Frans Floris (13 results)

Paperback. Condition: Brand New. 64 pages. 8.25x8.25x0.16 inches. In Stock.

Loose Leaf. Condition: New. Reproduction. Original title: Peter's foot wash German: Peters Fußwäsche French: Le lavage des pieds de Peter Spanish: El lavado de pies de Peter High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1534). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condition: New. Reproduction. Original title: Victoria surrounded by prisoners and trophies German: Victoria umgeben von Gefangenen und Trophäen French: Victoria entourée de prisonniers et de trophées Spanish: Victoria rodeada de prisioneros y trofeos High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1552). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Brossura. Condition: new. A cura di Gianluca Zanelli e Marie Luce Repetto. Genova, 2026; br., pp. 176, ill. col., cm 16,8x24. (Galleria Nazionale della Liguria). Pubblicato in occasione del rinnovamento del percorso espositivo di Palazzo Spinola, il volume documenta l'evoluzione della Galleria Nazionale della Liguria, un polo museale vivo e in costante crescita. L'opera esamina nel dettaglio le prestigiose acquisizioni destinate dallo Stato ad arricchire il patrimonio pubblico, ricomponendo i frammenti di una narrazione artistica secolare. Il saggio esplora quattro capolavori assoluti che spaziano dal Medioevo al Settecento: la Presentazione di Gesù al Tempio (1430 ca.) di Donato de' Bardi; l'imponente tavola di Frans Floris Il trionfo delle virtù sui mali della guerra (1560 ca.); la magnifica Giuditta (1638-1639 ca.) di Guido Reni e il Trionfo di Giano (1787), mirabile scultura in biscuit di Giacomo Boselli. Un contributo essenziale per approfondire le dinamiche di tutela e valorizzazione, confermando il ruolo centrale di Genova nel panorama culturale e museale internazionale. Libro.…

70pp.+ 10 platen buiten tekst en een uitvouwbaart plan, 22cm., originele omslag, gedrukt op luxe-papier, goede staat, B93514.

Antwerpen, Maatschappij voor God en Volk, 1933 Gebrocheerd, 70pp., 16x22cm., ills. en uitvouwb. kaartje in z/w., in zeer goede staat.

Condition: Good. Engraving on laid paper. 21 x 28 cm (sheet). Good, sheet trimmed to the plate mark, lower text missing, sheet backed to another sheet, a 5 1/2 inch tear in center of sheet.

Excellent impression, large engraving, minor crease to top right corner, flattened, no affect, minor soiling to edges, overall still excellent, rare. Ceres holds sheath of grain and baring breasts as a symbol of motherhood. Ceres is the Roman goddess of agriculture and fertility. She is a goddess of the common people and responsible for motherly aspects of having children and marriage. She is an imported diety from the Greek goddess Demeter. Cornelius Cort (1533-15778), Dutch artist, in 1533 made his first series of prints for Hieronymus Cock, the famous Antwerp publisher. It appears that Cort was employed by Cock because he only began to sign his plates after they were not being published by him any longer. Because of his remarkable graphic style, Cort was especially popular as a reproduction etcher. More than 50 engravings by Cort after models by Frans Floris have been preserved. [see Ketterer Kunst biography]. Frans Floris (c1519-1570), Flemish painter and etcher, helped spread 16th-century Italian art styles and greatly influenced the Northern Renaissance, painted religious works and classical allegories. Ceres is numbered 3 of an 8 piece series titled Pastoral Nymphs and Goddesses by Hieronymus Cock published in 1564. Citations: BM: F, 1.296. New Hollstein (Dutch & Flemish) 104.1 for Frans Flors. New Hollstein (Dutch & Flemish) 160.1 for Cornelius Cort. RIJKS Museum: RP-P-1950-335.…

