Published by Charles Campbell Gallery, 1986
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 12 pages; fair condition, 2-inch waterstain to bottom edge of all pages at gutter; scuffs to covers.
Published by Charles Campbell Gallery, 1986
Seller: Taos Books, Santa Fe, NM, U.S.A.
Softcover. Condition: Very Good. Color reproductions and an essay on artist by Ronny Cohen, staple binding, catalog from an exhibition, clean and unmarked, hint of toning around edges.
Published by San Francisco: Ch. Campell Gallery., 1986
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. 16 pp. Very Good. Soft Cover. Printed stiff paper wraps. Staple binding. