Focke Anne (22 results)

Hardback. Condition: Good. Captures a record of Trimpin's journey and places his work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardback. Condition: Good. Captures a record of Trimpin's journey and places his work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 4to, 200pp. Fully illustrated with color photographs. Hardcover, bound in original cloth with dustjacket. In excellent condition. Like new.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. Trimpin, the sound sculptor and composer, has received MacArthur and Guggenheim fellowships; been the subject of a full-length documentary film and a profile in The New Yorker magazine; been included in hundreds of shows, performances, and new music festivals; and has had installations and exhibitions around the world. Despite all this, access to Trimpin's work is limited. He doesn't record his music and very few of his sculptural works are in public or private collections.This book captures a record of this remarkable journey and places Trimpin's work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art. A touchstone for the book is a two-year series of exhibitions of his work in museums across the Pacific Northwest. It includes essays on Trimpin's life, his work with composer Conlon Nancarrow, and a fully illustrated presentation of key sculptures and performances. Additional essays by writers, composers, and curators consider his work through specific pieces. Trimpin's own voice is a continuous thread running through the entire publication.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition. A fine copy in a fine DJ now protected in a removal mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #A135.…

Hard cover. Condition: Very good. Dust Jacket Condition: Very good. Great condition. Jacket spine is lightly sunned, not affecting legibility. Binding is tight. Ink inscription on title page, all other pages are clean and unmarked.

Hardback. Condition: New. Trimpin, the sound sculptor and composer, has received MacArthur and Guggenheim fellowships; been the subject of a full-length documentary film and a profile in The New Yorker magazine; been included in hundreds of shows, performances, and new music festivals; and has had installations and exhibitions around the world. Despite all this, access to Trimpin's work is limited. He doesn't record his music and very few of his sculptural works are in public or private collections.This book captures a record of this remarkable journey and places Trimpin's work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art. A touchstone for the book is a two-year series of exhibitions of his work in museums across the Pacific Northwest. It includes essays on Trimpin's life, his work with composer Conlon Nancarrow, and a fully illustrated presentation of key sculptures and performances. Additional essays by writers, composers, and curators consider his work through specific pieces. Trimpin's own voice is a continuous thread running through the entire publication.…

Condition: New. Captures a record of Trimpin's journey and places his work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art Editor(s): Focke, Anne. Num Pages: 208 pages, 110 illus., 100 in color. BIC Classification: ACXJ; AFKB; AGB. Category: (P) Professional & Vocational. Dimension: 273 x 224 x 21. Weight in Grams: 1174. . 2011. Hardcover. . . . . …

HARDCOVER. 1st edition. inscribed by Trimpin, 199pp, quarto. tight binding, clean throughout, clean boards, crisp pages, Fine clean and glossy with a touch of wear to the top edge, Near Fine.

Condition: New. Captures a record of Trimpin's journey and places his work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art Editor(s): Focke, Anne. Num Pages: 208 pages, 110 illus., 100 in color. BIC Classification: ACXJ; AFKB; AGB. Category: (P) Professional & Vocational. Dimension: 273 x 224 x 21. Weight in Grams: 1174. . 2011. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Condition: Brand New. 199 pages. 11.00x8.75x0.75 inches. In Stock.

Side stapled. Condition: Very Good. First Edition. 4to. Pp. 5. Side stapled leaves offset printed recto only. With laid in addendum. Minimal toning to margins, former owner discreet bookstamp to the cover. The and/or gallery director introduces four "fairly invisible artists . whose work I find intriguing" for an exhibition at locations chosen by the artists.Organized by Anne Focke in 1974, the and/or alternative exhibition and performance space nurtured experimental arts.Now housed in a clear archival sleeve with acid-free backing.…

Gebunden. Condition: New. Captures a record of Trimpin s journey and places his work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art&Uumlber den AutorEdited by Anne FockeKlappen.

