Feman Seth (56 results)

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Condition: Near Fine. Tiny ink name/date to corner of front free endpaper else FINE in pictorial boards.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. Condition: New. International shipping will be extra. Thank you.

Hardcover. Condition: Brand New. 116 pages. 9.25x10.25x0.50 inches. In Stock.

Hardcover. Quarto. Hardcover. Illustrated boards, no jacket as issued. 335 pages : illustrations (some color), color map ; 30 cm"In a collaboration between curators at The Columbus Museum and the Chrysler Museum of Art, Alma W. Thomas: Everything is Beautiful, works toward a primary objective: to introduce the Thomas-related materials housed at The Columbus Museum to a broader public, and to demonstrate how those materials reshape the narratives surrounding the artist. The wealth of material in The Columbus Museum's collection-from student work of the 1920s and marionettes from the 1930s, to home furnishings, ephemera, and little-known works on paper-offers a robust, but until now untold, account of Thomas's artistic journey. Taking cues from Thomas's wide-ranging interests and her broad network of collaborators and supporters, our museums also sought a scholarly approach that resonated with the artist's own disregard for silos, borders, and other arbitrary limitations. Assembling an interdisciplinary advisory committee of more than twenty scholars of diverse backgrounds and experiences, the curators convened a two-day gathering at the University of Maryland Center for Art and Knowledge at The Phillips Collection in January 2020 to illuminate varied aspects of Thomas's creativity and amplify the show's interdisciplinary approach. By applying interdisciplinary approaches to a range of artistic objects, the overall project presents new insights into Thomas's diverse forms of creativity while offering an inspiring look at how to lead a rich and beautiful life"--. Very Good+. Light bumping to front cover, otherwise close to new.…

Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. A sweeping retrospective of Alma W. Thomass wide-reaching artistic practice that sheds new light on her singular search for beauty Achieving fame in 1972 as the first Black woman to mount a solo show at the Whitney Museum of American Art, Alma W. Thomas (18911978) is known for her large abstract paintings filled with irregular patterns of bright colors. This insightful reassessment of Thomass life and work reveals her complex and deliberate artistic existence before, during, and after the years of commercial and critical success, and describes how her innovative palette and loose application of paint grew out of a long study of color theory. Essays trace Thomass journey from semirural Georgia to international recognition and situate her work within the context of the Washington Color School and creative communities connected to Howard University. Featuring rarely seen theatrical designs, sculpture, family photographs, watercolors, and marionettes, this volume demonstrates how Thomass pursuit of beauty extended to every facet of her lifefrom her exuberant abstractions to the conscientious construction of her own persona through community service, teaching, and gardening. A sweeping retrospective of Alma W. Thomass wide-reaching artistic practice that sheds new light on her singular search for beauty Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New.

Hardback. Condition: New. In Her Place charts a network of artists working at a high caliber with deceptively specific criteria-they are all women, and they all work in Nashville, Tennessee. The plurality of styles, subjects, and media they choose to work in is so diverse that grouping them together proves that, if anything, there are as many differences among these artists as there are similarities. But isn't that what it is to be Southern? Hasn't life in the American South been a quagmire of contradictions from the very start? The South has always been defined as much by what it isn't as what it is, in much the same way that women have been defined by how they are not like men. The standard for an American artist-and perhaps for a person in general-seems to be a white, straight, cisgender man of vaguely Northern residence. Anything that deviates from that criteria needs to be justified, pointed out, turned into something exceptional in order to simply be visible. It is refreshing, then, that this exhibition does not wallow in the stagnant waters of Southern stereotypes. The artists of In Her Place are legion. They include a Tehran-born sculptor making vessels out of Tennessee red clay, an artist from Arkansas working with cardboard and references to unsettling histories, and a Nashville-born painter whose images of civil rights-era sit-ins read just as poignantly in 2026 as they would have in 1960. If anything ties these artists together, it is not their gender or their location. It is their shared ingenuity and the comfort with which they subvert.…

Condition: New.

Hardcover. Condition: Brand New. 168 pages. 12.00x9.00x12.00 inches. In Stock.

First edition, first printing New and bright illustrated boards issued without dust jacket and with crisp bright text. Extensive biographical text along with an enriched decorative survey of this fine artist's work.

Hardcover without dustjacket as issued, 336 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Brand New. 320 pages. 8.90x5.90x0.80 inches. In Stock.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. 1st Edition. FACTORY SEALED. Brand new. First edition. In stock for immediate shipping. Purchase by 12PM EST for same day shipping. A sweeping retrospective of Alma W. Thomas's wide-reaching artistic practice that sheds new light on her singular search for beauty Achieving fame in 1972 as the first Black woman to mount a solo show at the Whitney Museum of American Art, Alma W. Thomas (1891-1978) is known for her large abstract paintings filled with irregular patterns of bright colors. This insightful reassessment of Thomas's life and work reveals her complex and deliberate artistic existence before, during, and after the years of commercial and critical success, and describes how her innovative palette and loose application of paint grew out of a long study of color theory. Essays trace Thomas's journey from semirural Georgia to international recognition and situate her work within the context of the Washington Color School and creative communities connected to Howard University. Featuring rarely seen theatrical designs, sculpture, family photographs, watercolors, and marionettes, this volume demonstrates how Thomas's pursuit of beauty extended to every facet of her life—from her exuberant abstractions to the conscientious construction of her own persona through community service, teaching, and gardening.…

Hardcover. Condition: New. Special order direct from the distributor.