Published by Cumberland and Westmorland Antiquarian and Archaeological Society, London, 2012
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Add to basketBooklet - Unbound Pages. Condition: Very Good. 15 pages with some illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 18 x 25 cms. Category: Cumberland and Westmorland Antiquarian and Archaeological Society; Cosmo Books : 29 years on ABE, 47 years of taking care of customers. A bookseller you can rely on.
Published by Cumberland and Westmorland Antiquarian and Archaeological Society, London, 2020
Seller: Cosmo Books, Shropshire., United Kingdom
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Add to basketBooklet - Unbound Pages. Condition: Very Good. 13 pages with some illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 18 x 25 cms. Category: Cumberland and Westmorland Antiquarian and Archaeological Society; Cosmo Books : 29 years on ABE, 47 years of taking care of customers. A bookseller you can rely on.
Condition: New.
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Language: English
Published by Taylor and Francis Ltd, GB, 2024
ISBN 10: 0367756838 ISBN 13: 9780367756833
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research.
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Condition: New. volumes cm.
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. volumes cm [01.] Includes bibliographical references and index.
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Language: English
Published by Taylor & Francis Ltd, 2024
ISBN 10: 0367756838 ISBN 13: 9780367756833
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First Edition
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Published by Boydell and Brewer Ltd, 2025
ISBN 10: 1783277947 ISBN 13: 9781783277940
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Condition: New. Simon D.I. Fleming holds a PhD in music from Durham University, and formerly taught in the Department of Music. He is currently Head of Music at the Queen Elizabeth Sixth Form College, Darlington, UK.Martin Perkins.
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Published by Boydell and Brewer Ltd, 2025
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Taschenbuch. Condition: Neu. Music by Subscription | Composers and their Networks in the British Music-Publishing Trade, 1676-1820 | Simon D. I. Fleming (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | Routledge | EAN 9780367756833 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
Language: English
Published by Taylor and Francis Ltd, GB, 2024
ISBN 10: 0367756838 ISBN 13: 9780367756833
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Add to basketPaperback. Condition: New. This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research.
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