Farhat Hormoz (26 results)

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  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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    Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

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  • Language: English

    Published by Cambridge University Press 5/20/2004, 2004

    0521542065 / 9780521542067

    • Softcover

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    Paperback or Softback. Condition: New. The Dastgah Concept in Persian Music. Book.

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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  • Language: English

    Published by Cambridge University Press, GB, 2004

    0521542065 / 9780521542067

    • Softcover

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    Paperback. Condition: New. The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times.…

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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  • Language: English

    Published by Cambridge University Press, GB, 2004

    0521542065 / 9780521542067

    • Softcover

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    Paperback. Condition: New. The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times.…

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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  • Language: English

    Published by Cambridge University Press 2008-08-21, 2008

    0521542065 / 9780521542067

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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    Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

    Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections

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    Condition: New. In English.

  • Language: English

    Published by Cambridge University Press CUP, 2008

    0521542065 / 9780521542067

    • Softcover

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    Condition: New. pp. 216.

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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    Condition: New. pp. 216 50:B&W 7.44 x 9.69 in or 246 x 189 mm (Crown 4vo) Perfect Bound on White w/Gloss Lam.

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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    Condition: New. In traditional Persian art music embodies twelve dastgahs consisting of skeletal melodic models that form the musical "vocabulary" from which performers produce extemporized pieces. Hormoz Farhat unravels the dastgahs' art, analyzing their intervalic structure, melodic patterns, modulations, and imp Series Editor(s): Blacking.John. Series: Cambridge Studies in Ethnomusicology. Num Pages: 216 pages, black & white illustrations. BIC Classification: 1FBN; AVGH. Category: (P) Professional & Vocational. Dimension: 247 x 189 x 13. . . 2008. Revised ed. paperback. . . . . …

  • Language: English

    Published by Cambridge University Press, GB, 2004

    0521542065 / 9780521542067

    • Softcover

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    Paperback. Condition: New. The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times.…

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

    Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore

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    Condition: New. In traditional Persian art music embodies twelve dastgahs consisting of skeletal melodic models that form the musical "vocabulary" from which performers produce extemporized pieces. Hormoz Farhat unravels the dastgahs' art, analyzing their intervalic structure, melodic patterns, modulations, and imp Series Editor(s): Blacking.John. Series: Cambridge Studies in Ethnomusicology. Num Pages: 216 pages, black & white illustrations. BIC Classification: 1FBN; AVGH. Category: (P) Professional & Vocational. Dimension: 247 x 189 x 13. . . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland. …

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover

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    paperback. Condition: New. In shrink wrap. Looks like an interesting title.

  • Language: English

    Published by Cambridge University Press, GB, 2004

    0521542065 / 9780521542067

    • Softcover

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    Paperback. Condition: New. The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times.…

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    Language: English

    Published by Cambridge University Press, Cambridge, England/ New York, 1990

    052130542X / 9780521305426

    • Hardcover

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    Hardcover. Green cloth boards, black title blocks on spine and front cover with gilt spine lettering; xii, 201 pp; music. Originally presented as the author's thesis (Ph. D.--University of California at Los Angeles, 1965). Contents: A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastg h-e sur -- Dastg h-e abuata -- Dastg h-e dasti -- Dastg h-e bayat tork -- Dastg h-e afsari -- Dastg h-e segah -- Dastg h-e cahargah -- Dastg h-e homayun -- Dastg h-e bayat-e esfahan -- Dastg h-e nava -- Dastg h-e mahur -- Dastg h-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms. Includes bibliographical references (pages 195-197) and index. VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. ).…

  • Published by Cambridge, Cambridge UP, 1990

    Seller: Musikantiquariat Bernd Katzbichler, Haarbach, D, GermanyMusikantiquariat Bernd Katzbichler

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    201 S. Sehr gut.

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

    • Softcover
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    Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Language: English

    Published by Cambridge University Press, Cambridge, 2004

    0521542065 / 9780521542067

    • Softcover
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    Paperback. Condition: new. Paperback. The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times. In this book Hormoz Farhat has unravelled the art of the dastgah by analysing their intervallic structure, melodic patterns, modulations, and improvisations, and by examining the composed pieces which have become a part of the classical repertoire in recent times. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Language: English

    Published by Cambridge University Press, 2008

    0521542065 / 9780521542067

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    Condition: New. PRINT ON DEMAND pp. 216.

  • Language: English

    Published by Cambridge University Press, 2004

    0521542065 / 9780521542067

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    Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this book Hormoz Farhat has unravelled the art of the dastgah by analysing their intervallic structure, melodic patterns, modulations, and improvisations, and by examining the composed pieces which have become a part of the classical repertoire in recent.…

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    Language: English

    Published by Cambridge University Press, 2004

    0521542065 / 9780521542067

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    Taschenbuch. Condition: Neu. The Dastgah Concept in Persian Music | Hormoz Farhat | Taschenbuch | Buch | Englisch | 2004 | Cambridge University Press | EAN 9780521542067 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…