Fleiss Elein (43 results)

Condition: Nuovo (New). I ed. Supplément du journal du service culturel de l'Ambassade de France en Italie (piazza Farnèse, 67 - Rome). Testi in francese, presentazione in italiano. Directeur Artistique: Christophe Brunnquell. XVI piccolo (96)/brossura in cartoncino liscio viola con grafica in viola chiaro e illustrazionevirata in viola chiaro/viola al primo piatto. Illustrazioni virate in viola chiaro/viola nel testo. Stato di nuovo. . Book.

hardcover. Condition: Used; good. Dust Jacket Condition: Used; good. Ex-library, with expected library markings. Book was donated to Friends of Omaha Public Library.

Hardcover without dustjacket as issued; 20 illustrations, in English and Japanese; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. 1st Edition. [408]pp; illus; printed on various color paper stocks. Sewn in photo-illustrated wraps. Very good, with light wear and corner creasing to front cover. With audio CD in bound-in poly sleeve at rear. Catalog for a 2000 exhibition exploring the subject of dreams held at the Centre Pompidou, curated by Elein Fleiss and Oliver Zahm of Purple magazine. Contributors included dozens of artists and musicians; among the former, Richard Prince, Takashi Homma, Comme des Garçons, Mark Borthwick, Rita Ackermann, Anders Edström, Jutta Koether, Gerhard Richter, et al.; among the latter, David Grubbs, Sonic Youth, Jim O'Rourke, Oval, Tom Verlaine, et al. With [24] pages of glossy color photographs by Kyoji Takahashi at front. Catalog design by Experimental Jetset.

Oversized Hardcover. Condition: Very Good. Includes wrap-around band.

hardcover. Condition: New. Brand New, factory sealed in original shrink wrap. Multiple copies available.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First printing.

first edition, 2008. new york: rizzoli. 9 x 11.25 inches. 188 pages. hardcover. bound in purple cloth-covered boards. book condition: notable sunning to upper end of front board and spine. very good-. absent issued band.

Condition: Very good.

Hardcover. Condition: VG. No Jacket. INCLUDES BELLY BAND. used hardcover copy, lacking a dust jacket (as issued). light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws.

Couverture souple. Condition: Comme neuf. COMME NEUF ! ENVOI SOUS 24 h.

Couverture souple. Condition: Neuf. Edition originale. Paris 2000. 1 volume/1. -- Neuf/New -- Broché cousu. // Softbound. Format in-8°( 24 x 17,3 cm )( 776 gr ). ---------- 400 pages illustrées avec 1 CD en pochette in-fine . ************************** "" Unique témoin d'une exposition au Centre Georges Pompidou, Elysian Fields ne peut être appréhendé comme un véritable catalogue. Il est vrai que le concept de l'exposition provenait directement du Purple Institute, cette structure artistique ouverte aux tendances les plus contemporaines de la création (art, mode, littérature, vidéo). Réalisé par Olivier Zahm et Elein Fleiss (les directeurs du Purple), l'exposition se présentait comme une juxtaposition d'oeuvres sans véritables liens les unes avec les autres. L'ouvrage, quant à lui, est un véritable essai visuel. Les douze premières pages rassemblent une série de photographies couleurs réalisées par Kyoji Takahashi. La suite se compose de dizaines d'images en noir et blanc présentant les réalisations des créateurs. Souvent recadrées, elles s'insèrent dans des cahiers colorés. L'ouvrage est complété d'un CD musical comprenant des groupes aussi varié que Sonic Youth ou Tortoise. Cependant, l'absence de toute explication ou de texte transforme cet étrange objet éditorial en ouvrage destiné aux victimes de la mode contemporaine. ----- La conception de cet ouvrage a été confiée au groupe de graphistes néerlandais Experimental Jet Set. Conçu comme un prolongement visuel de l'exposition qui a lieu autour du rêve entre le 17 mai et le 24 juillet 2000 au Centre Georges Pompidou, il rassemble, délivrées de tout texte critique, les propositions d'une trentaine de photographes et plasticiens : Gerhard Richter, Takashi Homma, Doug Aitken, Bless. Un compact disc comprenant treize titres inédits de Jim O'Rourke, Tortoise, Tom Verlaine. accompagne l'ouvrage, rappellant l'univers sonore de l'exposition. *************** ref 302 ref 182-Fd.

