Evans Peter William Editor (7 results)

softcover. Condition: Fine copy. Illus. with photos (illustrator). 1st. 8vo, 212 pp.

Softcover. Condition: Very Good. First. A very good unread copy without any marking or highlighting. Pages are clean and bright. The perfect binding is square. Some gentle scuffing to covers and a 3-inch gentle crease. Bumped corners. Bottom edge has a few marks of unknown origin. 358 pages. Essays include Milton's Minor Poems; Heaven; Milton; The Transcendental Masque; Echo Schematic; Milton: "Lycidas"; The Majesty of Darkness; THe Genesis of Gendered Subjectivity in the Divorce Tracts and in Paradise Lost; The Father's House: Samson Agonistes in its Historical Moment; Milton's Prose; The Adjustment of Idealism; Aristotle on the Pinnacle: Paradise Regained; The Birth of the Author: Milton's Poetic Self-Construction; Gently Raised; and "Something . Written to Aftertimes.".

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. BOOK FOCUSES ON THE WORK OF TERESA DE AVILA, SAN JUAN DE LA CRUZ, CERVANTES, ALEMAN, GRACIAN, CONGORA, LOPE DE VEGA AND CALDERON. BOOK'S MAIN READERSHIP WILL BE HISPANIC TEACHERS AND STUDENTS OF SPANISH LITERATURE AND CULTURE IN HIGHER EDUCATION. TIGHT, FIRM CONDITION. SLIGHT DUST TO TOP PAGE EDGES. BLACK CLOTH HARD COVER WITH SLIGHT WEAR TO EDGES. JACKET COMPLETE - SLIGHT WRINKLING.

Paperback. Condition: Brand New. 224 pages. 9.00x6.00x0.75 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

First edition 1999. xxii+350 pages with index. Illustrated. Original dark-blue cloth. Fine in like dustjacket. The liveliness and importance of Spanish cinema is increasingly being recognised outside Spain, in film festivals, television exposure, and courses in Institutions of Higher Education. To a large extent this is 'auteur' or art-movie cinema. Spanish Cinema concentrates upon that tradition, focusing upon the key films in a period stretching from 1952 to the present day. The term 'auteur' has lately fallen into disrepute. The idea - most actively promoted by Cahiers du Cinema in the late 1950s and early 1960s - that the director is to a film what an author is to a poem, play or novel, has been subjected to much criticism since structuralist and post-structuralist attacks on the author. But even in pre-'death of the author' days film raised its own specific problems about authorship. Nevertheless, since the initial excitement of French critical theory's provocative assault on conventional notions of authorship, and taking into account specific problems related to the collaborative nature of film-making, attempts have recently been made to reclaim some of the ground lost by the author in these critical and theoretical battles. This volume offers lively readings of films by key directors working to a large extent in the art-movie/'auteurist' field, and aims to strike a balance between representative films, directors and periods. Each chapter concentrates on a single film, discussing it in accessible critical language that takes account both of the distinctiveness of film as an art form and of the material and socio-historical contexts in which each film was made. Ask to see our catalogues in "Film" or "Spanish Studies".

Cloth. Condition: Very Good. Dust Jacket Condition: Faded and slightly worn. First UK edition. A few illustrations, octavo, pp xvi, 304, edges untrimmed, the top edge slightly foxed, very faint traces of a small price label on the front endpaper otherwise very clean internally, brown cloth very slightly marked and the lower corners very slightly bruised, the dustwrapper is not price-clipped but it is unevenly faded and very slightly worn. ["For centuries, hallucinogens have been of great significance in the ideology and religious practices of primitive societies. In fact, the use of psychotropic plants to achieve states of religious ecstasy goes back almost to the beginning of human culture. Furthermore, the content of the psychedelic experience in the West today has been found to be similar to that of the religious pilgrimages of Oriental and aboriginal New World groups. But one fundamental difference overshadows all similarities: In the traditional cultures described in this collection of ten essays, the hallucinogenic "trip" is a means to an end-a quest for confirmation of traditional values, for unity with the tribal ancestors. In contemporary Western society, by contrast, it tends to be an end in itself and a rejection of the society's values-perhaps, it has been suggested, because Western drug-users tend to be acultural. Clearly, we have much to learn from an objective study of societies with long histories of sanctioned, controlled drug use to achieve recognized cultural objectives."].