Elisabeth Schmuttermeier (68 results)

Condition: Fine. 144 pp., hardcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condition: As New. New paperback, still in publisher's shrinkwrap.

Trade Paperback. Condition: Used - very good.

paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Used - Like New. The history of modern design is not only older but much more multifaceted than commonly assumed. This thesis is elegantly borne out through an exploration of the work and influence of the Vienna avant-garde of the Biedermeier period, an era that brought forth shapes and forms which have lost none of their appeal, even today. If the towering objects that appear together on the cover of this book give the effect of a futuristic city, they thereby prove that their design stands the test of time, resoundingly relevant to our current design view thanks to its creative innovation. In fin-de-siAcle Vienna, the designs of Josef Hoffman and Koloman Moser for the Wiener Werkstatte were informed by the intellectual content of that time. Since then, many of their ideas and the ideas of the Vienna avant-garde found their way into mass production; in this way have they trickled down into today's design vocabulary, primarily via the Bauhaus and de Stijl movements. 'Viennese Silver: An Adventure in Time 1800-1900' compares 180 carefully selected Viennese silver objects from the classicist to the Wiener Werkstatte periods with 20th-century architectural and design objects, exploring the question of Vienna's contribution to the development of modern design. The history of modern design is not only older but much more multifaceted than commonly assumed. This thesis is elegantly borne out through an exploration of the work and influence of the Vienna avant-garde of the Biedermeier period, an era that brought forth shapes and forms which have lost none of their appeal, even today. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.

Paperback. Condition: VG. First ed. Cover sunned at spine; else as new. Due to weight, no foreign orders or domestic priority shipments accepted without prior arrangement as to shipping costs, which will exceed our usual rates. "Catalogue published in conjunction with the exhibition . held at the Bard Graduate Center for Studies in the Decorative Arts from May 25 through August 7, 1994. The exhibition has been organized in collaboration with the MAK--Austrian Museum of Applied Arts, Vienna"--Page [5]. 351 pages : illustrations (some color) ; 29 cm Decorative cast-ironwork -- Europe -- Catalogs. Interior decoration -- Europe -- Catalogs. Decoration and ornament, Architectural -- Europe -- Catalogs.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 398 pages. Features text contributions by Markus Bruederlin, William D. Godsey, Jr, Diether Halama, J.S. Marcus, Sylvia Mattl-Wurmj, Joseph Rykwert, Elisabeth Schmuttermeier, Christopher Wilk, and Christian Witt-Dorring. Includes 501 illustrations of which 189 are in color. A clean and tight very near fine copy in a very near fine dust jacket.

Soft cover. Condition: Near Fine. First Edition. Tan illus. wraps, French flaps. Slight shelf wear. 103 pp., illus. in color. 259 catalogued entries. Size: 8vo - over 7¾" - 9¾" tall. Book.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Yellow wraps with black lettering and illustration; illustrated endpapers; 351 pp.; richly illustrated. "Catalogue published in conjunction with the exhibition . held at the Bard Graduate Center for Studies in the Decorative Arts from May 25 through August 7, 1994. The exhibition has been organized in collaboration with the MAK--Austrian Museum of Applied Arts, Vienna"-- Page 5. ,Contents as follows: Foreword / Susan Weber Soros -- Introduction / Derek E. Ostergard -- 1. The Iron Revolution in Britain, 1750-1825 / Michael Stratton -- 2. The Road to Industrialization: Prussia, 1814-1848 / Kenneth D. Barkin -- 3. Commerce and Industry in the Habsburg Empire in the Age of Metternich, 1815-1848 / Leon Botstein -- 4. Karl Friedrich Schinkel and Berlin Cast Iron, 1810-1841 / Ursula Ilse-Neuman -- 5. The Central European Cast-Iron Industries / Elisabeth Schmuttermeier -- 6. The Beginnings of Cast-Iron Garden Furniture Production / Georg Himmelheber -- 7. A History of Cast-Iron Jewelry / Brigitte Marquardt -- 8. A Passion for Antique Gems / E. Bryding Adams -- 9. A History of Cast-Iron Technology and the Prussian Iron Art Industry / Albrecht Pyritz -- 10. German Sculpture and Cast Iron: Berlin as Epicenter / Helmut Borsch-Supan -- Catalogue of the Exhibition / Elisabeth Schmuttermeier and Derek E. Ostergard -- Appendix: A Directory of Central European and British Cast-Iron Foundries / Lisa Arcomano and Michael Stratton. Good (Wraps are edgeworn, scuffed, and smudged; there is a 1/2 inch portion of serious scuffing on the front cover; textblock edges are smudged and scuffed and edgeworn; interior is clean; binding is solid.).