paperback. With contributors from Europe, America, and Asia, Purple's global perspective has transformed contemporary magazine style. Past contributors from the photo, fashion, literary, art, and music communities to this popular journal have included Jack Pierson, Martin Margiela, Mariko Mori, Richard Prince, Susan Cianciolo, Harmony Korine, Terry Richardson, Comme des Garcons, Andrea Zittel, Mark Borthwick, Victor & Rolf, John McCracken, Takashi Homma, Helmut Lang, Marc Gonzales, Dike Blair, Dominique Gonzalez-Foerster and many more.Text: Fleiss Elein.cm 16x22; pp. 96; COL and BW; paperback. book.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Rilegato. Condition: nuovo. New with original shrink wrap.

Paperback. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Couverture souple. Condition: Très bon. Pas de jaquette. Edition originale. Les Editions Purple, 2006. Le Purple Journal. Numéro 7, printemps 06, trimestriel. Récits, reportages, portraits, brèves, chroniques, photographies. Version française. Avec quelques taches sur la couverture, sinon en très bon état. C25.

Softcover, staple-bound, 96 pages; in French with some English; very good condition; light wear to covers; no internal marks. Includes: Dominique Gonzalez-Foerster, Chris Hoover, Dike Blair Dike, Maurizio Cattelan Maurizio, General Idea, David Hammons, Sadie Benning, Rirkrit Tiravanija, Inez van Lamsweerde, Larry Clark Larry, Mat Collishaw Carsten Holler Carsten, Julia Scher, Adrian Piper, Alix Lambert, Andrea Zittel and many others.

Couverture souple. Condition: Très bon. Edition originale. Elein Fleiss. Le Purple Journal Magazine N 4, Printemps 2005. Éditions La Délirante. Version française. ISSN : 1766-8840. Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. C2.

224 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall/Winter 2002 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma coleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Purple Special," by Claude Lévêque; "Révolution 14," by Olivier Zahm; "Ann-Sofie Back / Sonia Rykiel," by Anders Edström; "Charles Anastase / Emilio Pucci," by Cécile Bortoletti; "Cosmic Wonder/Helmet Lang," by Chikashi Suzuki; "Civil Disobedience," by Angela Hill; "Gucci/Wendy & Jim," by Takashi Homma; "Lutz/Prada," by Viviane Sassen; "Balenciaga/Commes des Garçons," by Ola Rindal; "Colin de Land," interviewed by Gareth James; "Wendy & Jim," interviewed by Nakako Hayashi; "Trees and Wheels," by Cédrick Eymenier; "Cape Town," by Viviane Sassen; "Souveniers From Erevan," by Elein Fleiss; "Le Casino d'Allevard," by Laetitia Benat; "La Factory du Kremlin," by Pierre Leguillon / Matthieu Orléan; "Five Drawings," by Leane Shapton; "Lifestyle," by Henry Roy; "Cinq histoires courtes," by Alain Lacroix; "Super Bien Total," by Adrian Jenkins; "Anna Thompson, Hôtel Saint-Germain," by Serge Leblon and "Week-ends," by Vava Ribeiro. With drawings by Laetitia Benat. Good / Very Good. Yellowing of cover edges and light rubbing of cover edges. Additional light handling wear. Includes folded poster. Contents clean and unmarked.

Couverture souple. Condition: Très bon. Le Purple Journal was published by Purple each season since 2004. It contained stories, reports, portraits, essays, short stories, chronicles and photographs. Number 5: Lectures d'été. Amour place Clichy. Rencontre avec un pigeon voyageur. A Belgrade, jeunes femmes à l'avenir radieux et banquiers du monde entier. La cuisine chinoise renouvelée au Sichuan. A Kuala Lumpur, répression policière la nuit. Khat: drogue d'Ethiopie. Référendum. Bobby Fisher. La sublime Arsinée Khanjian. De Tokyo à Kyoto: le printemps photographié. Manoel et Oliveira. Bob Dylan. L'année 1973 en Amérique. Détention dans un asile psychiatrique new-yorkais. Un tableau de Nicolas Poussin. Le sens du mot apocalypse. 116p - FR - 27.4x21cm.

Couverture souple. Condition: Bon. Pas de jaquette. Edition originale. SARL Purple Institute, 2004. Le Purple Journal. Numéro 1, été 04. Premier numéro en version française. Exemplaire en bon état. C25.

