Fernando Mazzocca (436 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Paperback. Condition: Brand New. Italian language. 10.94x8.19x0.39 inches. In Stock.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Fine. Dust Jacket Condition: Includes dust jacket. Still wrapped in original plastic film, unopened and unworn.

Condition: NEW.

Softcover. Condition: Fine. Abnutzung / Risse - leicht. Una pubblicazione dedicata al Risorgimento nella pittura italiana. Dai nuovi orizzonti della pittura nelle rivoluzioni del 1848-1849 alla pittura militare dalla spedizione in Crimea alla seconda guerra d'indipendenza; dalla leggenda di Garibaldi da Quarto ad Aspromonte al Risorgimento nel cuore dei semplici; fino all'amara cronaca del Risorgimento tradito. Un volume agile, ricco di riproduzioni a colori, completo di un quadro cronologico e di una ricca bibliografia.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

N. PAG. 239 - BROSSURA ILL. - OTTIMO.

Brossura. Condition: Usato - Come Nuovo. Â Gozzoli Maria Cristina - Mazzocca Fernando (A cura di): Hayez. Electa, 1983 In-8 (Cm 24 x 22), pp. 394, brossura editoriale illustrata, illustrazioni bianco nero e colori nel testo. OTTIMO.

Condition: NEW.

Condition: New.

Condition: New.

Condition: New. In.

Hardcover. Condition: new. Hardcover. Antonio Canova invented a new genre with his Ideal Heads. They were intended as gifts for close friends and persons he admired as an expression of his affection and gratitude. Starting from the famous bust La Riconoscenza, this magnificent large-format volume offers an impressive survey of these unique expressions of friendship. Canova's masterpiece La Riconocenza (Gratitude) was long thought to have been lost. It is a tribute to his most important critic, the cultural theorist Quatremere de Quincy. The sculpture was commissioned by the artist Marquise de Grollier as a gift for their mutual friend. These three distinguished individuals left their mark on the cultural life of their time. The author traces the history of the genesis of La Riconocenza through their remarkable correspondence and integrates it into the context of Canova's Teste ideale. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condition: New.

Softcover. Brown wraps; pale blue dj with sepia illustration and brown lettering; 49 pp. text followed by 80 bw and color plates. Text in Italian; catalogue to accompany the exhibition held Dec. 16, 1983 - Jan. 31, 1984; with an essay by Mazzocca and introductory information by Bianca Riccio; with full catalogue descriptions of each work. VG/Good with only general shelf wear to dj; book is in lovely condition.…

Softcover. White and black wraps with color illustration; white spine with black lettering. 255 pp. 14 color plates + a plethora of BW illustrations. Catalogue of an exhibition held at Museo Poldi Pezzoli October 25, 1978-January 14, 1979. Text in Italian. G+. Some wear to covers. Tanning on page edges; a couple of rear pages and page edgings contain some foxing, otherwise contents are clean and tight.…

paperbound, square 4to 395 pp., ca. 400 ills. Francesco Hayez was an Italian painter from the 19th century; exhibition catalouge; text in Italian; good condition (cover with mild traces of use; inhterior clean, no annotations).

Hardback. Condition: New. Antonio Canova invented a new genre with his Ideal Heads. They were intended as gifts for close friends and persons he admired as an expression of his affection and gratitude. Starting from the famous bust La Riconoscenza, this magnificent large-format volume offers an impressive survey of these unique expressions of friendship. Canova's masterpiece La Riconocenza (Gratitude) was long thought to have been lost. It is a tribute to his most important critic, the cultural theorist Quatremère de Quincy. The sculpture was commissioned by the artist Marquise de Grollier as a gift for their mutual friend. These three distinguished individuals left their mark on the cultural life of their time. The author traces the history of the genesis of La Riconocenza through their remarkable correspondence and integrates it into the context of Canova's Teste ideale.…

Condition: COME NUOVO. Milano, Electa Ed. cm 24x28 pp.272, num.figg.e tavv.bn.e col.nt. brossura con sopraccoperta figurata. Traduzioni di Chiara Lampugnani e Benedetta Sforza. L'arte sublime di Antonio Canova e la villa più bella del mondo, come egli stesso amava definire la Galleria Borghese, per una monografica ambientata nel luogo tanto caro allo scultore nel 250° anniversario della sua nascita e nel bicentenario della Paolina Borghese Bonaparte come Venere Vincitrice. La mostra intende illustrare da una parte le complesse relazioni tra Canova, il principe Camillo Borghese e la famiglia Bonaparte, per la quale egli elaborò la particolare tipologia del ritratto divinizzato in scultura, di cui si presentano altri esempi da confrontare con quello di Paolina come Venere Vincitrice. Dall'altra si vuole ripercorrerne la carriera seguendo, attraverso oltre cinquanta opere provenienti dai più grandi musei del mondo, la continua rielaborazione, dalla fine degli anni Ottanta del Settecento, del tema di Venere: oltre ai grandi marmi, disegni, tempere, monocromi, dipinti, bozzetti in creta e terracotta per un esempio eloquente del metodo di lavoro di Canova. Roma, Galleria Borghese,10 ottobre 2007 - 28 febbraio 2008. A cura di Anna Coliva e Fernando Mazzocca.…

Condition: As New. Unread book in perfect condition.