Condition: as new. Wie neu/Like new.

hardcover. Condition: Very Good. Neue Galerie and Prestel Verlag; New York and Munich, 2013. Hardcover. A Very Good, purple cloth binding with gilt lettering on spine, binding sturdy and intact, faint crease top corner few pages in rear, slightly bumped top board corners, small soiled speck top text block edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 399pp., bibliography, checklist, indexed, credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Condition: Good.

softcover. Condition: New. Quarto in wraps, Unread, Unworn, still in Shrinkwrap, else NEW. Vintage cast iron from central Europe. ; 4to 11" - 13" tall.

Paperback. Condition: As New. Dust Jacket Condition: No Dustjacket. Later Edition. ISBN 1887506012. Oversized, Heavy, Trade Paperback. Near Fine Condition. Tight, bright, attractive copy with no markings to the book. As new condition. No statement of later printing on copyright page. No Signature.

4° Broschiert. Condition: Gut. Broschierter Einband, 30 x 20 cm, altersgemäß leicht berieben, Innenseiten altersbedingt leicht randgebräunt, insges. sauber und gut erhalten. Mit einem einliegenden hochformatigen Leporello-Faltblatt mit Werk-/Künstlerbezeichnungen. Anlässlich einer Ausstellung Östereichs in Belgien/Luxemburg: Umfangreiche Darstellung von Artefakten, die im o. g. Zeitraum in den Wiener Werkstätten gefertigt wurden. Zahlreiche Abbildungen. Stichworte: Design, Kunsthandwerk, Handwerk, Möbel, Wiener Werkstätten 261 S., zahlr. Abb. Niederländisch 1200g.

Brossura. Condition: new. English and German Text.Stuttgart, 2018; paperback, pp. 144, 124 b/w ill., cm 22x28,5. Libro.

27 cm, kart. 111 S., mit zahlr. Abb., Mit leichten Gebrauchsspuren. In niederländischer Sprache. Sprache: Niederländisch Gewicht in Gramm: 650.

Condition: Fair. Paperback met flappen, illustraties (waaronder foto's) in kleur en z/w, 4to.; Foxing omslag en snede.

Condition: As New. Unread book in perfect condition.

8°, hardcover. 144 pp New book. Sprache: Englisch Gewicht in Gramm: 0.

28 x 21 cm ; kart. ; Condition: Gut. 135 S. ; Großformatige Paperbackausgabe, 135 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1601 ISBN: 3900688125.

Paperback. Condition: VG. Yellow wraps with black lettering and illustration; illustrated endpapers; 351 pp.; richly illustrated. "Catalogue published in conjunction with the exhibition . held at the Bard Graduate Center for Studies in the Decorative Arts from May 25 through August 7, 1994. The exhibition has been organized in collaboration with the MAK--Austrian Museum of Applied Arts, Vienna"-- Page 5. ,Contents as follows: Foreword / Susan Weber Soros -- Introduction / Derek E. Ostergard -- 1. The Iron Revolution in Britain, 1750-1825 / Michael Stratton -- 2. The Road to Industrialization: Prussia, 1814-1848 / Kenneth D. Barkin -- 3. Commerce and Industry in the Habsburg Empire in the Age of Metternich, 1815-1848 / Leon Botstein -- 4. Karl Friedrich Schinkel and Berlin Cast Iron, 1810-1841 / Ursula Ilse-Neuman -- 5. The Central European Cast-Iron Industries / Elisabeth Schmuttermeier -- 6. The Beginnings of Cast-Iron Garden Furniture Production / Georg Himmelheber -- 7. A History of Cast-Iron Jewelry / Brigitte Marquardt -- 8. A Passion for Antique Gems / E. Bryding Adams -- 9. A History of Cast-Iron Technology and the Prussian Iron Art Industry / Albrecht Pyritz -- 10. German Sculpture and Cast Iron: Berlin as Epicenter / Helmut Borsch-Supan -- Catalogue of the Exhibition / Elisabeth Schmuttermeier and Derek E. Ostergard -- Appendix: A Directory of Central European and British Cast-Iron Foundries / Lisa Arcomano and Michael Stratton.

