Esser Elger Amelunxen Hubertus (6 results)

Hardcover with dustjacket, 48 pages; in English, German and French; very good condition; 2-inch light crease to top edge of rear dj; no internal marks. Foreign shipping may be extra.

Hardcover. Hardcover Quarto with pictorial boards. No jacket as issued. 179 pages : illustrations (some color) ; 30 cm. German & English Language.The photographs of Elger Esser act like a déjà vu: his magic pictures of riverscapes, bridges, villages, and seacoasts awaken vague memories, even if we have never visited any of the places photographed. Consciously drawing on Marcel Proust, the Stuttgart-born artist (b.1967). Esser thus defies in his choice of photographic techniques: he presented his most recently produced heliogravures, an almost forgotten technique from the nineteenth century, for the first time at the Kunstmuseum Stuttgart and subsequently at the Museum for Modern Art Arnhem. This first large survey exhibition is fifty large-format works by the artist. Additionally at the beginning of the Duke Collection. Bernd and Hilla Becher at the Dusseldorf Academy of Arts Elger Esser is one of the most important German photographers today.--Gallery website. VG-, Minimally marked Ex art library. Light scuffing at base of spine and lighter shelfwear.

Hardcover. Condition: New. Elger Esser, known to New Yorkers by his one-man shows at Sonnabend Gallery, introduces a literary, 19th-century touch to his photographic world. Interested in old lithographic processes used for postcard production, he suffuses his latest photographs, mainly landscapes, with the air of their own, imagined mode of time. For his midlife retrospective this fall in a number of European museums he chose the term 'Eigenzeit' (Own time) for this approach, placing his work somewhere between the obvious present and an imaginary past.

Munich, Schirmer/ Mosel, 2012, 47 pag., col. photographic illustrations by Elger Esser, original cloth (without dustjacket), oblong quarto. = Published on occasion of the exhibition Elger esser in Bonn and Oldenburg, 2012.

Gebunden. Condition: New. Eine zierliche japanische Bruecke ueberspannt den Seerosenteich, Weiden und Wasserlilien saeumen das Ufer und das Licht spielt im dichten Blattwerk der Baeume - so malte Claude Monet (1840-1926), der beruehmteste unter den franzoesischen Impressionisten, seinen G.

Originalpappband. Condition: Sehr gut. 179 S. : zahlr. Ill. ; 30 cm Sehr dezenter Nikotingeruch, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. -- Inhalt Content -- Texte Words -- ULRIKE GROOS, SIMONE SCHIMPF -- Vorwort [7-9] Foreword [143] -- HEDWIG SAAM -- Zum Geleit [10-12] Inleiding [144] -- 1 SIMONE SCHIMPF -- In Combray und anderswo [14-20] In Combray and elsewhere [146] -- 2 CEES NOOTEBOOM -- Vergangene Passagen 1 (Auszug) [38-39] -- Voorbije passages 1 (Uittreksel) [150] -- 3 ALEXANDER PÜHRINGER -- La mélancholie sublime (Erhabene Melancholie) [57-60] -- La mélancholie sublime (Sublime melancholy) [151] -- 4 FRIEDRICH WOLFRAM HEUBACH -- >>>Eine Pfeife ist hier stets eine Pfeife<<< oder -- Was man so sagt über die Photographie [74-81] -- "A pipe, here, is always and intractably a pipe" or What people say about photography [154] -- 5 PETER HERZOG -- Werden und Vergehen [96-101] -- Becoming and passing [160] -- 6 HUBERTUS VON AMELUNXEN -- Schattenschreiben [118-127] -- Shadow writing [162] -- Werkgruppen Works -- Landschaften Landscapes [21-37] -- Schiffswracks Wrecks [41-55] -- Ansichten Views [61-73] -- Veduten Vedutas [83-95] -- Combray Combray [103-117] -- Palimpseste Palimpsests [129-139] -- Seestücke Seaviews [13, 56, 140] -- Übersetzungen Translations [141-168] -- Anhang Appendix -- Biographie, Ausstellungen Biography, Exhibitions [171-173] -- Bibliographie Bibliography [175] -- Autoren Authors [176-177]. ISBN 9783829604185 Sprache: Deutsch Gewicht in Gramm: 1152.