Fitzpatrick Tracy (39 results)

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: New. Dust Jacket Condition: As New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition. Softcover. 108 pages. Exhibition catalog for a show that ran October 25, 2008 through January 25, 2009. Features texts by Tracy Fitzpatrick, Saundra Goldman, Tom Kochheiser, and Griselda Pollock. Includes numerous color and black and white illustrations, a checklist, chronology, and an index. A clean very near fine copy in French style wrappers.

Condition: New. Brand New.

Hardcover with dustjacket, 268 pages; as new condition; clean and crisp; no internal marks.

Soft cover. Condition: New. 1st Edition. Hannah Wilke: Gestures (NEW! SEALED!) The catalogue features works by Wilke, never before seen, as well as works not seen in over forty years. It contains a scholarly essay by exhibition curator Tracy Fitzpatrick, the transcript of a panel discussion held at the Neuberger Museum of Art between scholars Saundra Goldman, Tom Kochheiser, and Griselda Pollock on Wilke's art and legacy, and the first published chronology of Hannah Wilke's artistic practice. The exhibition, Hannah Wilke: Gestures, held at the Neuberger Museum of Art, Purchase College, The State University of New York, between October 3, 2008 and January 25, 2009, included over sixty works by the artist. The act of folding is the salient gesture in the sculptures of American artist Hannah Wilke (1940-1993). Taking such materials as clay, bubble gum and Play-Doh, Wilke fashioned serial forms that folded inward or opened out with overtly labial sensuousness. Wilke often placed these objects in compromising situations--hinged with pins or glued to walls and boards, placed freely on the floor, always seemingly on the verge of disaster. Today she is famed for her many nude self-portraits, which have threatened to eclipse the sculptural basis of both the portraits themselves and her work in general. By emphasizing folding as a gesture, this catalogue--the first on the artist to appear in many years--unites Wilke's sculpture and photography under the rubric of performance, and the performing of material. With an abundance of color reproductions and critical commentary, Hannah Gestures offers a fresh assessment of a pioneer in sculpture, feminist art and performance.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

No Binding. Condition: Fine. Fine condition! Fold-out card stock brochure of an exhibition held in 2021 and 2022 sponsored by the American Federation of Arts and the Neuberger Museum of Art. (10 pages.) No current listings in North American libraries in WorldCat. Ships from NC. All paper bound items are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information. (E-2.).

Soft cover. Condition: Very good. No jacket. Excellent condition. Cover corners are lightly worn. Binding is tight and inside is clean and unmarked.

Paperback. Condition: Very Good. Reprint. 7 X 0.25 X 8 inches; 108 pages.

Hardcover. Black cloth casebound book. There is a dust jacket with the title in yellow down a black spine. Pages: (11), xii-xiii, (3), 1-267, (1). Profusely illustrated with black-and-white images. "Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art." Contents are as follows: Going underground: planning and construction, to 1900 -- Subway beautiful: architecture, design, and the imagination, 1900-1904 -- "Come take a ride": music, painting, and film, 1900-1915 -- Futurism underground: modernist painting, 1913-1929 -- Anything goes in the subway: art and social realism, 1920-1950 -- Race and the subway: painting and illustration, 1920-1965 -- Hunters, spies, and voyeurs: subway photography, 1938-1956 -- Subway art "off the wall": maps, assemblage and site specific installation, 1966-2006 -- Chance in the subway: performance art and social engagement, 1962-2001 -- "Words of the prophets": subway graffiti, 1969-1989 -- Armed for the journey: subway photography, 1970-2002 -- "I saw it in the BRT": art and advertising in the subway, 1926-1986 -- A "living museum": public art in the subway, 1973 to the present. VG/VG: Exlibrary book. Sticker on mylar jacket at the base of the spine. Stamp on back free end page. Sticker and due date card on the back pasted end page. Stamp on title page.

Softcover. Condition: VG+. Soft cover, scored and folded with color reproduction on front and reverse. 108 pp : illustrations (chiefly color). This fully illustrated, color exhibition catalogue is produced in conjunction with the exhibition, Hannah Wilke: Gestures. The catalogue features works by Wilke, never before seen, as well as works not seen in over forty years. It contains a scholarly essay by exhibition curator Tracy Fitzpatrick, the transcript of a panel discussion held at the Neuberger Museum of Art between scholars Saundra Goldman, Tom Kochheiser, and Griselda Pollock on Wilke's art and legacy, and the first published chronology of Hannah Wilke's artistic practice. The exhibition, Hannah Wilke: Gestures, held at the Neuberger Museum of Art, Purchase College, The State University of New York, between October 3, 2008 and January 25, 2009, included over sixty works by the artist. It began with a focused look at Wilke's early clay sculpture. It then considered the ways in which she expanded her use of sculptural gesture into a range of unusual sculptural materials along with photography, video, and performance art, or what Wilke referred to as "living sculpture." --Book Jacket.