gebunden. Condition: Neu. Neu -Koloman (auch: Kolo) Moser war einer der bedeutendsten Universalkünstler im Wien der Jahrhundertwende: er zählt zu den führenden Vertretern des Jugendstils. Sein Werk umfasst Malerei, Grafik und Kunsthandwerk sowie u. a. Mode- und Möbelentwürfe und Designs für Beleuchtungskörper, Bühnendekorationen, Glasfenster, Buchillustrationen und sogar Banknoten. Als Schrittmacher der Kunst seiner Zeit war er Gründungsmitglied der Wiener Secession und etablierte 1903 die Wiener Werkstätte, gemeinsam mit dem Architekten Josef Hoffmann und dem Industriellen Fritz Waerndorfer. Das Ziel dieser Produktionsgemeinschaft bildender Künstler war die Realisierung des Gesamtkunstwerks auf handwerklich höchstem Niveau. Rund 400 Objekte, systematisch präsentiert und durch Essays erläutert, eröffnen einen neuen Blick auf sein beeindruckendes Lebenswerk. (Text dt., engl.) 288 pp. Deutsch, Englisch.

Gebunden. Condition: New. Otto Prutscher was an architect and a designer in all applied arts media, as well as a teacher and member of the Wiener Werkstatte and the Werkbund. Text in English and German.Otto Prutscher (1880-1949) war Architekt und Designer in allen Materialbereic.

Hardback. Condition: New. Kolo Moser war einer der bedeutendsten Universalkünstler im Wien der Jahrhundertwende: er zählt zu den führenden Vertretern des Jugendstils. Sein Werk umfasst Malerei, Grafik und Kunsthandwerk sowie u. a. Mode- und Möbelentwürfe und Designs für Beleuchtungskörper, Bühnendekorationen, Glasfenster, Buchillustrationen und sogar Banknoten. Als Schrittmacher der Kunst seiner Zeit war er Gründungsmitglied der Wiener Secession und etablierte 1903 die Wiener Werkstätte, gemeinsam mit dem Architekten Josef Hoffmann und dem Industriellen Fritz Waerndorfer. Das Ziel dieser Produktionsgemeinschaft bildender Künstler war die Realisierung des Gesamtkunstwerks auf handwerklich höchstem Niveau. Rund 400 Objekte, systematisch präsentiert und durch Essays erläutert, eröffnen einen neuen Blick auf sein beeindruckendes Lebenswerk.

Condition: New.

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Neuware -Kolo Moser was one of the most important universal artists in fin-de-siècle Vienna and is one of the leading representatives of Art Nouveau. His oeuvre includes painting, graphics, and crafts, as well as designs for fashion, lighting, and furniture, stage decoration, stained glass windows, book illustrations, and even banknotes. Blazing a trail for the art of his age, he was a founding member of the Vienna Secession and, together with the architect Josef Hoffmann and the industrialist Fritz Wärndorfer, he established the Wiener Werkstätte in 1903. The objective of this collective of fine artists was to realize the Gesamtkunstwerk or total work of art at the highest caliber of arts and crafts. Some 400 objects, presented systematically and explained with essays, open up a new perspective on his impressive oeuvre.; Kolo Moser war einer der bedeutendsten Universalkünstler im Wien der Jahrhundertwende: er zählt zu den führenden Vertretern des Jugendstils. Sein Werk umfasst Malerei, Grafik und Kunsthandwerk sowie u. a. Mode- und Möbelentwürfe und Designs für Beleuchtungskörper, Bühnendekorationen, Glasfenster, Buchillustrationen und sogar Banknoten. Als Schrittmacher der Kunst seiner Zeit war er Gründungsmitglied der Wiener Secession und etablierte 1903 die Wiener Werkstätte, gemeinsam mit dem Architekten Josef Hoffmann und dem Industriellen Fritz Waerndorfer. Das Ziel dieser Produktionsgemeinschaft bildender Künstler war die Realisierung des Gesamtkunstwerks auf handwerklich höchstem Niveau. Rund 400 Objekte, systematisch präsentiert und durch Essays erläutert, eröffnen einen neuen Blick auf sein beeindruckendes Lebenswerk. 288 pp. Englisch, Deutsch.