Feustel Marc (32 results)

Hardcover. Condition: Used - Very Good. The Japanese photographers in this volume are the undiscovered Cartier-Bresson, Brassai, or Doiseneau. From the 1945 bombing of Japan to the 1964 Tokyo Olympic Games, photography blossomed in the rapidly evolving country. Documentary photography that captured the horrors of war shifted to focus on the human strength for survival and solidarity. By the mid-1950s, Japan was at a crossroads between tradition and modernization, a contradiction immortalized by the most talented photographers of the time. Chosen for aesthetic merit and content, these 150 photographs are accompanied by essays from renowned Japanese experts, covering historical, social, and photographic perspectives. Three chapters reflect the different periods of this societal transformation and the evolution of Japanese photography from social realism to a subjective and increasingly personal style. Photographers: Ken Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikoh Hosoe, Yasuhiro Ishimoto, Kikuji Kawada, Ihee Kimura, Shigeichi Nagano, Ikko Narahara, Takeyoshi Tanuma, Shomei Tomatsu Very nice clean, tight copy free of any marks.

Hardcover. Condition: Near fine. First Edition. Small quarto. Original pictorial boards; issued without a dust jacket. The spine is lightly sun faded; else fine.

1st edition. Fine cloth copy in near-fine dust-wrapper, slight discolouration on front. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 216 p.: ill.; 32 cm. Notes; Translated from the French and Japanese. Includes bibliographical references. Contents; Introduction / Alain Sayag -- 1945-1964: a Japanese perspective / Takeuchi Keiichi -- Deciphering Japanese postwar photography / Hiraki Osam -- Plates: The aftermath of war -- Between tradition and modernity -- A new Japan. Review: "From the end of the Pacific War in 1945 to the Tokyo Olympic Games in 1964, Japan underwent an extraordinary transformation: from a nation ravaged by the destruction of war, Japan became a rising economic power. This period of radical change generated an unprecedented creative energy which breathed new life into Japanese photography. By the mid-1950s, Japan was at a crossroads between tradition and modernization, a moment fraught with contradiction, immortalized by the most talented photographers of the time." "The 150 photographs in this collection represent a unique vision of a nation struggling to define itself. These images are accompanied by essays from renowned Japanese experts, who provide social and historical insight into this period and its photographic output. The first comprehensive review of this period in Japanese photography, Japan: A Self-Portrait offers a tribute to the nation's strength and solidarity in the face of profound upheaval and a rare chance to view the depth of its artistic talent." -- Jacket. Subjects; Photography - Japan - History - 20th century. Photography, Artistic - Japan - History Japan - History - 1945- - Pictorial works. Japan - History - 20th century - Pictorial works. Japan - History - Photographs Photography, Japanese - 20th century - 1940s-1960s. Japan - Social history - 20th century - 1940s-1960s. 1.5 Kg.

1st edition. Fine cloth copy in near-fine dust-wrapper, slight discolouration on front. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 216 p.: ill.; 32 cm. Notes; Translated from the French and Japanese. Includes bibliographical references. Contents; Introduction / Alain Sayag -- 1945-1964: a Japanese perspective / Takeuchi Keiichi -- Deciphering Japanese postwar photography / Hiraki Osam -- Plates: The aftermath of war -- Between tradition and modernity -- A new Japan. Review: "From the end of the Pacific War in 1945 to the Tokyo Olympic Games in 1964, Japan underwent an extraordinary transformation: from a nation ravaged by the destruction of war, Japan became a rising economic power. This period of radical change generated an unprecedented creative energy which breathed new life into Japanese photography. By the mid-1950s, Japan was at a crossroads between tradition and modernization, a moment fraught with contradiction, immortalized by the most talented photographers of the time." "The 150 photographs in this collection represent a unique vision of a nation struggling to define itself. These images are accompanied by essays from renowned Japanese experts, who provide social and historical insight into this period and its photographic output. The first comprehensive review of this period in Japanese photography, Japan: A Self-Portrait offers a tribute to the nation's strength and solidarity in the face of profound upheaval and a rare chance to view the depth of its artistic talent." -- Jacket. Subjects; Photography - Japan - History - 20th century. Photography, Artistic - Japan - History Japan - History - 1945- - Pictorial works. Japan - History - 20th century - Pictorial works. Japan - History - Photographs Photography, Japanese - 20th century - 1940s-1960s. Japan - Social history - 20th century - 1940s-1960s. 1.5 Kg.

Paperback. Condition: Fine. Small Qto., 64 pages, illustrated. A Fine copy.

Hardback. Condition: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New.

Condition: New. Idioma/Language: Inglés. Han pasado tres décadas desde el peor accidente atómico de la historia, ocurrido en la planta nuclear de Chernóbil en la actual Ucrania. El fotoperiodista Kazuma Obara recorrió este país entre febrero de 2015 y abril de 2016 para recuperar la memoria de lo ocurrido. Exposurees el resultado de esa labor de investigación, una caja que incluyedos fotolibros y la réplica de un periódico de la época. El proyecto Exposure fue galardonado con el premio World Press Photo 2016 en la categoría Historias. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condition: New.

