Ferdinand Ron (23 results)

Echtfoto. Condition: Gut. Grossformatiges Schwarzweissfotoalbumblatt mit einer gedruckten Zeichnung links und rechts einer aufmontierten Originalzeichnung von Ron Ferdinand, mit schwarzem Stift signiert /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (Comics Kingdom com) /// Standort Wimregal Ill-Umschl2024-75 Sprache: Englisch Gewicht in Gramm: 10.

3 Bände. Die Reihe Design-Klassiker. Mit zahlreichen teils farbigen Abbildungen. 48 SS., 48 SS., 48 SS. Oktav. Farbig illustr. Orig.-Karton. Tadellos erhalten. Produktdesign, Industrial Design.

Blatt. Condition: Gut. A4 Comicausschnitt von Ron Ferdinand bildseitig handsigniert und unterhalb der Kopie handgezeichnet mit eigenhändiger kleiner Denniszeichnung /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-205 Sprache: Deutsch Gewicht in Gramm: 10.

Postkarte. Condition: Gut. A4 Comicausschnitt auf Blankokärtchen von Ron Ferdinand bildseitig handsigniert handgezeichnet mit eigenhändiger Denniszeichnung /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-0438 Sprache: Deutsch Gewicht in Gramm: 10.

Postkarte. Condition: Gut. A4 Comicausschnitt auf Blankokärtchen von Ron Ferdinand bildseitig handsigniert handgezeichnet mit eigenhändiger Denniszeichnung /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-0437 Sprache: Deutsch Gewicht in Gramm: 10.

Blatt. Condition: Gut. Comicausschnitt von Ron Ferdinand bildseitig handsigniert und handcoloriert mit eigenhändiger kleiner Denniszeichnung am Rand /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-0384 Sprache: Deutsch Gewicht in Gramm: 10.

Kärtchen. Condition: Gut. Karikatur auf einem kleinem Kärtchen von Ron Ferdinand bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "For Andreas." /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-20.105 Sprache: Deutsch Gewicht in Gramm: 10.

Bild. Condition: Gut. Großformatige A4 Farbige Zeichnung von "Dennis the Manace" (Dennis der Lausejunge) auf Aquarellpapier von Ron Ferdinand bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "For Frank! All the Best!" /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-177 Sprache: Deutsch Gewicht in Gramm: 10.

Postkarte. Condition: Gut. Farbige Zeichnung von "Dennis the Manace" (Dennis der Lausejunge) auf kleiner Blanko-Postkarte von Ron Ferdinand bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "Für Andreas Müller." /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-0271 Sprache: Deutsch Gewicht in Gramm: 10.

Postkarte. Condition: Gut. Zeichnung von "Dennis the Manace" (Dennis der Lausejunge) auf kleiner Blanko-Postkarte von Ron Ferdinand bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "For Uwe." /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-0148 Sprache: Deutsch Gewicht in Gramm: 10.

Karte. Condition: Gut. Kleine quadratische Karte mit Comic von Ron Ferdinand bildseitig handsigniert, der Comic z.T. handkoloriert /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-30.073 Sprache: Deutsch Gewicht in Gramm: 10.

Blatt. Condition: Gut. A5 Comicausschnitt von Ron Ferdinand bildseitig handsigniert und neben der Kopie handgezeichnet mit eigenhändiger kleiner Denniszeichnung /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-527 Sprache: Deutsch Gewicht in Gramm: 10.

Blatt. Condition: Gut. Kleiner Comicausschnitt von Ron Ferdinand bildseitig handsigniert /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal GAD-0505 Sprache: Deutsch Gewicht in Gramm: 10.

Blatt. Condition: Gut. A4 Comicausschnitt von Ron Ferdinand bildseitig handsigniert und unterhalb der Kopie handgezeichnet mit eigenhändiger Denniszeichnung /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-206 Sprache: Deutsch Gewicht in Gramm: 10.

Blatt. Condition: Gut. A4 Comicausschnitt von Ron Ferdinand bildseitig handsigniert und unterhalb der Kopie handgezeichnet mit eigenhändiger kleiner Denniszeichnung /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-204 Sprache: Deutsch Gewicht in Gramm: 10.

Blatt. Condition: Gut. Karikatur auf einem Blatt von Ron Ferdinand bildseitig handkoloriert, aber nicht signiert, leicht angeknickt /// (Mehrere Exemplare von diesem Motiv vorrätig) /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-520ua Sprache: Deutsch Gewicht in Gramm: 10.

Bild. Condition: Gut. Großformatige A4 Farbige Zeichnung von "Dennis the Manace" (Dennis der Lausejunge) auf Aquarellpapier von Ron Ferdinand bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "For Frank!! All the Best!" /// Autogramm Autograph signiert signed signee /// "Ron was born in 1951 in New York City. My interest in cartooning began as soon as I could turn on a TV set! Crusader Rabbit, Colonel Bleep and Clutch Cargo were early influences, said Ron. With the advent of the ?60s and Hanna-Barbera, I was in seventh heaven. The animated Disney films were also a sanctuary from the outside world. Ron attended The School of Visual Arts from 1971-1973 and The Art Students League in 1974, where he studied anatomy with Gustav Rehburger. In 1981, Ron read an interview with Hank Ketcham in Jud Hurd?s monthly publication, Cartoonist PROfiles. I sent Hank some pencil sketches of the various characters, and after a few months of correspondence, I was brought on board to work on the Dennis the Menace comic books for Marvel. In 1982, Ron began drawing the Dennis Sunday page, which he continues to draw today." (ComicsKingdomcom) /// Standort Wimregal Ill-Umschl2025-178 Sprache: Deutsch Gewicht in Gramm: 10.

Condition: Fine. ORIGINAL DRAWING OF DENNIS THE MENACE BY RON FERDINAND - A glossy 8" x 10' black-and-white photograph of Jay North's "Dennis the Menace" posed on a bicycle flanked by a dog on a leash. Ron Ferdinand has penned on the photograph an original drawing of the head of his cartoon version of the,character and signed it "Ron Ferdinand (c) Hank Ketcham Enterprises". Fine. The signed photo is accompanied by its original Certificate of Authenticity from JG Autographs.Ron Ferdinand was the main artist who took over the iconic "Dennis the Menace" comic strip. The character also appeared in movies and television shows ranging from live action to animation.

Condition: 7. DÃ dicace de Louis THERON.

ORIGINAL-FARBZEICHNUNG (auf Briefkarte, 16°) von DENNIS, mit eigenhändiger Widmung for Karsten, Empfehlung, Unterschrift signiert (dito : ORIGINAL-ZEICHNUNG von DENNIS mit Hund, eigenhändiger Widmung,Datum, Unterschrift ; dazu: Eigenhändiger Brief mit Unterschrift, Briefumschlag zus.: 65,-).

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1886. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 124, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 124 124.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1894. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 126, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 126 126.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1882. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 300, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 300 300.