Flup Marinus (22 results)

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. EN Why copy an album of postage stamps from the former Belgian Congo, page after page, stamp after stamp, and so precisely in terms of dimensions, illustrations and colours? Despite the initial confusion about Tuur and Flup Marinus' project, when confronted by the materiality it soon becomes clear that there's something interesting going on here. We see perfectly reproduced sheets; sets of exotic stamps in soft hues, protected by a transparent strip of varnish, and framed by an intrusive black background. Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric. When we look at colonial collections some 60 years after deco­lonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible. In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes' Don Quixote. Flup and Tuur Marinus' artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by ex­tension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule. (Bambi Ceuppens).

Hardcover. Condition: new. Hardcover. EN Why copy an album of postage stamps from the former Belgian Congo, page after page, stamp after stamp, and so precisely in terms of dimensions, illustrations and colours? Despite the initial confusion about Tuur and Flup Marinus project, when confronted by the materiality it soon becomes clear that theres something interesting going on here. We see perfectly reproduced sheets; sets of exotic stamps in soft hues, protected by a transparent strip of varnish, and framed by an intrusive black background. Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric.When we look at colonial collections some 60 years after decolonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible.In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes Don Quixote. Flup and Tuur Marinus artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by extension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule. (Bambi Ceuppens) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New. In.

Condition: New.

Hardcover. Condition: Brand New. 01 edition. 16 pages. 9.13x6.57x1.10 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 01 edition. 16 pages. 9.13x6.57x1.10 inches. In Stock.

Hardcover. Condition: new. Hardcover. EN Why copy an album of postage stamps from the former Belgian Congo, page after page, stamp after stamp, and so precisely in terms of dimensions, illustrations and colours? Despite the initial confusion about Tuur and Flup Marinus project, when confronted by the materiality it soon becomes clear that theres something interesting going on here. We see perfectly reproduced sheets; sets of exotic stamps in soft hues, protected by a transparent strip of varnish, and framed by an intrusive black background. Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric.When we look at colonial collections some 60 years after decolonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible.In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes Don Quixote. Flup and Tuur Marinus artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by extension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule. (Bambi Ceuppens) Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: NEW.

Condition: New.

Hardback. Condition: New. New Book, Direct from Publisher.

Buch. Condition: Neu. Neuware - EN Why copy an album of postage stamps from the former Belgian Congo, page after page, stamp after stamp, and so precisely in terms of dimensions, illustrations and colours Despite the initial confusion about Tuur and Flup Marinus' project, when confronted by the materiality it soon becomes clear that there's something interesting going on here. We see perfectly reproduced sheets; sets of exotic stamps in soft hues, protected by a transparent strip of varnish, and framed by an intrusive black background. Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric. When we look at colonial collections some 60 years after decolonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible. In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes' Don Quixote. Flup and Tuur Marinus' artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by extension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule. (Bambi Ceuppens).

Hardback. Condition: New. EN Why copy an album of postage stamps from the former Belgian Congo, page after page, stamp after stamp, and so precisely in terms of dimensions, illustrations and colours? Despite the initial confusion about Tuur and Flup Marinus' project, when confronted by the materiality it soon becomes clear that there's something interesting going on here. We see perfectly reproduced sheets; sets of exotic stamps in soft hues, protected by a transparent strip of varnish, and framed by an intrusive black background. Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric. When we look at colonial collections some 60 years after deco­lonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible. In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes' Don Quixote. Flup and Tuur Marinus' artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by ex­tension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule. (Bambi Ceuppens).

Buch. Condition: Neu. Belgisch Congo Belge | Flup Marinus | Buch | Gebunden | Englisch | 2017 | APE | EAN 9789490800536 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.