Eric Mark Kramer (42 results)

Carnegie International 1985
John R. Lane, John Caldwell, Saskia Bos, Rudi H. Fuchs, Jannis Kounellis, Germano Celant, Per Kirkeby, Johannes Gachnang, Bazon Brock, Achille Bonito Oliva, Nicholas Serota, Benjamin H.D. Buchloh, Hal Foster, Donald B. Kuspit, Mark Rosenthal, Peter Schjeldahl, Thomas McEvilley, Hilton Kramer, John Ahearn, John Baldessari, Georg Baselitz, Dara Birnbaum, Jonathan Borofsky, Scott Burton, Francesco Clemente, Enzo Cucchi, Richard Deacon, Jan Dibbets, Jirí Georg Dokoupil, Luciano Fabro, Eric Fischl, Barry Flanagan, Lucian Freud, Gilbert & George, Howard Hodgkin, Jenny Holzer, Jörg Immendorff, Neil Jenney, Bill Jensen, Ellsworth Kelly, Anselm Kiefer, Sol LeWitt, Robert Longo, Markus Lüpertz, Robert Mangold, Brice Marden, Malcolm Morley, Bruce Nauman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Cindy Sherman, Frank Stella, Bill Woodrow
Language: English
Published by Museum of Art, Carnegie Institute Pittsburgh, PA, 1985
- Softcover
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256 pp.; 30.4 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9, 1985 - January 5, 1986. Curated by John R. Lane and John Caldwell. Edited by Saskia Bos and John R. Lane. Texts by Rudi H. Fuchs, Ja…nnis Kounellis, Germano Celant, Per Kirkeby, Johannes Gachnang, Bazon Brock, Achille Bonito Oliva, Nicholas Serota, Benjamin H.D. Buchloh, Hal Foster, Donald B. Kuspit, Mark Rosenthal, Peter Schjeldahl, Thomas McEvilley, and Hilton Kramer. Artists include Jannis Kounellis, Per Kirkeby, John Ahearn, John Baldessari, Georg Baselitz, Dara Birnbaum, Jonathan Borofsky, Scott Burton, Francesco Clemente, Enzo Cucchi, Richard Deacon, Jan Dibbets, Jirí Georg Dokoupil, Luciano Fabro, Eric Fischl, Barry Flanagan, Lucian Freud, Gilbert & George, Howard Hodgkin, Jenny Holzer, Jörg Immendorff, Neil Jenney, Bill Jensen, Ellsworth Kelly, Anselm Kiefer, Sol LeWitt, Robert Longo, Markus Lüpertz, Robert Mangold, Brice Marden, Malcolm Morley, Bruce Nauman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Cindy Sherman, Frank Stella, and Bill Woodrow. Includes exhibition histories and bibliography. Goood / Very Good. Rubbing of covers and cover edges with 1.4 cm. dog-ear to bottom right corner of recto and 9 mm. dog-ear to top right corner of recto. Contents clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.
Published by Lionsgate 2004-02-19 00:00:00, 2004
Seller: R Bookmark, Youngtown, AZ, U.S.A.R Bookmark
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dvd. Condition: Used - Good.

- Hardcover
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hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Language: English
Published by Associated University Presses, US, 2015
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. Public expression in the United States has become increasingly coarse. Whether it's stupid, rude, base, or anti-intellectual talk, it surrounds us. Popular television, film, music, art, and even some elements of religion have become as coarse, we argue, as our often-disparaged political dialogue. This…book's contention is that the U.S. semantic environment is governed by tactics, not tact. We craft messages that work-that perform their desired function. We are instrumental, strategic communicators. As such, entertainment and journalism that draw an audience, for instance, are "good." This follows the logic that the marketplace, an aggregate of hedonically motivated individuals, decides what's good. Market logic, when unencumbered by what some characterize as quaint human sentimentalities, liberates us to cynically communicate whatever and however we want. Whatever improves ratings, web traffic, ticket sales, concession sales, repeat purchases, and earnings is good. Embracing this communicative paradigm more fully necessitates the culture's abandonment of collective notions of both taste and veracity, thus weakening the forces that keep individual desires in check. Our present communication environment is one that invites the hypertrophic expression of the ego, enabling elites to erode public communication standards and repeal laws and regulations resulting in immeasurable individual fortunes. Meanwhile, perpetual plutocratic rule is made even more certain by the cacophonous public noise the rest of us are busy making, leaving us incapable, disinterested, and unwilling to listen to one another.

