Feyen Perrin (13 results)

seltene original Radierung von Francois Feyen-Perrin (1826-1888) von 1873 - in der Platte signiert - Blatt-Format: ca. 31 x 48 cm - Platten-Format: ca. 15,5 x 23,5 cm - gut erhalten. | eau forte originale vers 1873 - signée dans la planche. | original etching from 1873 - signed in plate. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

Couverture rigide. Condition: Bon. Dust Jacket Condition: Bon. Feyen Perrin (illustrator). Maurice de Podestzat,La comédie au boudoir,Lacroix,1876,Paris. 7 eaux fortes avec serpentes (dont frontispice de Beyle),Feyen Perrin,Lalanne,Martial,Morin,Beyle et E.D et 14 vignettes sur bois de Morin et E.D. 180x115mm.310 pp. Relié demi cuir bleu à coins soulignés par filets dorés, dos à 5 nerfs décors et titre dorés,Tete dorée.Couverture conservée.Chants et coins légèrement émoussés. Bon état malgré rousseurs éparses.

Condition: Sehr gut. Size (plate): 235 x 157 mm. Leaf: 300 x 480 mm. *Cadart No. 146. - François Nicolas Auguste Feyen-Perrin (1826-1888) was a French painter, engraver and illustrator. He attended a drawing school in Nancy. After some private lessons with Michel Martin Drolling, he qualified to enroll at the École des Beaux-arts in 1848, where he studied with Léon Cogniet and Adolphe Yvon. Specializing in portraits and genre scenes, he had his first exhibition at the Salon in 1853. Sprache: Französisch Gewicht in Gramm: 800.

Condition: Sehr gut. Size (plate): 160 x 240 mm. Leaf: 300 x 480 mm. *Cadart No. 216. - François Nicolas Auguste Feyen-Perrin (1826-1888) was a French painter, engraver and illustrator. He attended a drawing school in Nancy. After some private lessons with Michel Martin Drolling, he qualified to enroll at the École des Beaux-arts in 1848, where he studied with Léon Cogniet and Adolphe Yvon. Specializing in portraits and genre scenes, he had his first exhibition at the Salon in 1853. Sprache: Französisch Gewicht in Gramm: 800.

Condition: Sehr gut. Size (plate): 240 x 153 mm. Leaf: 300 x 480 mm. *Cadart No. 169. - François Nicolas Auguste Feyen-Perrin (1826-1888) was a French painter, engraver and illustrator. He attended a drawing school in Nancy. After some private lessons with Michel Martin Drolling, he qualified to enroll at the École des Beaux-arts in 1848, where he studied with Léon Cogniet and Adolphe Yvon. Specializing in portraits and genre scenes, he had his first exhibition at the Salon in 1853. Sprache: Französisch Gewicht in Gramm: 800.

en feuille. Condition: Très bon. Béraldi 24. IFF 8.Très belle épreuve. 17,6 x 12 cm au trait carré. Marges 27,8 x 21,3 cm.

Condition: Sehr gut. Size (plate): 160 x 240 mm. Leaf: 300 x 480 mm. *Cadart No. 72. - François Nicolas Auguste Feyen-Perrin (1826-1888) was a French painter, engraver and illustrator. He attended a drawing school in Nancy. After some private lessons with Michel Martin Drolling, he qualified to enroll at the École des Beaux-arts in 1848, where he studied with Léon Cogniet and Adolphe Yvon. Specializing in portraits and genre scenes, he had his first exhibition at the Salon in 1853. Sprache: Französisch Gewicht in Gramm: 800.

2. Paris, Librairie Internationale , Bruxelles, A. Lacroix , Verboeckhoven & Cie. éditeurs, 1868, in-8°, 17,5 x 11 cm, 310 pp, avec 7 eaux-fortes à pleine page et 14 vignettes, imprimé sur papier de luxe, qualité non déterminée, reliure en plein maroquin brun, plats avec décor floral doré, tranche supérieure dorée, feuilles de garde en papier rose avec décor floral, dos à 5 nerfs. Reliure avec qq. légères traces d'usure, mais encore bel exemplaire.