No binding. "'"GRAMMATICA OS ()"'This drawing shows a view on Grammar who sits as an older teacher in the middle of her students. There are students of different ages in the class. Behind it, the youngest children learn to write. On the left front, an older child is reading a book. Grammar helps another student who is standing next to her with a book. In her lap is an index stick. On the floor are books by famous writers in the field of grammar such as Donatus and Diomedes (these titels can be seen on the original print, but not on this drawing). So there are differences between the drawing and the print. 'Grammatica' is the part of the Seven Liberal Arts which are intricate depictions of female figures personifying each discipline, conveying the Renaissance ideals of education and intellectual pursuit.Made by an anonymous engraver after Cornelis Cort after Frans Floris.Medium: pen and ink drawing on handlaid paper.Sheet size: 20 x 28 cm (7.87 x 11.02 inch). Image size: 20 x 28 cm. (7.87 x 11.02 inch).GRAMMAR-TEACHER-STUDENTS-DONATUS-DIOMEDES-SEVEN LIBERAL ARTS | RBOS-A11-16BACKGROUND INFORMATIONThis source print was published in the end of the 16th century. The latin text underneath the drawing came from a well experienced humanistic scribe which was common in the end of the 16th century. The writing is in a rare neat scribe. The paper of the drawing dates also from the same period. The drawing was made after the print. Otherwise the print was done in mirror image. There also excists the same image on glass. It resides in the Rijksmuseum of Amsterdam. The painting nor the glas image have text in it. The original painting dates from 1565. The date of the copper engraving is unknown. The text written in pencil on the reverse is considerably younger, perhaps even 18th-century. A German person reminds us of a story about Maarten van Heemskerck (1498-1574) and his legacy.Reference: New Hollstein Dutch 197-3(3) for the print. .Provenance: Collection stamps on reverse M-J.Biography artist: Cornelis Cort (1533-1578), was an etcher and engraver from Antwerp, Belgium. Frans Floris ( 1519-1570) Floris the Elder or Frans Floris de Vriendt was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits." Condition: good, given age. Slightly brownish on reverse. Papertape on reverse. Thin paper spot in lower left corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Cornelis Cort after Frans Floris (illustrator).…

Condition: ACEPTABLE. Frans Floris de Vriendt o Franck Floris de Vriendt (Amberes, c.1519-1570), pintor flamenco del siglo XVI. Destacado por haber introducido el manierismo y un conjunto de rasgos pictóricos de procedencia italiana que son llamados romanismo en Flandes y los Países Bajos. Su particular manierismo evidencia temáticamente y estilísticamente los influjos de la pintura flamenca, en el uso de colores sobrios y en la tensión de los personajes en escenas tales como las del Juicio Final. [Fra. floris fecit.] . Haer tibi promissa est faelix Victoria fatis[.] . Formato (cm): 31,5x43.…

Brussel, 1975. 2 vols. XVI,555,10 pp. 342 b./w. ills. Uniform orig. softcovers (printed wrappers), with dust jackets. - Dustjackets with some shelfwear. (Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten. Klasse der Schone Kunsten ; jrg. 37, nr. 30)Rare monograph.…

Antwerpen, Drukkerij '' De Vlijt'', 1950, in-8°, 197 pp, zwart/wit illustraties, uitgeversband met goudopdruk. Met bijdragen van Prof. Fr. Bauer , Gerard Brom , Ernest Claes , Gaston Eyskens , Floris Prims , P.W.Segers , .Met bibliografie van de gevierde. Het titelblad is versierd met een bblokje van 4 postzegels, uitgegeven in 1980, herdenking van F.v.C., met speicale eerste-dag stempel. Met uitgebreide ex-dono van (Mia ?) van Cauwelaert aan Mevr. Lisette Talmans-Van Hooydonck. Ze bedankt Lisette voor de hulp bij de totstandkoming van deze postzegel (voorverkoop van de tember -sic- van vader). Bijgevoegd: Broschure i.v.m. de onthulling op het Schoonselhof (15 mei 1965) van de Gedenksteen aan Frans van Cauwelaert; eveneens met postzegel versierd. (Met woorden van P.W.Seghers, de Schrijver en Craeybeckx).…

0. *** Selten. *** Am oberen Rand etwas gebräunt, ansonsten gute Erhaltung. Sprache: Deutschu.