Elena Gipponi (9 results)

Paperback. Condition: Brand New. 145 pages. 9.25x6.50x0.50 inches. In Stock.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New.

Condition: new.

Brossura. Condition: new. Sesto San Giovanni, 2024; br., pp. 308, cm 14x21. (Ricerche IULM. Comunicazione, Arti e Media). La diffusione della tecnica di stampa in rotocalcografia, nei primi decenni del Novecento, permette di produrre riviste con un numero sempre maggiore di immagini a un costo inferiore e con tirature più alte. In questo nuovo genere periodico, che in Italia si afferma tra gli anni trenta e quaranta, le fotografie prendono il sopravvento sul testo e diventano la parte dominante e di richiamo dei periodici. È un mutamento epocale, che trasforma l'esperienza di lettura delle riviste in un'esperienza spettatoriale. Il volume indaga i modelli e le implicazioni di tale trionfo e la rimodulazione a cui è stata costretta la parola scritta nel nuovo contesto mediale. I contributi qui raccolti propongono una lettura critica degli equilibri inediti che si creano nel rapporto tra parole e immagini, attraverso l'esame di specifiche testate rappresentative del cambiamento, come "La Rivista illustrata del Popolo d'Italia", "Casabella", "Panorama", "Tempo" e "Oggi". Libro.…

Condition: NEW.

Hardback. Condition: New. Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, "monopack" color stocks came to dominate global film markets. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema. Covering a broad range of perspectives, the chapters explore themes such as transnational flows, knowledge exchange and transfer, the cyclical and asymmetrical circulation of technology in a global context, as well as the accompanying transformation of color film aesthetics in the postwar decades.…

Hardback. Condition: New. Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, "monopack" color stocks came to dominate global film markets. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema. Covering a broad range of perspectives, the chapters explore themes such as transnational flows, knowledge exchange and transfer, the cyclical and asymmetrical circulation of technology in a global context, as well as the accompanying transformation of color film aesthetics in the postwar decades.…

Paperback. Condition: New.