Condition: buono. Straniera Americhe Fiction and Poetry Foreign Fiction America Gialli Garzanti 48 in 16°, bross. edit. ill., tracce d'uso e bruniture in cop. - trad. di Mariapaola Ricci Dettore BUONE CONDIZIONI.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Published by GARZANTI MARZO 1974, 1974
ISBN 13: 5363065431970
Seller: Librightbooks, Portici, NA, Italy
copertina morbida. Condition: buone.
Couverture souple. Condition: bon. R150108771: 1971. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 250 pages. . . . Classification Dewey : 810-Littérature américaine.
Couverture souple. Condition: bon. R150234211: 1971. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 250 pages. . . . Classification Dewey : 843.0872-Le roman policier.
US$ 409.08
Quantity: 1 available
Add to basketHardcover. Condition: Good. Ex-library. Clean text, sound binding. Quick dispatch from UK seller.
Published by Garzanti - R'72,, Milano, 1972
Seller: Bergoglio Libri d'Epoca, RIVALBA, TO, Italy
First Edition
In 16ş 231 pp. Prima edizione italiana. Cartone editoriale illustrato. Ottimo. All books are in stock in fine condition or described meticulously. Very safe packaging.
Published by United Artists, Beverly Hills, CA, 1972
Manuscript / Paper Collectible
Seven vintage color studio still photographs from the 1972 film, including five mounted as issued by the distributor on a presentation card. Based on the 1970 novel by Wally Ferris, about two New York City cops who become involved in a bloody struggle between the Italian mob, the Harlem mob, and a pair of small-time crooks who have stolen thousands of dollars from both groups. Due to its setting in Harlem, this underrated crime drama is often lumped with other Blaxploitation pictures of the era, when in truth it belongs to the great pantheon of gritty, violent police procedurals of the early 1970s-something of a New York City companion to Don Siegel's "Dirty Harry," released the year before. Set in Harlem, shot on location in New York City. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Color studio still photographs and presentation cards Very Good plus. Grant US. Parish and Hill 3. Spicer US Neo-Noir. Howard, Blaxploitation Cinema, p. 68, 83-84.
Published by Harper & Row, Publishers, Inc, New York, 1970
Seller: Lorne Bair Rare Books, ABAA, Winchester, VA, U.S.A.
First Edition
Dust Jacket Condition: dj. First Edition. Octavo (21cm); blue cloth-covered spine over blue paper-covered boards, with titling stamped in red on spine, and publisher's logo stamped in red on front cover; fore-edge untrimmed; dustjacket; 262pp. Slight spine lean, with modest shelf-wear, and soil to spine, upper edge of textblock, and front endpaper; Very Good. Dustwrapper, designed by Robert Korn, unclipped (priced $5.95), with modest shelf-wear, 1.5" tear to upper rear spine fold, 1" tear to upper rear panel, and creases to extremities; Good. Set in Harlem, its film adaptation (1972) directed by Barry Shear starred Yaphet Kotto, Anthony Quinn, and Paul Benjamin. [88641].
Published by Harper & Row, New York, Evanston, and London, 1970
Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
First Edition
Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. First edition, first printing. [vi], 262 pp. Bound in publisher's blue cloth-affect paper over blue spine cloth lettered in orange, orange topstain and endpapers. Near Fine with light rubbing and fading to extremities, several tiny stains to topstain, miniscule corner chips to prelims. In a Very Good+ unclipped dust jacket with sunned spine panel, light edgewear, and diagonal crease and price sticker to front flap. The sole novel published by New York television cameraman Wally Ferris. His thriller about a race war between Black and Italian mobsters was the basis for the bloody 1972 movie Across 110th Street, which featured a memorable title track by Bobby Womack. That song was later reused by Quentin Tarantino for his 1997 movie Jackie Brown.