Erik Redling (76 results)

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Paperback. Condition: new. Paperback. Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend thatProtestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium.The essays in this volume track key Protestant themeslike faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction,edification, and cultural influence. Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Translating Charles W. Chesnutt's 'Conjure Tales' into Postmodern Systems of Signification. The self-contained concepts of postmodern theories, which are widely accepted today as interpretive tools in literary criticism, produce distorted readings when schematically applied to dialect texts. In order to avoid such predetermined results, Redling?s study focuses on specific characteristics of dialect writing as exemplified in selected stories by the African American writer Charles W. Chesnutt and investigates their potential translation into the terms of postmodern theory. Using George Steiner?s notion of "understanding as translation", it confronts textual passages with theoretical terms, which in turn are tested on Chesnutt?s dialect stories. The two-pronged approach to "understanding" draws on the linguistic distinction between denotation and connotation: in the denotative process, a critic translates phenomena extrapolated from Chesnutt?s dialect texts into postmodern "systems of signification". This process highlights both similarities and points of deviation between the dialect text and the six selected theories (Derrida, Lacan, Foucault, Bakhtin, Iser, and Jameson). A subsequent connotative translation process shows how denotatively restricted postmodern concepts can still advance a theory?s explanatory power by enhancing the imaginative experience of a text. However, this second approach also exposes serious limitations in the use of postmodern theories. Redling concludes that the analysis of literary texts must proceed beyond postmodernism and develop a more broadlybased aesthetic to meet the complexities of dialect texts. 219 Seiten, broschiert (text und theorie; Band 5/Königshausen & Neumann 2006). Statt EUR 29,80. Gewicht: 350 g - Softcover/Taschenbuch. …

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8° Gebundene Ausgabe. Condition: Wie neu. Auflage: 1. 475 Seiten wie neu, teilweise Folienverschweißt B02-04-06G Sprache: Englisch Gewicht in Gramm: 774.

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Condition: Neu. New Research Agendas. Edited by Winfried Fluck, Erik Redling, Sabine Sielke and Hubert Zapf. The volume explores the state of contemporary American Studies in the light of recent developments and currently emerging perspectives of research. Featuring contributions by leading American Studies scholars from the German-speaking world, the collection of 13 essays represents a broad spectrum of thematic, theoretical and methodological approaches that constitute major research agendas within current American Studies. It also includes contributions by renowned colleagues from the U.S. which provide a transatlantic framework of scholarly debate. In line with the original, dialogic conference format, the volume is organized around central topics covered by main papers and shorter response papers. While the essays position American Studies in Germany in its transnational contexts, they also highlight its distinct contribution to the global field of American Studies in the early 21st century. - Contents: Simon Wendt: Transnationalizing American and Transatlantic History. Chances and Challenges. - Sieglinde Lemke: Poverty and Class Studies. - Christa Buschendorf/Astrid Franke: The Implied Sociology and Politics of Literary Texts. Using the Tools of Relational Sociology in American Studies. - Mita Banerjee: 'Frontiers of Justice'. Visions of Planetarity and the 'Case Study' of India in a Globalized World. - Ruth Mayer: Postcolonial/Transcultural/Transnational. American Studies, American Literature, and the World. - Winfried Fluck: The Concept of Regognition and American Cultural Studies. - Hubert Zapf: Ecology, Culture, and Literature. - Heike Paul: 'Race', Racism, and Tacit Knowing. - Thomas Claviez: Traces of a Metonymic Society in American Literary History. - Erik Redling/Sabine Sielke: Science, Culture, Aesthetics. New Crossroads for North American Studies? - William Uricchio: Things to Come in the American Studies-Media Studies Relationship. - Udo Hebel: 'American' Pictures and (Trans-)National Iconographies. Mapping Interpictorial Clusters in American Studies. - Ulfried Reichardt: American Studies and Globalization. - XI,475 Seiten mit 18 Abb., gebunden (American Studies - A Monograph Series; Vol. 230/Universitätsverlag Winter 2014). Früher EUR 54,00. Gewicht: 652 g - Gebunden/Gebundene Ausgabe.…

Paperback. Condition: Brand New. 384 pages. 9.00x6.40x1.80 inches. In Stock.

8°, OPp., gebundene Ausgabe. Condition: Sehr gut. XI, 475 S. ; 22 cm Einband minimal berieben, sonst sehr gut und textsauber erhalten. Sieht ungelesen aus. Sprache: Englisch Gewicht in Gramm: 652.

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Paperback. Condition: new. Paperback. Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend thatProtestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium.The essays in this volume track key Protestant themeslike faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction,edification, and cultural influence. Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: new. Paperback. Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend thatProtestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium.The essays in this volume track key Protestant themeslike faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction,edification, and cultural influence. Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condition: Neu. Neuware - Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend that Protestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium. The essays in this volume track key Protestant themes like faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction, edification, and cultural influence.…

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