Hardback. Condition: New. Trimpin, the sound sculptor and composer, has received MacArthur and Guggenheim fellowships; been the subject of a full-length documentary film and a profile in The New Yorker magazine; been included in hundreds of shows, performances, and new music festivals; and has had installations and exhibitions around the world. Despite all this, access to Trimpin's work is limited. He doesn't record his music and very few of his sculptural works are in public or private collections.This book captures a record of this remarkable journey and places Trimpin's work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art. A touchstone for the book is a two-year series of exhibitions of his work in museums across the Pacific Northwest. It includes essays on Trimpin's life, his work with composer Conlon Nancarrow, and a fully illustrated presentation of key sculptures and performances. Additional essays by writers, composers, and curators consider his work through specific pieces. Trimpin's own voice is a continuous thread running through the entire publication.…

Hardback. Condition: New. Trimpin, the sound sculptor and composer, has received MacArthur and Guggenheim fellowships; been the subject of a full-length documentary film and a profile in The New Yorker magazine; been included in hundreds of shows, performances, and new music festivals; and has had installations and exhibitions around the world. Despite all this, access to Trimpin's work is limited. He doesn't record his music and very few of his sculptural works are in public or private collections.This book captures a record of this remarkable journey and places Trimpin's work in the context of visual art, music composition, performance, ambitious engineering, acoustics, and installation art. A touchstone for the book is a two-year series of exhibitions of his work in museums across the Pacific Northwest. It includes essays on Trimpin's life, his work with composer Conlon Nancarrow, and a fully illustrated presentation of key sculptures and performances. Additional essays by writers, composers, and curators consider his work through specific pieces. Trimpin's own voice is a continuous thread running through the entire publication.…

Wire coil bound. Condition: Very Good+. First Edition. 4to. (11 x 8-1/2). Unpaginated. Illustrated with b&w photo reproductions and document facsimiles. Stiff coated paper covers printed with titles in black, wire coil bound, leaves printed recto only. Edition of 500. Covers minimally stained and toned, former owner discreet bookstamp inside front cover, else crisp and bright. Documentation of an open competition open to artists living in the Pacific Northwest, and the series of four exhibitions of winners selected by Lippard. Includes a list of the 138 proposals. among them works by Clair Colquitt, Carl T. Chew, Paul Dorpat, Alan Lande, Anne Gregory, and other mainstays of the Seattle art scene.Organized by Anne Focke in 1974, the and/or alternative exhibition and performance space nurtured experimental arts.Now housed in a clear archival sleeve with acid free backing.…

Condition: New. Die Autoren reflektieren anhand ihres Austausches mit der Psychoanalytikerin Anne-Marie Sandler die Bedeutung der persoenlichen Begegnung fuer die Aneignung der psychoanalytischen Praxis. Sie beschreiben psychoanalytische Verstehens- und Deutungsprozesse und .

Saddle stapled. Condition: Very Good. First Edition. 8vo. Unpaginated. Saddle stapled heavy newsprint, reproductions of typescripts with manuscript revisions. Title page signed in ink, and a manuscript ink typo correction to the July 28, 1976 entry. Discreet ownership stamp to top corner of title page. Overall age toning and shadows. Produced as part of an exhibition at the Portland Center for the Visual Arts, May-June 1978 where pages were enlarged for wall display. And/or founder and director Focke writes of her transition from creating art objects to open-ended reflections, including about her organization and role at the alternative art space in Seattle.Now housed in a clear archival sleeve with acid free backing.…

Portfolio. Condition: Very Good+. First Edition. Square 8vo. Unpaginated. Illustrated with b&w photo reproductions. Silvered stiff paper portfolio folder without titles containing thirteen leaves of coated paper printed recto. Cover with scuffs and rubbed edges, leaves crisp and bright. Documentation for the and/or exhibition held October-November 1975, with an introduction by Anne Focke. Two leaves are dedicated to each artist, including comments, photos, and selected exhibitions. Wegman's entry includes two drawings.Organized by Focke in 1974, the and/or alternative exhibition and performance space nurtured experimental arts. Now housed in a removable, clear archival sleeve with an acid-free backing. …