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American "social landscape": deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, The Mind and the Hand presents the photographer's intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject." Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Eggleston, William (illustrator). First Edition. The cover has brown cloth with goldtone letters. The book is 13 1/4 in. wide, has155 pages and has color photographs. The author and the photographer signed on the bottom end of the title page. The top end of the text block has sparse, faint, foxing. The foredge has a 1/16 in., light stain and 2 in. faint line of stain. The front FEP has vertical, bend line, and the bottom corner has a row of thinned spots and two, linear 1/8 in. chips. The copyright, title, and half-title pages each have light foxing on about a third of the page. The pages are slightly wavy. DJ: About an eighth of the back panel has light, water stain. That panel's bottom edge has a 1/4 in. and a 3/8 in. closed tear, a 1/8 in. and a 1/4 in. scraped spot, and a light, crease line. The lamination has shelf wear rubbing. Scans e-mailed upon request. Priority or international shipping will require extra cost. Signed by the Author and Photo.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 96 pages. Features text by Michael Almereyda along with the text of his conversation with Eggleston. A collection of color and black and white plates of a wide ranging images all taken with a 5 x 7 camera. Includes a total of 57 four color plates. A fine copy in cloth boards and in a very near fine dust jacket and with laid in promotional poster that is in fine condition. Signed by Eggleston on the colophon page. Signed.

Hardcover. Condition: As New. Dust Jacket Condition: As New. One of a limited edition of 4,000 copies, signed by the photographer on the limitation page. Folio, unpaginated (about 120pp). Fully illustrated with color and black & white photographs. Hardcover, bound in original cloth with pictorial dustjacket. In excellent condition. A clean, tight, copy. No markings or signs of prior ownership. As new. The d/j is now protected in a new clear Mylar wrapper. Loosely inserted is a foldout advertisement as well as a printed statement from the publisher authenticating the signature. Signed by Illustrator(s).

Softcover. Condition: Good. Eggleston, William (illustrator). Signed by Author. SIGNED by David Byrne underneath the photo facing the title page. Inscription page was pulled away from the binding but has been tipped-back in with archival adhesive. Companion book to the film with full color photos throughout. Text block shows some moisture wavering, rubbing to covers and wear at hinge. Some speckling to the edges of the text block. No AMA 191 pages. Text unmarked. Binding is tight, covers and spine fully intact. Some reading-wear, cover creasing and bumping to corners. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Film & Media::Film Studies; Signed by Author. ISBN: 0140092307. ISBN/EAN: 9780140092301. Inventory No: 030403.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. First Edition, First Printing. Twin Palms Publishers, Santa Fe, NM 2006. Hardcover in pictorial dust jacket. First Edition, First Printing. Unpaginated (120 pp.), with 32 four-color and 29 black and white plates. 14-1/4 x 10-7/8 inches. In the 1970s Eggleson used a 5 X 7 view camera to take these images (mostly portraits) from the Memphis club scene that Eggleston frequented during the period. SIGNED by Eggleston. B&W and color. Essay titled "Eggleston in '73" and Q&A with Eggleston by Michael Almereyda. BOOK CONDITON: Fine; a solid, tight, clean copy in a Fine dust jacket (still sealed in the publishr's original shrinkwrap with signed copy card sealed inside). SIGNED. Signed.

Hardcover with dustjacket in printed black slipcase, unpaginated; as new condition; clean and crisp; signed by William Eggleston and numbered 57/150 on colophon page at rear; no other internal marks. Folded Eggleston film poster laid in. Twin Palms numbered slip also laid in. Foreign shipping may be extra.

Hardcover with dustjacket, 304 pages, as new condition; clean and crisp; signed by William Eggleston in black pen and dated 2008 on 2nd blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. 1st Edition. First edition (2013). First impression. Large format hardback in fine condition. Signed by William Eggleston to title page. No markings. Please see pictures. paypal accepted, any questions please get in touch. Signed by Author(s).

Hardcover. Condition: Very good. No jacket. #167/250cc, signed by Eggleston. In clamshell case. Title text on outside of case is partially rubbed off, but book inside is in excellent condition. Binding is tight and inside is clean and unmarked.

