Foshay Toby Avard (4 results)

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  • Language: English

    Published by McGill-Queen's University Press, 1992

    077350916X / 9780773509160

    • Hardcover

    Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

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    Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

  • Language: English

    Published by McGill-Queen's University Press, 1992

    077350916X / 9780773509160

    • Hardcover

    Seller: G. & J. CHESTERS, TAMWORTH, United KingdomG. & J. CHESTERS

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    Condition: Used - As new

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    Hardcover. Condition: As New. pp.x, 177 pages, an AS NEW hardback, black cloth with white lettering to the spine and upper cover, exactly as shown in the Abe stock photo [077350916X]. Hard to find outside of North America.

  • Language: English

    Published by Montreal & Kingston.: McGill-Queen's University, [1992]., 1992

    077350916X / 9780773509160

    • Hardcover
    • First Edition

    Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, CanadaD & E LAKE LTD. (ABAC/ILAB)

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    Hardcover. 8vo. pp. x, 177. biblio. index. cloth. First Edition.

  • Published by Institute for Research on Public Policy 1992, 1992

    • Hardcover
    • First Edition

    Seller: Peter J. Hadley Bookseller BA, Ludlow, United KingdomPeter J. Hadley Bookseller BA

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    Near Fine in publishers decorated cloth. 1st edition. Toby Foshay's penetrating study of Lewis presents a two-pronged argument that will help to lift Lewis from this obscurity. First, he reveals that Lewis is less interested in stylistic and formal innovation than he is committed to artistic, philosophical, and political transformations. As such, Lewis is not a modernist but, in the sense of the term as employed by theoretician Peter Burger, an avant-gardiste. Second, Foshay demonstrates that Lewis's development as an artist is inextricably linked to his avant-garde commitments -- commitments that find their roots in Lewis's reading of Nietzsche. Lewis's fiction and criticism must thus be read, Foshay maintains, as developing interdependently throughout his career and in relation to his evolving interpretation of Nietzsche. Foshay's insightful critique of Lewis's relation to the Modernist movement on the one hand, and of his development as an artist and critic on the other, offers a revised reading not only of Modernism itself but of what Lewis can teach us about the relation of thought to the practice of art in modernity. ISBN 077350916X. …