Federico Gon (21 results)

hardcover. Condition: New. 1st.

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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Hardcover. Condition: Brand New. multilingual edition. 351 pages. Italian language. 10.25x8.25x1.00 inches. In Stock.

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Hardcover. Condition: new. Hardcover. The second half of the eighteenth century and the first half of the nineteenth century was a time of great historical and social upheavals - a melting pot of events whose repercussions are still felt. The first industrial revolution, the American Revolution, the French Revolution, and the Napoleonic wars: such were events that gradually undermined the status quo of the Ancien regime. Napoleon Bonaparte is the keystone of this period, given his role as an innovator of aspects of the military, political, civil, artistic and cultural life of his time. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. It focuses on the politicised dramaturgy at the Paris Opera, on the incredible diffusion of French opera in the German-speaking world, and on the question of national identity in Italian, Polish, Spanish and Portuguese contexts during this politically critical period. Beyond operas and cantatas in praise of Napoleon, this book also highlights the mechanical soundscape of the Empire, the repertoire of incidental music and the varied fortunes of the music business at that time. Finally, it analyses the place of female singers or composers from a gendered perspective. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Multilingual.

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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2021. Hardcover. . . . . .

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Condition: New. 2024. Hardcover. . . . . .

Hardback. Condition: New. Multilingual.

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New. 2024. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. The second half of the eighteenth century and the first half of the nineteenth century was a time of great historical and social upheavals - a melting pot of events whose repercussions are still felt. The first industrial revolution, the American Revolution, the French Revolution, and the Napoleonic wars: such were events that gradually undermined the status quo of the Ancien regime. Napoleon Bonaparte is the keystone of this period, given his role as an innovator of aspects of the military, political, civil, artistic and cultural life of his time. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. It focuses on the politicised dramaturgy at the Paris Opera, on the incredible diffusion of French opera in the German-speaking world, and on the question of national identity in Italian, Polish, Spanish and Portuguese contexts during this politically critical period. Beyond operas and cantatas in praise of Napoleon, this book also highlights the mechanical soundscape of the Empire, the repertoire of incidental music and the varied fortunes of the music business at that time. Finally, it analyses the place of female singers or composers from a gendered perspective. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback, xiv + 365 pages, Size:210 x 270 mm, Illustrations:15 b/w, 87 musical examples, Language(s):English, German.*new ISBN 9782503594880. Summary This volume focuses on one of the most crucial parts of Haydn's career-a key era in which the experiments of the 1770s arrived at the consolidation and definition of new compositional forms and practices in the 1780s. The 'mature' Haydn represents a musician marked by full creative ferment in all musical genres and reveals the profile of a composer at the peak of his career. Through new research, this book examines the views of Haydn's compositional practice as both self-aware and as adaptations based on the public's changing tastes. Such was an achievement that Haydn obtained without betraying the principles of balance, solidity and expressiveness that he developed during decades of musical practice at the Esterh zy court. TABLE OF CONTENTS Introduction, Federico Gon Biography and Reception J nos Malina, Orfeo and Armida, Don Juan and Figaro: New Light on the Busiest Decade of Haydn's Career Sterling E. Murray, Haydn and the Oettingen-Wallerstein Court: A Study in Musical Patronage and Stylistic Intent Nancy November, Late Haydn for the Home: Arrangements of the London Symphonies in the Nineteenth Century Bryan Proksch, Age, Infirmity, and Oldness in the Early Biographies of Haydn Christian Speck, Ein Haydn-Gem lde von Julius Schmid im Kontext der Korrektur der Haydn-Rezeption durch Guido Adler Musical Form and Analysis L. Poundie Burstein, Paths and Pauses within Haydn's Piano Trio No. 16 Lauri Suurp , New Path to Conventional Goals: Formal Reinterpretation in the First-Movement Recapitulations of Haydn's Symphonies Nos. 94 and 98 Floyd Grave, Convention, Reinvention, and the Play of Contraries in the First Movement of Haydn's Concerto for Keyed Trumpet Halvor K. Hosar, Sonata/Fugue Mixtures in Haydn's Late Masses: History and Form James S. MacKay, Baroque Polyphony and Intelligent Conversation: Joseph Haydn's String Quartets from Opus 20 to Opus 76 Rhetoric and Intertextuality Stephanie Klauk - Rainer Kleinertz, Haydn's String Quartet Production after Opus 33 Anatole Leikin, Performing Expressive Rhetorical Devices in the First Movement of Haydn's Piano Sonata in E-flat Major, Hob. xvi:49 Federico Gon, A Time for War and a Time for Peace : The Symphony No. 100 by Joseph Haydn and the Revolutionary Events of 1793 Bal zs Mikusi, The Spider and the Bee, or How Does Mozart Come into Haydn's The Seasons? John A. Rice, The Bergamasca Schema in Late Haydn 0 g.