Hardcover. Reprint. Quarto, 261 pages. In Very Good condition. Quarter bound in red cloth with beige text. Boards show red strand signed edition sticker on front cover and mild wear on lower rear corner. Signed by William Eggleston on title page. JW consignment Shelved in Hallway Wilson Q+F. 1385868. Special Collections.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Oblong hardcover. 176 pages. Features an introduction by Eudora Welty. A powerful collection of color photographs from one of the more important photographers of the 20th century. A fine copy in cloth boards and in a fine dust jacket. Signed by Eggleston on the title page A very fresh copy of a book that prone to wear. Signed.

About This Edition: William Eggleston frequently collaborated with the Fondation Cartier pour l'Art Contemporain. This volume was the result of a commission by the foundation to photograph Paris, and is ultimately a love letter to the city. Over three years, Eggleston captured the city in all its contradictory beauty, grime, and elegance. An exhibition was held at the Cartier Foundation between April to June 2009, which this volume accompanies. This is a relatively scarce volume to begin with, and to my knowledge is the only copy currently available online which has been signed by the author. More photographs can be provided on request. Hardcover bound in black cloth, no dust-jacket (as issued), presented in publisher's slip-case. A fine copy with the author's signature on the title page. About the Author: A Guggenheim Fellow (1974) and member of the Royal Photographic Society, William Eggleston is credited with transforming colour photography into an accepted art form. Like the great photographer and contemporary Paul Strand, his artistic journey began with a gift ? a Leica camera from a friend ? which sparked a lifelong fascination with photographing everyday life. Influenced early on by Robert Frank and Henri Cartier-Bresson, Eggleston developed a style uniquely his own: quiet, vivid, and profoundly American. His skill lay in finding magic in the mundane; Eudora Welty, who penned the introduction to The Democratic Forest, wrote that a typical Eggleston composition could comprise of anything from: ".Old tires, Dr. Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters, and palm trees crowding the same curb." (quote taken from The Democratic Forest). Eggleston was also known for his independence and protection of his privacy. Though he dated Andy Warhol's muse Viva (Janet Susan Mary Hoffmann), he was never quite part of Warhol's inner circle and avoided the fame that others sought. Further information can be found at the Eggleston Art Foundation Website.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 96 pages. Number 96 of only 150 copies. Features text by Michael Almereyda along with the text of his conversation with Eggleston. A collection of color and black and white plates of a wide ranging images all taken with a 5 x 7 camera. Includes a total of 57 four color plates. A fine copy in cloth boards and in a fine dust jacket and fine cloth covered slipcase and with laid in promotional poster that is in fine condition. Signed by Eggleston on the colophon page. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. First edition. Hardcover. 13 3/4'' X 12 1/2''. Illustrated in color. SIGNED by William Eggleston on the title page.

Hardcover. Condition: New. No Jacket. 1st Edition. New and Unread with DVD of full-length documentary. Signed by Eggleston in silver ink on black flyleaf. Rare signed, unread copy. Eggleston's exploration of (at the time 1973-74) a Sony portable video camera, modified for filming in low light. Photos are pulled from the original video and re-mastered. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Whitney Museum/Yale University Press, 2008. Hardcover. First Edition. Book and dust jacket condition: fine. Fine copy of the first edition, first printing. Signed on the title page by William Eggleston. Signed by Mr. Eggleston at the Corcoran Museum of Art, June 17. 2009. This book is available for sale only to customers in the United States. No orders outside the United States. Signed by Author(s).

