Flaxman Gregory (54 results)

Paperback. Condition: Fair. The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing--a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Eric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andras Balint Kovacs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, College International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Francois Zourabichvili, College International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…

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paperback. Condition: Very Good. Very Good. Tight binding, clean pages, moderate wear.

Paperback. Condition: Good. The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing--a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Eric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andras Balint Kovacs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, College International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Francois Zourabichvili, College International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…

Paperback. Condition: Fair. The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing--a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Eric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andras Balint Kovacs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, College International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Francois Zourabichvili, College International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Trade Paperback. Condition: Fine. clean, unmarked copy.

Soft cover. Condition: New. 1st Edition. First printing. Softcover volume, measuring approximately 5.75" x 8.5", is new. xxi/401 pages. "Although much has been written about Deleuze's engagement with the arts, "Gilles Deleuze and the Fabulation of Philosophy" concerns the art of his philosophy. Gregory Flaxman suggests that Deleuze's notorious rejection of representation gives rise to a singular taskto create new concepts and invent new means of philosophical expression. Tracing this task throughout Deleuze's vast oeuvre, Flaxman argues that Deleuze's ambition to think and write "otherwise" constitutes the fabulation of philosophy itself. For Flaxman, Deleuze's philosophy is organized around the notion of the friend (philos). This book dramatizes the practice of friendship in Deleuze's intimate affairs with philosophersincluding Plato, Aristotle, Spinoza, Kant, and Foucaultand close encounters with a range of writers, including Homer, More, Kafka, Woolf, and Borges. Flaxman traces Deleuze's relationship with Nietzsche, the friend from whom he learned to write "in his own name," to explain how apprenticeship becomes the initial condition of Deleuze's philosophical method. Detailing the transformation of Nietzsche's genealogy into "geophilosophy," Flaxman goes on to show how Deleuze's philosophy of the earth precipitates his return to ancient Greece and induces his resolution to overturn Platonism. In this spirit, the book demonstrates Deleuze's evocation of the "powers of the false" by examining how, in his battle against representation, he makes fiction the basis for a minor philosophy. This first volume draws to a close with a timely elaboration of Deleuze's avowed, if enigmatic, "style as politics" in an age when capitalism and communication challenge the claims of philosophy as never before. A stunning and original contribution, Flaxman's book restores the question of aesthetics to Deleuze's thinking and writing. "Gilles Deleuze and the Fabulation of Philosophy" not only revitalizes our sense of the philosopher but revises the sense of his philosophy, provoking critical problems and novel possibilities with which readers will wrestle for years to come.". …

Condition: New. Brand New.

Condition: New. Brand New.

201 pp.; 21.6 x 13.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed A collection of texts resulting from the Slought Networks conference on artist Osvaldo Romberg, held at the University of Pennsylvania in Spring 2001. Edited and with an introduction by Aaron Levy. Contributions by Gregory Flaxman, Alexi Kukulijevic, Reinaldo Ladagga, Robert Mahoney, Jean-Michel Rabaté, Marjorie Welish, and Andrew Zitcer in conversation with Osvaldo Romberg. Includes quotes by Osvaldo Romberg, select visual chronology, and a curriculum vitae of the artist. Very Good. Light rubbing of covers. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.…

Condition: Very Good. None. 395 pages. Minor wear to wrappers. Else a very clean, tight copy. Record # 454642.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780816634477. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With owner's name inside cover. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780816634477.…

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 1st Edition. 424pp paperback ownership signature.

Condition: new.

Condition: As New. Unread book in perfect condition.

Minneapolis, Univ. of Minnesota, 2011. 401 pp. Includes bibliographical references (p. 329-374) and index. New. Softcover. Although much has been written about Deleuze's engagement with the arts, Gilles Deleuze and the Fabulation of Philosophy concerns the art of his philosophy. Gregory Flaxman suggests that Deleuze's notorious rejection of representation gives rise to a singular task-to create new concepts and invent new means of philosophical expression. Tracing this task throughout Deleuze's vast oeuvre, Flaxman argues that Deleuze's ambition to think and write otherwise constitutes the fabulation of philosophy itself.For Flaxman, Deleuze's philosophy is organized around the notion of the friend (philos). This book dramatizes the practice of friendship in Deleuze's intimate affairs with philosophers-including Plato, Aristotle, Spinoza, Kant, and Foucault-and close encounters with a range of writers, including Homer, More, Kafka, Woolf, and Borges. Flaxman traces Deleuze's relationship with Nietzsche, the friend from whom he learned to write in his own name, to explain how apprenticeship becomes the initial condition of Deleuze's philosophical method.…

Condition: New. pp. 408.

Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . .

Paperback. Condition: Brand New. 1st edition. 395 pages. 9.25x6.25x1.00 inches. In Stock.

Condition: New. In English.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . . Books ship from the US and Ireland.