Eric Aronoff (55 results)

paperback. Condition: Good. May contain highlighting/underlining/notes/etc. May have used stickers on cover. Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days.

Paperback. Condition: As New. Text clean and tight; Cultural Frames, Framing Culture; 8.90 X 5.90 X 0.70 inches; 240 pages.

Condition: New.

Paperback or Softback. Condition: New. Composing Cultures: Modernism, American Literary Studies, and the Problem of Culture. Book.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Paperback. Condition: Brand New. 226 pages. 8.75x5.75x0.75 inches. In Stock.

Paperback. Condition: new. Paperback. The term ""culture"" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposedcultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalismare in fact engaged in common debate and proceed from shared arguments about culture and form. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condition: new. Hardcover. The term ""culture"" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposedcultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalismare in fact engaged in common debate and proceed from shared arguments about culture and form. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Series: Cultural Frames, Framing Culture. Num Pages: 248 pages. BIC Classification: 1KBB; 2AB; DSA; JFC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 458. . 2013. Hardcover. . . . .

Hardcover. Condition: Brand New. 226 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. Series: Cultural Frames, Framing Culture. Num Pages: 248 pages. BIC Classification: 1KBB; 2AB; DSA; JFC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 458. . 2013. Hardcover. . . . . Books ship from the US and Ireland.

Gebunden. Condition: New. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in .

Condition: New.

Hardcover. Condition: new. Hardcover. This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over culture and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing culture and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of culture, representation and power to imagine new futures. This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over culture and narrative form from the modernist period to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 240.

Paperback. Condition: new. Paperback. This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over culture and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing culture and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of culture, representation and power to imagine new futures. This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over culture and narrative form from the modernist period to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 240.

Buch. Condition: Neu. Neuware - The term 'culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over culture and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing culture and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of culture, representation and power to imagine new futures. This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over culture and narrative form from the modernist period to the present. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: New.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over 'culture' and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing 'culture' and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of 'culture,' representation and power to imagine new futures.…

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book argues that science fiction has been a key participant, along with anthropology and literary theory, in the interdisciplinary debates over 'culture' and narrative form from the modernist period to the present. Both science fiction and the anthropological ethnography, in their modernist forms and post-modern/postcolonial reinventions, are intertwined technologies for constructing 'culture' and difference through narrative worldbuilding. This book traces the ways SF authors -- including Ray Bradbury, Ursula K. Le Guin, and Octavia E. Butler, as well as Indigenous futurists Craig Strete, Celu Amberstone, Rebecca Roanhorse and Cherie Dimaline -- have deployed, interrogated and revised these models of 'culture,' representation and power to imagine new futures.…