Softcover. Condition: VG+. First Edition. 8vo, Unpaginated (ca 120pp). Numerous Colour and Black & White plates. Text in English and French. The last Purple fiction single issue before the magazine amalgamated into one, and then divided again in 2004, with some brilliant writing, and more personal photography than the fashion issues.

Bound in pictorial wraps. Condition: Good. Slightly cocked. Spring 2002. (6 ¼ x 8 ½ in.) This issue of Purple features work by Wolfgang Tillmans, Kim Gordon, and many more.

Bound in pictorial wraps. Condition: Very Good. Winter 2003. (6 ¼ x 8 ½ in.) This issue of Purple features work by Lee Ranaldo, Sharon Mesmer, Dominique Gonzalez-Foerster, Terry Richardson, Wolfgang Tillmans, and more.

Couverture souple. Condition: Très bon. Edition originale. Elein Fleiss & Sébastien Jamain (Rédacteurs-en-chef), Le Purple Journal Magazine N 8. Été 06. Éditions La Délirante. 2007. Version française. ISSN : 1766-8840. Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. C2.

Soft cover. Condition: Good. 4to softcover magazine, staple bound in stiff wrappers. 107pp. with color+b/w illustrations on both newsprint and glossy paper. English edition. Being the second issue of the Purple Journal, a 2004 offshoot of venerable French art culture and fashion periodical Purple / Purple Fashion. With an impressive host of essays, photo stories, and a stapled-in booklet of fiction by Kumiko Muraoka; please see photographs for a full list of contributions. Book with heavy oblique crease to rear cover's lower corner. All other pages with an attendant bend, slight after the rearmost few leaves - not particularly affecting the crispness of page text or image. Minor shelfwear besides, subtle rubbing to wraps. Rare and most attractive - seller currently offers Purple Journal #1 in addition.

192 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo and "Hope" by Alex Antitch. Drawings by Laetitia Benat. Very Good. Yellowing of cover edges with light bumping of top and bottom right corners of recto. Light edge wear and scratching of covers. Contents clean and unmarked.

256 pp.; 27 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Spring 2002 issue of the biannual publication "Purple". Edited by Elein Fleiss and Olivier Zahm. Contents include: "Summer 2002," by Alex Antitch; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Lutz Huelle," interviewed by Nakako Hayashi; "Miltos Manetas," interviewed by Olivier Zahm; "Louis Vuitton & Miu Miu," by Ola Rindal; "Helmut Lang," by Terry Richardson; "Marc Jacobs," by Mark Borthwick "Ann-Sofie Back," by Giasco Bertoli; "Julia & Mehdi, apres," by Laetitia Benat; "A.F. Vandervorst," by Masafumi Sanai; "Jil Sander, Men & Women," by Richard Prince; "La Mer," with texts by Lewis Baltz, Mehdi Belhaj Kacem, Dike Blair, Jeff Clark, Eve Couturier, Bruce Benderson, Elein Fleiss, Richard Prince, Jeff Rian, Olivier Zahm, Geoffrey Cruickshank-Hagenbuckle, Mark Fishman, Amy Fusselman, Kim Gordon, Karl Holmqvist, Lodge Kerrigan, Mark Kingwell, Claude Lévêque, Chan Marshall, Mark Mordue, and Beth Yahp; Photos by Laetitia Benat, Dike Blair, Mark Borthwick, Anders Edström, Elein Fleiss, C. Wayne Gordon, and Takashi Homma; "Tokyo Synthesis," by Claude Lévêque; "Equador," by Banu Cennetoglu; "El Castillo," by Pablo Leon de la Barra; "Seven Pink Drawings," by Tomoo Gokita; "In Jerusalem and Tel Aviv," by Rami Maymon; "Buenos Aires Amor," by Guillermo Ueno; "Faces," by Trinie Dalton; "Uncoated Eyes," by Amy Jean Porter; "Kook!," by Geoffrey Cruickshank-Hagenbuckle; "Green, Blue, Pink, Charlotte," by Henry Roy; "Uslu Airlines," by Banu Cennetoglu and "On The Hairwaves," by Tom Lingnau & Frank Schumacher. Good. Yellowing of cover edges and dusting of covers. Light bumping of top and bottom right corners of recto. Rubbing of edges and scratching of covers. Contents clean and unmarked.