Language: English
Published by Sheffield Hallam University/ Site Gallery, 2004
ISBN 10: 1899926518 ISBN 13: 9781899926510
Seller: Oopalba Books, Sale, MANCH, United Kingdom
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Add to basketSoftback. Condition: As New. Volume 3. Themes are Ornament and Utility and Responsibility. Art. Book.
paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Paperback. Condition: New.
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Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. 208 pages. 11.26x9.69x0.98 inches. In Stock.
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Add to basketPaperback. Condition: Brand New. 128 pages. 11.00x9.00x0.55 inches. In Stock.
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Condition: New.
Language: English
ISBN 10: 1916420087 ISBN 13: 9781916420083
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Add to basketPaperback. Condition: Brand New. 329 pages. 9.00x7.00x1.00 inches. In Stock.
Language: English
ISBN 10: 1916420087 ISBN 13: 9781916420083
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Language: English
ISBN 10: 1916420087 ISBN 13: 9781916420083
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Paperback. Condition: New.
Language: English
Published by Walter de Gruyter GmbH, Berlin; Boston, 2017
ISBN 10: 3110546604 ISBN 13: 9783110546606
Seller: Art-Cura Studios, Ostrhauderfehn, NI, Germany
First Edition
Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Condition: Fine, excellent book, all pages and cover excellent, no markings, and no tears. Collectible. "Edition Angewandte". // New methods of artistic research: This book stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing, and writing for exploring those forms of thinking-feeling-knowing produced through collaborative exchange in the slippage and deviation as different modes of practice enter into dialogue, overlap, and collide. The publication is conceived as a studio laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness ? the qualitative-procedural, aesthetic-epistemological, and ethical-empathetic dynamics ? within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between, and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others // 396 pages; format: 22,8 x 16,7 x 3,9 cm; Bookweight: 980 g.
Paperback. Condition: New. New methods of artistic research Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness - the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics - within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others.
Paperback. Condition: New. New methods of artistic research Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness - the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics - within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others.
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Add to basketPaperback. Condition: New.
Taschenbuch. Condition: Neu. Neuware - New methods of artistic research Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness - the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics - within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others ; Neue Methoden künstlerischer Forschung Choreo-graphic Figures: Deviations from the Line inszeniert einen disziplinübergreifenden und inter-subjektiven Begegnungsraum zwischen Choreographie, Schreiben und Zeichnen, um mit genuin künstlerischen Mitteln jene Formen des Denken-Fühlen-Wissens zu erforschen, die im Spannungsfeld kollaborativer Praxis entstehen. Die Publikation ist als Werkstatt und Laboratorium konzipiert, das kritische Überlegungen und experimentelle Herangehensweisen in Bezug auf die qualitativ-prozessualen, ästhetisch-epistemologischen und ethisch-empathisch Dynamiken des performativen Handelns entwickelt. Die Aufmerksamkeit wird systematisch auf jene affektiven Wirkkräfte und situativen Intensitäten gelenkt, die vor, zwischen und unterhalb klar lesbarer Gesten künstlerischer Praktiken agieren. Innovative Methoden experimenteller Notationsformen Mit Beiträgen u.a. von Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Alva Noë, Catherine de Zegher.
paperback. Condition: Sehr gut. Gebraucht - Sehr gut gebraucht sehr gut, leichte Lagerschäden, auf Lager, Sofortversand - Im transdisziplinären Austausch erforscht der Künstler Nikolaus Gansterer neue Formen von Diagrammen und zeigt ihr performatives Potential in Prozessen ästhetischer Sinnfindung. In beiden Bänden werden grundlegende Thesen zur Figur - zu Denkfiguren wie choreo-graphischen Figuren - formuliert und eine innovative Diagrammatik in Theorie und Praxis entwickelt.
paperback. Condition: Neu. Neu Neuware, auf Lager - Im transdisziplinären Austausch erforscht der Künstler Nikolaus Gansterer neue Formen von Diagrammen und zeigt ihr performatives Potential in Prozessen ästhetischer Sinnfindung. In beiden Bänden werden grundlegende Thesen zur Figur - zu Denkfiguren wie choreo-graphischen Figuren - formuliert und eine innovative Diagrammatik in Theorie und Praxis entwickelt.
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Add to basketPaperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Language: English
ISBN 10: 1916420087 ISBN 13: 9781916420083
Seller: Rarewaves.com UK, London, United Kingdom
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Add to basketPaperback. Condition: New.
Published by London: Good Housekeeping, 1931
Seller: Benedict Wilson Books, Folkestone, KENT, United Kingdom
Magazine / Periodical First Edition
US$ 83.17
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Add to basketSoft cover. Condition: Very Good. 1st Edition. FIRST EDITION. Quarto (30 x 22cm), pp.180. Publisher's printed paper wraps, stapled. Paper toned, staples rusted, covers a little marked and worn, some nibbling to top outer corner of the last few pages. A rare survival. Very good. A. A. Milne provides his version of this classic tale with illustrations by E. H. Shepard.