Evans David Ellis (9 results)

Condition: Good. 1981. paperback. From the Library of Seán de Búrca. Light underlining in pencil, text remains clear and crisp. Light Shelf wear and age but remains a very good copy. p. 497-538. . . . . Books ship from the US and Ireland.

Condition: Good. 1981. paperback. From the Library of Se?n de B?rca. Light underlining in pencil, text remains clear and crisp. Light Shelf wear and age but remains a very good copy. p. 497-538. . . . .

Soft cover. Condition: Very Good. "Fifty-five simple services held at 6 p.m. in a West Sussex Village Church, planned and run by a team of lay church members." Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

Soft cover. Condition: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

Soft cover. Condition: Fine. No Jacket. 1st Edition. First edition. Unedited Advance Galley Copy. 376 pages. Illustrated. Fine condition. (AA2).

Condition: Very Good. FRENCH édition : zone 2 Europe - - en bon état de lecture - Expédition sous blister dans une enveloppe matelassée depuis la France. 19x14x2cm. 2005. DVD. Very Good.

Hardback. Condition: New. A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera;German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol. Contributors: Helen Abbott, Noelle Chao, Delia da Sousa Correa, Peter Dayan, Katharine Ellis, David Evans, Annegret Fauser, Jon-Tomas Godin, Cormac Newark, Matthew Riley, Emma Sutton, Shafquat Towheed, Susan Youens, Phyllis Weliver.

Saddle-stitched. Lot of 160 pieces of ephemera (from a variety of renown magicians) related to card tricks. Condition of ephemera is Good overall with mild age toning, shelf wear, and the occasional minor stain to cover. MA Consignment. Shelved in Alcove. 1401341. Special Collections - Upstairs.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorAssociate Professor of English, Saint Louis University Stanley Hugh Badock Professor of Music at the University of Bristol.InhaltsverzeichnisIntroduction: Approaches to Word-Music Studies o.