Language: English
Published by Fairleigh Dickinson Univ Pr, 2015
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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- Hardcover
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- Hardcover
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hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

- Hardcover
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Condition: New. pp. 256 Index.

Language: English
Published by Associated University Presses, US, 2012
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. Public expression in the United States has become increasingly coarse. Whether it's stupid, rude, base, or anti-intellectual talk, it surrounds us. Popular television, film, music, art, and even some elements of religion have become as coarse, we argue, as our often-disparaged political dialogue. This b…ook's contention is that the U.S. semantic environment is governed by tactics, not tact. We craft messages that work-that perform their desired function. We are instrumental, strategic communicators. As such, entertainment and journalism that draw an audience, for instance, are "good." This follows the logic that the marketplace, an aggregate of hedonically motivated individuals, decides what's good. Market logic, when unencumbered by what some characterize as quaint human sentimentalities, liberates us to cynically communicate whatever and however we want. Whatever improves ratings, web traffic, ticket sales, concession sales, repeat purchases, and earnings is good. Embracing this communicative paradigm more fully necessitates the culture's abandonment of collective notions of both taste and veracity, thus weakening the forces that keep individual desires in check. Our present communication environment is one that invites the hypertrophic expression of the ego, enabling elites to erode public communication standards and repeal laws and regulations resulting in immeasurable individual fortunes. Meanwhile, perpetual plutocratic rule is made even more certain by the cacophonous public noise the rest of us are busy making, leaving us incapable, disinterested, and unwilling to listen to one another.

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Language: English
Published by Fairleigh Dickinson University Press, 2012
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Hardcover
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- Hardcover
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Language: English
Published by Associated University Presses, US, 2015
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Paperback. Condition: New. Public expression in the United States has become increasingly coarse. Whether it's stupid, rude, base, or anti-intellectual talk, it surrounds us. Popular television, film, music, art, and even some elements of religion have become as coarse, we argue, as our often-disparaged political dialogue. This…book's contention is that the U.S. semantic environment is governed by tactics, not tact. We craft messages that work-that perform their desired function. We are instrumental, strategic communicators. As such, entertainment and journalism that draw an audience, for instance, are "good." This follows the logic that the marketplace, an aggregate of hedonically motivated individuals, decides what's good. Market logic, when unencumbered by what some characterize as quaint human sentimentalities, liberates us to cynically communicate whatever and however we want. Whatever improves ratings, web traffic, ticket sales, concession sales, repeat purchases, and earnings is good. Embracing this communicative paradigm more fully necessitates the culture's abandonment of collective notions of both taste and veracity, thus weakening the forces that keep individual desires in check. Our present communication environment is one that invites the hypertrophic expression of the ego, enabling elites to erode public communication standards and repeal laws and regulations resulting in immeasurable individual fortunes. Meanwhile, perpetual plutocratic rule is made even more certain by the cacophonous public noise the rest of us are busy making, leaving us incapable, disinterested, and unwilling to listen to one another.

Language: English
Published by Fairleigh Dickinson University Press, 2012
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Language: Japanese
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Language: English
Published by Fairleigh Dickinson University Press, 2012
Series: The Fairleigh Dickinson University Press Series in Communication Studies, Book 4 of 20. Book 4 of 20 - The Fairleigh Dickinson University Press Series in Communication Studies
- Hardcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. pp. 232.

- Hardcover
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