Emilio Lari (14 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: As New. 1st Edition. LIKE NEW/Fine hardcover. First Edition/First Printing (full number line). Rizzoli, 2015. 144 pp. Color & b/w photos throughout. Ships fast with tracking/delivery confirmation.

Condition: Good. **Per foto ed ulteriori informazioni contattateci** . Buono (Good). Book.

Condition: Buone. Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Buone.

rilegato paperback. Condition: Mediocre (Poor). Esemplare n. 909/1000. Cofanetto esterno con piccola rottura e tracce d'uso. Sovracopertina con piccola macchia, come da foto allegata. Legatura solida. L'interno presenta lieve ondulatura, ma le condizioni sono ottime. Book.

Condition: Très bon. Arthur Dorka, Emilio Lari (illustrator). Magazine / Périodique 1974 (Mai), Paris, in-4 broché, numéro spécial cinéma, avec Sydney Rome photographiée nue par Emilio Lari et Sylvia Kristel par Arthur Dorka, nombreuses illustrations couleurs et N&B. | Etat : Très Bon état (Ref.: G3529). Magazine / Périodique.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. First Edition. Oversized blue cloth titled in gilt. Limited edition #161 of 1000 copies. Inscribed to 2nd ffep; perhaps by Lari. Cloth edges lightly bumped, trace soil else sound and square copy. The DJ in mylar has loss to crown, some tears and creases. No slipcase. ; Folio 13" - 23" tall.

Two vintage borderless reference photographs from the 1968 film, both showing director Roger Vadim with cast and crew members on the set. Fotografica Pierluigi stamps on the versos, along with layout annotations in manuscript ink and pencil. Based on the adult comic book by Jean-Claude Forest and published in the French magazine V in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 7 x 9.5 inches. Very Good plus. Vogel, Film as a Subversive Art.

Vintage oversize borderless double weight reference photograph of director Roger Vadim, actor Honey Autumm, a crew member, and an extra, from the set of the 1968 film. Shot by still photographer Emilio Lari, with his stamp on the verso, as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc," "APIS-PARIS." Based on the adult comic book by Jean-Claude Forest and published in the French magazine V in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 9.5 x 11.75 inches. Light edgewear, else Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film, with a "David Hurn-magnum" photographer's stamp on the verso. Based on the adult comic book by Jean-Claude Forest and published in the French magazine V in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 10.5 x 8.25 inches. Near Fine. Vogel, Film as a Subversive Art.

Condition: Très bon. Emilio Lari (illustrator). Magazine / Périodique 1977 (Novembre), Paris, in-4 broché, dans ce numéro, Amanda Lear photographiée nue par Richard Schroeder et Sydney Rome par Emilio Lari, nombreuses illustrations couleurs et N&B. | Etat : Très Bon état (Ref.: Ref5996). Magazine / Périodique.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. FIRST. A NEAR FINE FIRST IN DJ AND SLIPCASE.

Vintage borderless double weight photograph of Jodie Foster, taken circa 1978 by photographer Emilio Lari. With Lari's stamp on the verso. Lari began his career as studio still photographer by bluffing his way onto the set of Richard Lester's "A Hard Day's Night" in 1964, and went on to doing studio still photography for the next four decades, working with, among others, Franco Zeffirelli, Francis Ford Coppola, and Martin Scorsese. Lari is also known for his personal photo shoots of various celebrities including David Bowie, Robert De Niro, and Michelle Pfeiffer. Legend has it that Foster was looking to break out of her teen mold, well established at that point, and move on to young adult rolesa goal that would be realized in Adrian Lyne's "Foxes" in 1980, launching her into a successful career as one of Hollywood's greatest female actors. 7.75 x 11.5 inches. About Near Fine with two small faint bruises.