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ISBN 10: 1350199966 ISBN 13: 9781350199965
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Add to basketPaperback. Condition: New. What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer.Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.
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Published by Bloomsbury Publishing PLC 10/29/2020, 2020
ISBN 10: 1350199966 ISBN 13: 9781350199965
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Published by Bloomsbury Publishing PLC, GB, 2020
ISBN 10: 1350199966 ISBN 13: 9781350199965
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Add to basketPaperback. Condition: New. What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer.Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.
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Add to basketCondition: New. For the first time, this book brings together Jean-Luc Godard s later multimedia works with an analysis of their complex soundscapes.
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Published by Tauris Academic Studies, 2018
ISBN 10: 1784538426 ISBN 13: 9781784538422
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ISBN 10: 1784538426 ISBN 13: 9781784538422
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Condition: New. For the first time, this book brings together Jean-Luc Godard's later multimedia works with an analysis of their complex soundscapes. Num Pages: 272 pages, 30 black and white illustrations. BIC Classification: 1DDF; APFA; APFB; AVA; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 138. . . 2018. Hardcover. . . . . Books ship from the US and Ireland.
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Published by I.B. Tauris & Co. Ltd., 2017
ISBN 10: 1784538426 ISBN 13: 9781784538422
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Add to basketCondition: New. For the first time, this book brings together Jean-Luc Godard's later multimedia works with an analysis of their complex soundscapes. Num Pages: 272 pages, 30 black and white illustrations. BIC Classification: 1DDF; APFA; APFB; AVA; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 138. . . 2018. Hardcover. . . . .
Published by Artes Graficas, Mexico, 1951
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Published by Bloomsbury Publishing (UK), 2020
ISBN 10: 1350199966 ISBN 13: 9781350199965
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ISBN 10: 1350199966 ISBN 13: 9781350199965
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Paperback. Condition: new. Paperback. What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer.Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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ISBN 10: 1350199966 ISBN 13: 9781350199965
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