Condition: Nuevo. FOTOGRAFIA | Encuadernación: Tapa dura | Páginas: 149 | Dimensiones: 200 x 300 | País: ESPAÑA | Sinopsis: Han pasado tres décadas desde el peor accidente atómico de la historia, ocurrido en la planta nuclear de Chernóbil en la actual Ucrania. El fotoperiodista Kazuma Obara recorrió este país entre febrero de 2015 y abril de 2016 para recuperar la memoria de lo ocurrido. Exposure es el resultado de esa labor de investigación. Galardonado con el premio World Press Photo 2016 en la categoría Historias, el trabajo de Obara se presenta en una caja que contiene dos fotolibros y la réplica de un periódi. - Fotografía.

Tapa dura. Condition: Nuevo.

Cartoné (tapa dura cartón). Condition: New. Dust Jacket Condition: Nuevo. 1. Han pasado tres décadas desde el peor accidente atómico de la historia, ocurrido en la planta nuclear de Chernóbil en la actual Ucrania. El fotoperiodista Kazuma Obara recorrió este país entre febrero de 2015 y abril de 2016 para recuperar la memoria de lo ocurrido. Exposure es el resultado de esa labor de investigación. Galardonado con el premio World Press Photo 2016 en la categoría Historias, el trabajo de Obara se presenta en una caja que contiene dos fotolibros y la réplica de un periódico de la época. LIBRO.

Hardcover. Condition: Brand New. 384 pages. 11.00x0.83x11.20 inches. In Stock.

Condition: Nuevo. Exposure editado por Rm verlag.

Hardcover. Condition: Brand New. 384 pages. 11.00x0.83x11.20 inches. In Stock.

Softcover. traditional japanese binding w/ silken-like brown fabric covers. 80 pgs on tissue-like paper, bw illustrations. double-sided, tri-fold japanese only pamphlet. plain, white paper jacket. Paper jacket and colophon page signed 'H.C.' in pencil. Out of print from the publisher. "The culmination of meticulous development and production, the portfolio offers a stunning visual and tactile experience that combines traditional technique with contemporary projects. The 58 page catalogue comes in a limited edition of 80, hand printed on Japanese Gampi & Mitsumata washi paper. The master printers at Benrido worked closely with the Hariban Award winners to realize a cohesive and affecting portfolio sure to be an integral part of any owners collection.The 2016 competition was won by Brazilian born Claudio Silvano who was able to spend two weeks working in Kyoto at the Atelier. Three special prize winners, Michael Vahrenwald, Mayumi Suzuki and Claudio Nolasco, and Master Printers Choice Award Teri Havens were joined by ten photographers (Lea Habourdin, Maria Inglessis, Miho Kajioka, Natalia Kopkina, Maria do Mar Rego, Marie Passa, and Joanna Piotrowska) receiving honorable mentions. All of these artists have their work included in this limited edition, hand printed collotype portfolio."--Benrido Website. VG+ (removed from publisher's wrap to inspect; light wear to edges & corners).

Tapa blanda. Condition: Nuevo.

Hardback. Condition: New. A critical and celebratory counternarrative to what we know of Japanese photography today. I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography-and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d'Arles and Kering.

Hardcover without dustjacket as issued; 296 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Mint in publishers cloth in ike dustjacket (still shrink wrapped). The Japanese photographers in this volume are the undiscovered Cartier-Bresson, Brassai, or Doiseneau. From the 1945 bombing of Japan to the 1964 Tokyo Olympic Games, photography blossomed in the rapidly evolving country. Documentary photography that captured the horrors of war shifted to focus on the human strength for survival and solidarity. By the mid-1950s, Japan was at a crossroads between tradition and modernization, a contradiction immortalized by the most talented photographers of the time. Chosen for aesthetic merit and content, these 150 photographs are accompanied by essays from renowned Japanese experts, covering historical, social, and photographic perspectives. Three chapters reflect the different periods of this societal transformation and the evolution of Japanese photography from social realism to a subjective and increasingly personal style. Photographers: Ken Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikoh Hosoe, Yasuhiro Ishimoto, Kikuji Kawada, Ihee Kimura, Shigeichi Nagano, Ikko Narahara, Takeyoshi Tanuma, Shomei Tomatsu ISBN 2080304631.

Couverture souple. Condition: Comme neuf. L'Imagerie - centre d'art collection , 2022. 1 volume format In-12 comme neuf.

Couverture souple. Condition: Comme neuf. L'Imagerie - centre d'art collection , 2022. 1 volume format In-12 comme neuf.

Couverture souple. Condition: Comme neuf. L'Imagerie - centre d'art collection , 2022. 1 volume format In-12 comme neuf.

Couverture souple. Condition: Neuf. L'Imagerie - centre d'art collection , 2022. 1 volume format In-12 neuf.

Softcover. Condition: Sehr gut. 4°. 237 Seiten mit zahlreichen, teils ganz- oder doppelseitigen farbigen u. S/W-Abb. (Photographien, graphische Darstellungen), ill. Klappenbroschur. - Alle Texte des Bandes in deutscher und englischer Sprache. Im Anhang mit einer Chronologie (umfassend Bauten und Projekte des Architekten 1971 - 2000), Biographie und Bibliographie. - Der Umschlag leicht berieben, die Umschlagvorderseite im oberen Bereich etwas bestoßen bzw. leicht knickspurig. Papier im Innern an den Seitenrändern geringfügig nachgedunkelt.