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. Number 63 of 100 copies. Features essays by Michael Almereyda, Lloyd Fonvielle, Kristine McKenna, Greil Marcus, and Amy Taubin. Includes 87 four color plates. A fine in cloth boards and in a fine dust jacket and in a fine slipcase. Signed by Eggleston on the colophon page. An as new copy that is still in the shrinkwrap slit open to verify signature. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. William Eggleston (illustrator). 1st Edition. Signed by author Willie Morris under his name on the title page. Unclipped DJ in archival cover. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Limited edition of 100 numbered copies (this being #44/100), signed in black ink on the colophon page by Eggleston. Hardcover. Fine terra cotta colored cloth, with title stamped in black on spine; with photographically illustrated dust jacket and slipcase. Photographs by William Eggleston, selected by Michael Almereyda (the director of the 2005 film "William Eggleston in the Real World.") Texts by Michael Almereyda, Lloyd Fonvielle, Greil Marcus and Amy Taubin. Interview with Eggleston by Kristine McKenna. Includes a list of plates. Designed by Michael Almereyda and Jack Woody. 144 pp., with 87 four-color plates finely printed on heavy matt paper. 13-3/4 x 12-1/4 inches. Published to coincide with a major retrospective exhibition, "William Eggleston: Democratic Camera - Photographs and Video, 1961-2008," at the Los Angeles County Museum of Art and traveling to other venues. New in New dust jacket and slipcase (in publisher's shrink-wrap). Opened only for signature. From the publisher: "For Now is the result of filmmaker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising." From Michael Almereyda: "William Eggleston's photographs are always about looking. They distill a sense of heightened attention--alertness, anticipation, awe--from fragments of ordinary, unmanipulated reality. But the 'ordinary' in Eggleston is often charged with an air of mystery and menace, a Halloween atmosphere leaking into every season he records. A quality of vulnerability and play converges with unease, dread, the possibility of mayhem. This new book, William Eggleston: For Now, presents over 90 previously unpublished color photographs pulled from Eggleston's back files, spanning four decades of work. The title is meant as an open nod to the immediacy of pictures plucked from near-oblivion, a salute to their freshness, their nowness. The selection is tidier, more self-contained, than I first expected--a bouquet brought back from an archival jungle. Most of the pictures feature people, and many of the subjects are the photographer's blood relations and close friends. The emotional temperature is at once tender and aloof, extending to images of strangers in parking lots and suburban yards, which is aligned with Eggleston's enduring fascination with frayed commercial spaces, cars, signs, cracked sidewalks, light bulbs, bricks, clouds, with rural porches, broken fences, spilled trash, ditches, puddles, architectural gaps and divides--the spaces between spaces, the mundane, the makeshift, all the fragmentary raw proofs of civilization as a perishable human construction that, nevertheless, provide subject matter for vibrant photographs. When I reviewed a rough layout with Bill, he was pleased to see so many pictures he had clean forgotten about. He offered his approval alongside a bemused comment that the book comes close to being a family album." Signed by Author.

Hardcover. Condition: Very Good. No Jacket. Unpaginated. 119 pp. 12.25x12 inches. Binding is square/straight/intact. Spine very good condition gilt maintained, front and back covers very good with some dust spotting. Pages clean and white, fully intact, glossy and with beautiful photos. Printed without dust jacket. Flat signed by William Eggleston. Very Likely signed by Eggleston at The Strand for their annual Steidl books event. Please ask for pictures! Signed by Author(s).

Hardcover. Condition: New. 1st Edition. David Zwirner Books, 2016. Hardcover. First edition. *MINT* Book condition: fine. Beautiful copy. First edition. Signed by William Eggleston in black ink on the title page. This copy was signed by William Eggleston on October 26, 2016 at Strand Books, New York, as part of Strand's annual STEIDL publishing event. Beautiful *MINT* copy. This book is only available for purchase to customers in the United States. This book will only be shipped to addresses in the United States. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Signed and numbered ("113/150") by Eggleston on the colophon page. Hardcover. Fine red cloth-covered boards, with tipped-in four-color plate and title stamped in red on spine, with matching cloth-covered slipcase; no dust jacket as issued. Photographs by William Eggleston. 100 pp. with 45 four-color plates. 11 x 11 inches. This slipcased edition was limited to 150 copies. Fine in Fine slipcase. A mint copy. From the publisher: "Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960's after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Szarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the 'first color photographer,' and certainly the world in which we consider a color photograph as art has changed because of Eggleston's work. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are published here for the first time, adding more classic Eggleston images to photography's color canon." Signed by Author.

Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Limited edition of 50 numbered copies (copies #1-50 from a total limited edition of 150 are reserved for this Deluxe Edition), signed in black ink on the colophon page by Eggleston, in a deluxe clamshell box, with an original dye-transfer print (paper size 11 x 11 inches; image size 9 x 8 3/4 inches), reproduced in plate 12 of the book (photograph of placard with Native American silhouette). The print is signed and numbered by Eggleston in black ink on recto, with the Artistic Trust stamp in black ink on verso; housed in a presentation mat). ABOUT THE BOOK: Hardcover. Red cloth-covered boards, with tipped-in color plate, no dust jacket as issued. 100 pp. with 45 four-color plates. 11 x 11 inches. Fine in publisher's original packaging. The print and book are in flawless pristine condition. The clamshell box has some rubbing to the title in yellow at the spine. From the publisher: "Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960's after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Szarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the 'first color photographer,' and certainly the world in which we consider a color photograph as art has changed because of Eggleston's work. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are published here for the first time, adding more classic Eggleston images to photography's color canon." Signed by Author. Signed by Author(s).