No Binding. Condition: Good. 1st Edition. This portfolio has 26 matted etchings plus titled "Frontispiece" from the book "Eaux Fortes Modernes" published by Cadart & Luquest 1862-1864; the etchings are from only Volume # 2 with plates #61-120 (NOTE: some plates are missing in this portfolio); they where issued over a five year period & 60 etchings issued each year; French text on frontispiece reads: "EAUX- FORTES-MODERNES - PUBLIEES- PAR-LA SOCIETE DES AQUA-FORTISTES - 2ND ANNEE - MDCCCLX1111" -A. CADART & LUQUET- Editeurs- Gerants De La Societe des Aqua-Fortisteszz"; Imp: printed by Auguste Delatre; at bottom right of each image is the text "Imp. Delatre, Rue St. Jacques, 303, Paris"; the portfolio was in the Canton Art Institute's Collection (1001 Market Avenue, North / Canton, Ohio 44702) & they put their small invisible imprint embossed at very bottom of some the sheets; all etchings are titled & labeled on back of mats & with a label notice saying "Donor: John Hemming Fry Collection"; on back of mats is stamped "Photo 7-24-70" & "Inventory Jul 22 1982"; each etching at bottom is titled, with artist name, publisher, & numbered at very top edges; paper size: 20-1/2 x 13-1/4in., image sizes vary but most are approx.: 12-1/2 x 9-3/4in.; all are matted in the same size thick white acid-free mats: size: 24 x 20in; each etching is attached to the mat at tops with Archival white acid-free tape; CONTRIBUTING ARTISTS: "Frontispiece. Societe des Aqua-Fortistes": by Jules Laurents, No.1) Feyen-Perrin, plate #62: "La Barque de Caron" (Salon de 1857) (signed in the plate on boat); No.2) Jules Jacquemart, plate #64 "Untitled"; No.3) T. Martial, plate #66: "Le Canal St. Martin"; No.4) H. Valentin. plate #70: "Un Ouvrier Sevres"(signed in plate); No.5) L. Jacque, plate #72 :"Le Moulin de la Galette"(not signed in plate); No.6) Jules Michelin, plate #73 :"Pres Pont de Crosne" ( signed in the plate); No.7) A. Queyroy, plate #74: "Rue des Arenes" (signed in the plate); No.8) Bachiloff, plate #77: "Un Paysan Russe" (signed & dated 1862 in the plate); No.9) Un Anonyme, plate #78: "En Euvergne" (foxing to prints margins, this particular mate has lots of marks on it); No.10) De Dananche, plate #80: "Sous Bois" (not signed in plate); No.11) Feyen-Perrin, plate #81: "Mort d'Armar" (signed in the plate, matting has large tape pull to front bottom left); No.12) T. Abraham, plate #86: "Environs de Chateau-Gontier" (signed in the plate); No.13 & 14) Villenvielle, plate #87: 2 plates: "En Picardie 11" & "En Picardie 1" (signed & dated 1850 in the plate); No.15) Gabriel, plate #92: "En Provence" (signed &date1864 in the plate); No.16) J. Laurens, plate #93: "Sommets d'Auvergne" (signed in the plate); No.17) A. De Boret, plate # 95: "Camp de Chalons" (not signed in plate, foxing & a few tiny scratches in margin); No.18) T. Ribot, plate #99: "M.A. Cadart" (signed in the plate); No.19) A. Appian, plate #100: "Souvenirs" (not signed in the plate); No.20) F. Chaigneau, plate #104: "Femme Gardant des Moutons" (plate in signed); No.21) Bracquemond, plate #106: "Sarcelles" (signed in the plate); No.22) Maxime Lalane, plate #109: "A. Neuilly" (not signed in the plate& it appears to have a tiny spot in the image); No.23) Carolus, plate #111: "Site en Norwege" (not signed in the plate); No.24) Noterman, plate #113: "Le Singe Savetier" (signed in the plate); No.25) E. Penavulle, plate #115: "Un Bal Public" (signed with initials in plate); No.26) Zaleski, plate #119: "Partie du Colysee a Rome" (signed & dated "1864 Roma" in plate); CONDITIONS: some of the etchings have some small tears to the edges; all etchings have foxing to some degree & a few have some browning to margins; there are pulls, rubbing, marks to some of the mats & some are detached; but overall etchings in GOOD COND. NOTE: etchings are wrapped in 2 different boxes & each weighing 22pds. EXTRA postage necessary.

0. Original etching, ( 1870), size 190 x 130 mm . Signed at the bottom of the plate. With title and '' A. Cadart, Edit. Imp. Rue Nve des Mathurins 58 Paris''. Printed on strong paper 294 x 460 mm. This etching was published by Alfred Cadart in his '' L'Illustration Nouvelle par une Société de Peintres-Graveurs a l'eau-forte'' with the number 150. (n° on the upper right hand corner). Nice strong printing.

0. Original etching, ( ca. 1870), size 200 x 118 mm . Signed at the bottom of the plate. With title and '' A. Cadart, Edit. Imp. Rue Nve des Mathurins 58 Paris''. Printed on strong paper 294 x 460 mm. This etching was published by Alfred Cadart in his '' L'Illustration Nouvelle par une Société de Peintres-Graveurs a l'eau-forte'' with the number 169. (n° on the upper right hand corner). Nice strong printing.

0. Original etching, ( ca. 1870), size 162 x 115 mm . Signed at the bottom of the plate. With title and '' A. Cadart, Edit. Imp. Rue Nve des Mathurins 58 Paris''. Printed on strong paper 294 x 460 mm. This etching was published by Alfred Cadart in his '' L'Illustration Nouvelle par une Société de Peintres-Graveurs a l'eau-forte'' with the number 146. (n° on the upper right hand corner). Nice strong printing.

No Binding. Condition: Very Good. Delacroix - Medea after Eau forte before the lettre on vellum by Feyen-Perrin Médée d'après Delacroix Eau forte avant la lettre sur vélin pour le tirage Auguste Feyen-Perrin ( Bey-sur-Seille, 1826-1829 - Paris, 1888 ) , graveur Eugène Delacroix ( Charenton-Saint-Maurice, 1798 - Paris, 1863 ) , auteur modèle Gazette des Beaux-Arts ( Périodes d'activité : Paris, 1859 à 2002 ) , éditeurAlfred Cadart ( Saint-Omer, 1828 - Paris, 1875 ) , imprimeur DATATION 1844 1854 DIMENSIONS cuvette: 235 x 155 mm feuille: 352 x 253 mm MATÉRIAUX Eau-forte sur vélin.