Ensor James (702 results)

Condition: Good. This work brings together two works of art - James Ensor's "Christ's Entry into Brussels 1889" and Bob Dylan's "Desolation Row". Ensor's canvas presents a scene filled with clowns, masked figures and, barely visible amongst the crowd, the tiny figure of Christ on a donkey entering the city of Brussels. "Desolation Row" from Dylan's classic 1965 album "Highway 61 Revisited" presents its own surreal portrait of modern life in similar terms. These two works share a vision of a contemporary world as anarchic, grotesque and absurd. The book includes a full reproduction and numerous details of Ensor's painting, the full text of Dylan's lyric and a compact disc with his recording of the song.…

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: Good. This work brings together two works of art - James Ensor's "Christ's Entry into Brussels 1889" and Bob Dylan's "Desolation Row". Ensor's canvas presents a scene filled with clowns, masked figures and, barely visible amongst the crowd, the tiny figure of Christ on a donkey entering the city of Brussels. "Desolation Row" from Dylan's classic 1965 album "Highway 61 Revisited" presents its own surreal portrait of modern life in similar terms. These two works share a vision of a contemporary world as anarchic, grotesque and absurd. The book includes a full reproduction and numerous details of Ensor's painting, the full text of Dylan's lyric and a compact disc with his recording of the song.…

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Good condition. Clean text, tight binding. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condition: Near Fine. [ Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ].

loose_leaf. Condition: As New.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Loose Leaf. Condition: As New.

Couverture souple. Condition: Bon. La ferme des animaux (Gerorge Orwell, folio, 2007, rgt : bureau etgr brune gch). James Ensor (illustrator).

Paperback. Condition: Good. First Paperback Edition. Publisher: George Braziller, New York, 1976. GOOD in illustrated wraps, as issued. First US Softcover Edition, First Printing. Previous owner's artistic embossed stamp at bottom of title page.

paperback. Condition: Good. 1981 staple bound paperback. Shelf wear/rubbing/staining to covers and edges. Pages are unmarked.

hardcover. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition book. An ex-library copy with the usual amount of stamps. Includes a dust jacket with light wear. Mild signs of age and handling to the textblock edges and internal contents appear clear.…

Paperback. Condition: New.

hardcover. Condition: fine. Dust Jacket Condition: fine. 54 color and 27 b/w Illus. 96pp. 4to, red cloth, d.w. New York: Crown Publishers, (1978). Fine. Ensor, James (illustrator).

Hardcover with dustjacket, 48 pages of text followed by 113 illustrations; very good condition; small tear to dj at top of spine; no internal marks. Foreign shipping may be extra.

No Binding. Condition: Good. Postcard in Good condition, unmailed, with writing on reverse. Cards are sent in stiff mailers. Photo.

Soft cover. Condition: Near Fine. 1st Edition. Copyright 1971 Da Capo paperback first thus (no additional printings listed). Light soil/tanning on cover, a bit of soil on edge, else text clean, binding tight .

Condition: Good. - Quarto [11 inches high by 8-1/2 inches wide], softcover bound in printed dark green wrappers. The binding is rubbed & bumped. [iii] & 111 pages. Profusely illustrated in black & white and color. The top corners of the first few leaves are lightly bumped. The contents are very good. Good. Catalog for an exhibition organized by the Norman Mackenzie Art Gallery at the University of Regina and shown in Regina, Calgary and Winnipeg in 1980. Carol A. Phillips, acting director of the Norman Mackenzie Art Gallery, links Ensor and Munch as important precursors of and influences on expressionism to Emil Nolde, one of the chief exponents of German Expressionism.…

No Binding. Condition: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condition: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condition: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condition: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

No Binding. Condition: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Photo.

First Edition. First edition and first printing. Hardcover. 168 pages. Published in conjunction with an exhibition that ran November 23, 2014 through January 25, 2015 at the The Art Institute of Chicago and then June 10 through September 7, 2014 at the The J. Paul Getty Museum. Foreword by Douglas Druick. Preface by Herwig Todts. Features text by Susan M. Canning, Patrick Florizoone, Nancy Ireson, and Kimberly J. Nichols. Includes 95 color and 5 black and white illustrations. A near fine copy with some very slight creasing to the last plate in fine half dust jacket as issued.…

Hardcover with dustjacket, 24 pages of French text followed by 133 illustrations, good condition; light rubbing and edgewear to dj with small tears at top and bottom of spine; no internal marks. Foreign shipping may be extra.

Livre de poche. Condition: Très bon. 158 pages, dans la collection "Folio", traduction de l'anglais par Jean Quéval. Quatrième de couverture : "Un certain 21 juin eut lieu en Angleterre la révolte des animaux. Les cochons dirigent le nouveau régime. Snowball et Napoléon, cochons en chef, affichent un règlement : "Tout ce qui est sur deux jambes est un ennemi. Tout ce qui est sur quatre jambes ou possède des ailes est un ami. Aucun animal ne portera de vêtements. Aucun animal ne dormira dans un lit. Aucun animal ne boira d'alcool. Aucun animal ne tuera un autre animal. Tous les animaux sont égaux." Le temps passe. La pluie efface les commandements. L'âne, un cynique, arrive encore à déchiffrer : "Tous les animaux sont égaux, mais (il semble que cela ait été rajouté) il y en a qui le sont plus que d'autres." 158 p. ENSOR, James (illustrator). Livre.…