Paperback. Condition: Very Good. First Paperback Edition. Shelf wear to wraps with scuffs & creases. Light wear on edges of text block. Text and images unmarked.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. First US edition, first printing. Hardback in dustwrapper. 26 × 18.5cm, 267pp. The New York City subway, considered an engineering feat and a work of art, has kindled the imagination of millions. Art and the Subway explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 to the present day. Using a stunning array of images, Tracy Fitzpatrick offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art. The author captures the emotions of artists and riders alike, as she explores paintings, photographs, performance art, graffiti, and public art by artists such as Walker Evans, Bruce Davidson, DONDI, Keith Haring, Yayoi Kusama, Jacob Lawrence, Reginald Marsh, Elizabeth Murray, and many others. She also considers representations of the subway in film, on song sheet covers, and in illustration. By examining the cultural, technological, and social contexts for these creative interpretations, Fitzpatrick illuminates in fresh ways the contradictions and harmonies between public and private space. Featuring 17 colour plates and 80 black-and-white images, Art and the Subway takes readers on a fascinating ride through the visual history of one of the twentieth century's greatest urban planning endeavours as it grew, changed form, and reinvented itself with passion and vitality. Condition: This copy is in very good condition, with a little light wear to the wrapper's edges.

Condition: New. Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art. Num Pages: 288 pages, Illustrations (some col.). BIC Classification: 1KBBEY; ACX. Category: (G) General (US: Trade). Dimension: 261 x 185 x 25. Weight in Grams: 922. . 2009. Hardback. . . . .

Soft Cover. Condition: As New. This is an as new softcover copy still in the publisher's shrinkwrap, unopened. This catalog was prepared to accompany the exhibition at the Neuberger Museum of Art, from October 25, 2008 to January 25, 2009. Essays by Tracy Fitzpatrick, Saundra Goldman, Tom Kochheiser and Griselda Pollock. Illustrated in color. Chronology. 10" high X 8" wide, 108 pages. This book will be securely packed and shipped with tracking.

Softcover, 108 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condition: New. Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art. Num Pages: 288 pages, Illustrations (some col.). BIC Classification: 1KBBEY; ACX. Category: (G) General (US: Trade). Dimension: 261 x 185 x 25. Weight in Grams: 922. . 2009. Hardback. . . . . Books ship from the US and Ireland.

Condition: NUOVO. Neuberger Museum of Art cm.23x27, pp.96 illustrazioni a colori, legatura editoriale cartonata, copertina figurata a colori. Romuald Hazoumè: The Fâ Series presents a significant yet little-known body of work by one of Africa's most celebrated artists. Romuald Hazoumè's large-scale canvases are based on his dedicated study of Fâ divination, a centuries-old knowledge system that originated among Yorùbá-speaking communities in Nigeria, where it is known as Ifá. Its practice has since extended elsewhere in West Africa including the Republic of Benin, where Hazoumè is based, and to the diaspora. Hazoumè's research on Fâ in the early 1990s was revelatory, radically shifting his understanding of art and creativity. The resulting canvases draw from the visual lexicon associated with Fâ, referencing its sacred knowledge through symbols and glyphs. Described by the artist as his cultural anchor, these intimate, esoteric works speak to the generative potential of the artistic process in an ongoing quest for knowledge. Published on the occasion of an exhibition at the Neuberger Museum of Art, this fully illustrated catalog is the first extensive examination of Hazoumè's Fâ series. In an introductory essay, exhibition curator Christa Clarke discusses the evolution and significance of the series within Hazoumè's larger creative practice. An accompanying essay by Didier Houénoudé, professor of art history at the University of Abomey-Calavi in Cotonou, Benin, describes the divinatory process and offers an in-depth reading of Hazoumè's canvases.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. 2010 Neuberger Museum of Art paperback edition. Light reading wear else very good condition.

Gebunden. Condition: New. &Uumlber den AutorTracy Fitzpatrick is an assistant professor in art history at Purchase College (SUNY) and a curator at the Neuberger Museum of Art in Purchase, NY.InhaltsverzeichnisCont.

Dust Jacket Condition: dj. Small Quarto. Cloth boards in dust jacket; xv, 267pp. Old price sticker to rear cover of jacket. Minor dust soiling to bottom edge of boards, otherwise a tight, clean, unmarked copy. Dust jacket showing some external wear. Very Good.

Paperback. Condition: New. Print on Demand. This book provides a detailed examination of the evolution of New York's laws, with a particular focus on the changes made during the 19th century which laid the groundwork for the present-day system of estate law in the state. The author discusses the historical context of these changes, exploring how they were shaped by the social, economic, and political forces of the time. The book also delves into the complexities of estate planning and administration, providing insights into the legal principles that govern the distribution of property and the resolution of disputes. Through a comprehensive analysis of statutes, case law, and legal commentary, this book offers a valuable resource for legal professionals, scholars, and anyone interested in the history and development of estate law in New York. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 646 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.