Fernandez Fabiola (23 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Joffroy, Clarissa (illustrator).

paperback. Condition: New. Fast Shipping - Safe and Secure Bubble Mailer. Joffroy, Clarissa (illustrator).

paperback. Condition: New. Joffroy, Clarissa (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: New.

Condition: New.

Tapa blanda. Condition: Nuevo.

Paperback. Condition: New. Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East.Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.…

Condition: NEW.

Paperback. Condition: Brand New. 242 pages. Spanish language. 9.53x6.61x0.63 inches. In Stock.

Condition: Nuevo.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New.

Paperback. Condition: New. Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East.Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.…

Condition: New.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 01. Como es sabido, al campo del trabajo social le conciernen los problemas y necesidades que afrontan las personas, familias y grupos en su medio social. Cuando el Trabajo Social es literatura. La narrativa como creación y herramienta de aprendizaje es un libro que une la pasión por esta profesión y la vocación literaria de sus autoras y autores, con el fin de promover el papel de la literatura en la sensibilización y formación de aquellas personas que están interesadas en el mundo de la acción social. En este terreno, la narrativa ha demostrado su capacidad para la adquisición y mejora de habilidades fundamentales en las profesiones de ayuda, tales como la empatía, el autoconocimiento, la sensibilidad y la imaginación creativa. El libro es una invitación, a través de cinco relatos de ficción, tres ensayos y un texto poético, a compartir las historias de lucha, superación y esperanza que surgen de la práctica e imaginación de quienes las escriben. Creemos que su lectura, además de entretener e instruir, permitirá iluminar muchos de los recovecos de la realidad social en la que vivimos. LIBRO.…

Condition: New. In English.

Condition: New.

Condition: New.

Condition: New.

Condition: New.