Feinstein Steve C (7 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Very Good. No Jacket. Very good condition. Clean text, tight binding. Crease on the back cover. Size: 4to - over 9¾" - 12" tall.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. A mostly clean book with minimal pages containing underlining and/or margin notes (on pages xxi to xxvi of the Introduction). The binding is tight and the pages are intact. The dust jacket is intact with minor wear and other blemishes. Free and fast shipping including stellar return policy from customer-friendly Canadian business.; 6 X 1.09 X 9 inches; 392 pages.…

Hardcover. Condition: New. Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a broad spectrum of artists from North America, Europe and Israel, and examine some of the dominant themes of their work. Contents include: "Picturing Death: Better This than Silence," Robert Poor "Probing the Limits of the Politics of Representation," Jeremy Varon "After Auschwitz: Art and the Holocaust Six Decades Later," Monica Bohm-Duchen "Jewish Artists in New York: The 1940s," Matthew Baigell "From the Sublime to the Abject: Art and the Holocaust Six Decades Later," Andrew Weinstein "R.B. Kitaj's 'Good Bad' Diasporism and the Body in American Jewish Postmodern Art," Sander Gilman "Bak's Variations on a Theme by Bak," Lawrence Langer "Toward a Post-Holocaust Theology in Art: The Search for the Absent and Present God," Stephen Feinstein "How to Remember," Nancy Weston "Disaster Art: A Plea Against the Peripheral Stuff," Pier Marton "Conversations with Rzeszow: An Artist's Journey," Joyce Lyon "Haunting the Empty Place," Ziva Amishai-Maisels.…