Felici Alberto (39 results)

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condition: New. Bilingual - Illustrated. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.…

Paperback. Condition: new. Paperback. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian. AUTHORS: Giacinta Jean is an architect, professor in history and restoration techniques. He has carried out a professional activity dealing with architectural restoration and has worked in universities in teaching and research (University of Geneva, Polytechnic of Milan). Since 2005 she has been responsible for the degree course in Conservation and Restoration at SUPSI and the Swiss Conservation-Restoration Campus. She is the author of scientific and popular publications and a member of institutions active in the protection of cultural heritage. Alberto Felici is a restorer of wall paintings, graduated from the Opificio delle Pietre Dure in Florence, and graduated in History of Art from the University of Florence. Formerly a teacher at the Opificio Higher Education School, he is now active at the Superintendency of Archeology and Fine Arts of Florence. Since 2007 he has been teaching at the Master course in Conservation and Restoration at SUPSI in Lugano. Letizia Tedeschi director of the Archivio del Moderno of the Universita della Svizzera Italana since 1996, he founded this institute, defining its objectives, philosophy and scientific activity. Visiting professor at the Ecole nationale des chartes in Paris, the 'Sapienza' Universita di Roma and the Universite Paris 1 Pantheon-Sorbonne and is part of the scientific committee of the Institut national d'histoire de l'art in Paris (INHA). SELLING POINTS: . An interdisciplinary look that also involves sites, workshops and geographical areas little considered by studies with new high definition images . Investigation into the formal but above all technical aspects and the organisation of construction sites and workshops 230 colour, 38 b/w illustrations An interdisciplinary perspective no the spread and development of the stucco technique between the 16th and 18th centuries, and the different forms it took throughout Europe. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Rilegato. Condition: new. Testo Italiano e Inglese. Milano, 2025; ril., pp. 416, ill. col., cm 22x28. (Arco). Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Libro.…

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Paperback. Condition: Brand New. 416 pages. 9.87x7.87x9.84 inches. In Stock.

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Condition: NEW. Milano: Officina libraria, 2025 9788833672670 1230 N vol.: 1, N pag.: 408, W: 20.2, Illustr.: COL Le decorazioni a stucco sono state studiate principalmente come forma artistica, dando poca attenzione al ruolo professionale degli stuccatori e alle loro particolari capacità tecniche. Dal XV al XVIII secolo, molti stuccatori originari delle zone tra l'attuale Canton Ticino e la Lombardia hanno lavorato in tutta Europa, portando un bagaglio di conoscenze che hanno saputo adattare di volta in volta a diversi contesti. I saggi contenuti nel libro evidenziano il ruolo di questi artisti all'interno dei cantieri e il loro modo di interpretare una tecnica difficile da padroneggiare, che richiedeva particolari abilità nel combinare pochi e semplici ingredienti di base per realizzare magnifiche decorazioni a imitazione del marmo. Ogni contributo affronta questi temi con un approccio interdisciplinare, considerando la storia artistica e sociale, la storia delle tecniche artistiche e la scienza dei materiali. Il volume include un glossario bilingue su materiali, tecniche e strumenti di lavorazione dello stucco. Le decorazioni a stucco sono state studiate principalmente come forma artistica, dando poca attenzione al ruolo professionale degli stuccatori e alle loro particolari capacità tecniche. Dal XV al XVIII secolo, molti stuccatori originari delle zone tra l'attuale Canton Ticino e la Lombardia hanno lavorato in tutta Europa, portando un bagaglio di conoscenze che hanno saputo adattare di volta in volta a diversi contesti. I saggi contenuti nel libro evidenziano il ruolo di questi artisti all'interno dei cantieri e il loro modo di interpretare una tecnica difficile da padroneggiare, che richiedeva particolari abilità nel combinare pochi e semplici ingredienti di base per realizzare magnifiche decorazioni a imitazione del marmo. Ogni contributo affronta questi temi con un approccio interdisciplinare, considerando la storia artistica e sociale, la storia delle tecniche artistiche e la scienza dei materiali. Il volume include un glossario bilingue su materiali, tecniche e strumenti di lavorazione dello stucco. …

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Paperback. Condition: new. Paperback. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian. AUTHORS: Giacinta Jean is an architect, professor in history and restoration techniques. He has carried out a professional activity dealing with architectural restoration and has worked in universities in teaching and research (University of Geneva, Polytechnic of Milan). Since 2005 she has been responsible for the degree course in Conservation and Restoration at SUPSI and the Swiss Conservation-Restoration Campus. She is the author of scientific and popular publications and a member of institutions active in the protection of cultural heritage. Alberto Felici is a restorer of wall paintings, graduated from the Opificio delle Pietre Dure in Florence, and graduated in History of Art from the University of Florence. Formerly a teacher at the Opificio Higher Education School, he is now active at the Superintendency of Archeology and Fine Arts of Florence. Since 2007 he has been teaching at the Master course in Conservation and Restoration at SUPSI in Lugano. Letizia Tedeschi director of the Archivio del Moderno of the Universita della Svizzera Italana since 1996, he founded this institute, defining its objectives, philosophy and scientific activity. Visiting professor at the Ecole nationale des chartes in Paris, the 'Sapienza' Universita di Roma and the Universite Paris 1 Pantheon-Sorbonne and is part of the scientific committee of the Institut national d'histoire de l'art in Paris (INHA). SELLING POINTS: . An interdisciplinary look that also involves sites, workshops and geographical areas little considered by studies with new high definition images . Investigation into the formal but above all technical aspects and the organisation of construction sites and workshops 230 colour, 38 b/w illustrations An interdisciplinary perspective no the spread and development of the stucco technique between the 16th and 18th centuries, and the different forms it took throughout Europe. Text in English and Italian. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: Good. Condizioni dettagliate: più che buone, dedica e dono con firma dell'autore sul frontespizio e sul risguardo,lievi abrasioni sulla sovraccoperta, copertina flessibile.

Taschenbuch. Condition: Neu. Neuware - An interdisciplinary perspective no the spread and development of the stucco technique between the 16th and 18th centuries, and the different forms it took throughout Europe. Text in English and Italian.Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.…

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - The European Commission emphasizes, in its Fifth Research Framework, the '. . . emerging generic dependability requirements in the information society, stemming both from the ubiquity and volume of embedded and networked systems and services as well as from the global and complex nature of large scale information and communication infrastructures, from citizens, administrations and business in terms of technologies, tools, systems, applications and services'. The series of Conference on Computer Safety, Reliability, and Security (Safecomp) contributes to satisfy these requirements by reviewing the state of the art, experiences, and new trends in the relevant scientific and industrial areas. Safecomp is intended to be a platform for technology transfer among academia, industry, and research institutions, providing the opportunity for exchange of ideas, opinions, and visions among experts. This year Safecomp celebrates the 20th anniversary, its first Conference having been organized in Stuttgart by EWICS (European Workshop on Industrial Computer Systems) in 1979, and we hope these Proceedings will contribute to the celebration by supporting Safecomp aims. The Proceedings include the 25 papers that have been presented orally at the Conference and the full version of the 14 papers that have been presented as posters, all of which were selected from 76 submissions. Papers almost uniformly take up Safecomp topics, dealing with the issues of Safety Assessment and Human Factors, Verification and Validation, Design for Safety, Formal Methods, and Security.…

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