Hardback, xv + 351 pages, Size:210 x 270 mm, Illustrations:16 b/w, Language(s):English, French, Italian. ISBN 9782503608495. Summary The second half of the eighteenth century and the first half of the nineteenth century was a time of great historical and social upheavals ? a melting pot of events whose repercussions are still felt. The first industrial revolution, the American Revolution, the French Revolution, and the Napoleonic wars: such were events that gradually undermined the status quo of the Ancien r gime. Napoleon Bonaparte is the keystone of this period, given his role as an innovator of aspects of the military, political, civil, artistic and cultural life of his time. This book explores the musical changes brought on by the multifaceted pre- and post-Napoleonic sonic world. It focuses on the politicised dramaturgy at the Paris Opera, on the incredible diffusion of French opera in the German-speaking world, and on the question of national identity in Italian, Polish, Spanish and Portuguese contexts during this politically critical period. Beyond operas and cantatas in praise of Napoleon, this book also highlights the mechanical soundscape of the Empire, the repertoire of incidental music and the varied fortunes of the music business at that time. Finally, it analyses the place of female singers or composers from a gendered perspective. TABLE OF CONTENTS FEDERICO GON - EMMANUEL REBEIL, Preface POLITICS AND NATIONAL IDENTITY 1. GALLIANO CILIBERTI, Francesco Morlacchi, Napoleone I e il sound imperiale tra Italia e Germania 2. MAGDALENA OLIFERKO-STORCK, Napoleonic Warsaw: The Emperor's Sojourns and the French Culture in the Soundscape of the Capital of Poland before Chopin 3. ERIC BOARO, Non essendovi pi capelle in veruna chiesa? . Finanziamento e impiego musicale nella Modena giacobina e la stagione al Teatro Rangone tra il 1798 e il 1799 4. FEDERICO GON, 'Feast, Flour, and Gallows': Haydn's Creation in Naples (1821) and the Politics of Restoration 5. MATTHIEU CAILLIEZ, tude des transferts musicaux franco-allemands l' poque napol onienne travers le prisme de l' Allgemeine musikalische Zeitung OPERA, THEATRE AND PERFORMANCE 6. MARIA BIRBILI, The Sound of Empire: Politicised Dramaturgy in French Opera from the French Revolution to Napoleon 7. MARTIN BARR , Dans l'ombre de Paris. Circulation et diffusion de la musique de sc ne sous l'Empire: l'exemple du th tre de Versailles 8. ANNELIES ANDRIES, Caroline Branchu: A Model of Nineteenth-Century Womanhood? 9. CLAUDIA CHIBICI-REVNEANU, Moving towards Exclusion: A Case Study of the 'Female Viennese School' MUSIC PUBLISHING AND TEACHING 10. HENRI VANHULST, Les relations entre Jean-J r me Imbault et ses compositeurs d'apr s des lettres de Jean-Louis Duport et Ferdinando Pa r 11. DAVID ROWLAND, Music Publishing and Markets c. 1750-1830 SOUNDSCAPES AND AESTHETICS 12. EMMANUEL REIBEL, The Empire's Mechanical Musics: From Soundscape to Reception 13. INES THOMAS ALMEIDA, Imaginary Soundscapes: The Sounds of Portuguese Music as Captured by German Travellers at the End of the Ancien R gime 14. ALBAN RAMAUT, Le Napol on d'Hector Berlioz, proposition de lecture 0 g.

hardcover. Condition: New. 1st.