Eric Dunnum (59 results)

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Paperback. Condition: New. Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama.Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.…

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Paperback. Condition: Brand New. 264 pages. 9.18x6.12x0.62 inches. In Stock.

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Paperback. Condition: New. Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama.Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.…

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Taschenbuch. Condition: Neu. Middleton and Time | Clocks, Calendars, and Temporality | Eric Dunnum | Taschenbuch | xii | Englisch | 2026 | Springer | EAN 9783031778315 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - A great deal has been written about early modern temporality, both by scholars of Renaissance drama and historians of chronometry. Much of the former has focused, unsurprisingly, on Shakespeare. This book seeks to broaden the discussion of temporality and the early modern stage by focusing on 'our other Shakespeare' - Thomas Middleton, a writer preoccupied with issues of time, chronometry, and temporality. In this first book length study of Middleton's portrayal of time, his representations of clocks and calendars are explored as a way of understanding early modern time consciousness. Middleton, more than any other playwright of his era, was aware of the alienating qualities of these chronometric devices and showed how the subject's experience of time was influenced by them, while also demonstrating how choices in chronometry were influenced by gender, class and religious identity. As a result, his texts explore the complex intersections between sexuality, economic systems, and temporality in the early modern world.…

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Hardcover. Condition: Brand New. 112 pages. 8.27x5.83x8.27 inches. In Stock.

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Hardcover. Condition: new. Hardcover. Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama.Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London. Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…