Eric Jas (31 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing of this collection of 13 original short stories by Canadian mystery writers. In fine / fine condition.

Soft cover. Condition: Fine. 1st Edition. First edition, first printing of this collection of Canadian crime stories. MacLeod's work is the only story not written for this collection - it was originally published in 1987. In fine condition.

Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. Thirteen short mysteries by Canadian authors, compiled for Bouchercon XXIII in Toronto. Dust jacket lightly crimped, in Brodart. Inscribed on the title page "To Marv, With warmest wishes, Peter Sellers." From the collection of Marvin Lachman. Inscribed By the Editor.

Gebonden. Condition: Vrijwel als nieuw. 87 pp. Illustraties in kleur en z/w . Glossarium.

Condition: Good. Originele geà llustreerde hardcover, veel (paginagrote) illustraties in kleur en z/w, 8vo.

Hardcover. Condition: Fine. No Jacket. 1st Edition. First edition, first printing of this collection of 13 short stories by Canadian writers. Featured are Fan Mail by Peter Robinson, That Was No Lady by Jack Barnao, Somewhere They Can't Find Me by Peter Sellers, Sudden Withdrawal by John North, Hephaestus by Eric Wright, A Tale of a Tub by Charlotte MacLeod, The Devil Made Me Do It by Mel D. Ames, Goodnight, Mrs. Calabash, Wherever You Are by Sara Plews, A Question of Proof by Ted Wood, Safe as Houses by Elaine Mitchell Matlow, Dark Shoes by Jas R. Petrin, One More Story to Tell by William Bankier, Year of the Dragon by Tony Aspler. Long personal inscription by Sara Plews on the title page. No dustjacket as issued. In fine condition. Signed by Author.

Hardcover. Condition: Excellent condition. The Boydell Press. xvi, 414 pp. Studies in Medieval and Renaissance Music. Volume 18. Signed and inscribed by the author, for Horace Allen.

Condition: new.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: As New. Text clean and tight; no dust jacket; Studies In Medieval And Renaissance Music; 8vo 8" - 9" tall; 432 pages.

Hardback. Condition: New. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden. This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised. ERIC JAS is a lecturer in music at the university of Utrecht.

Condition: Very good.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden.This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised.ERIC JAS is a lecturer in music at the university of Utrecht. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Good. Original boards, dust jacket, figures/tables, musical scales, 8vo. Daphnis, 21.

Condition: New. 2018. Hardcover. . . . . .

Hardcover. Condition: Brand New. 414 pages. 9.25x6.25x1.25 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Very good.

Condition: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Clemens non Papa and Thomas Crecquillon were the most prolific composers in the Low Countries in the mid-sixteenth century. Judging by the sheer number of sources containing their works and by the way these works were used as models for new compositions, they were venerated by performers, composers, and other music lovers. Remarkably enough, both composers have been treated casually in musicological writings. The present collection of essays - the outcome of a conference that was held at the University of Utrecht in 2003 - is entirely devoted to this much neglected field of research and deals with important topics, such as biographical aspects of the poorly documented lives of Crecquillon and Clemens non Papa, the influence and long-lasting presence of their music in sixteenth- and early seventeenth-century sources, the relationship between text and music, source studies, instrumental music and musical analysis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden. This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised. ERIC JAS is a lecturer in music at the university of Utrecht.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9051837682.

Hardback. Condition: New. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden. This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised. ERIC JAS is a lecturer in music at the university of Utrecht.

Hardback. Condition: New. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden. This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised. ERIC JAS is a lecturer in music at the university of Utrecht.

Hardcover. Condition: new. Hardcover. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society.The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few manuscripts containing the music have survived from the period, and what we know rests to a huge extent on six music books preserved from St Peter's Church, Leiden.This book describes the manuscripts, their provenance, history and repertory, and the zeven-getijdencollege, the ecclesiastical organisations which ordered the music books, in detail. These organisations have their roots in fifteenth-century piety, founded on the initiative of individuals and townadministrators throughout Holland, principally to ensure that prayers and Masses were said for those in the afterlife. Music, both chant and polyphony, played an important part in these commemorative practices; the volume also looks at the choristers and choirmasters, and how such services were organised.ERIC JAS is a lecturer in music at the university of Utrecht. Study of musical manuscripts from the fifteenth and sixteenth centuries, opening a window on piety, liturgy and musical life in late medieval society. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. Clemens non Papa and Thomas Crecquillon were the most prolific composers in the Low Countries in the mid-sixteenth century. Judging by the sheer number of sources containing their works and by the way these works were used as models for new compositions, they were venerated by performers, composers, and other music lovers. Remarkably enough, both composers have been treated casually in musicological writings. The present collection of essays - the outcome of a conference that was held at the University of Utrecht in 2003 - is entirely devoted to this much neglected field of research and deals with important topics, such as biographical aspects of the poorly documented lives of Crecquillon and Clemens non Papa, the influence and long-lasting presence of their music in sixteenth- and early seventeenth-century sources, the relationship between text and music, source studies, instrumental music and musical analysis. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

2 Bde. xv, 382 S.; ca. 45 S. (Afbeeldingen en muziekvoorbeelden) Dissertation Utrecht University in order to obtain the degree of Doctor in the year 1997. Sprache: Niederländisch Gewicht in Gramm: 1200 4°. Bd. I: OKart. Bd. II: Ringhefter.

2011, 88 pp. + apart 56 pp.+2 CD's, gekartonneerd, zo goed als nieuw.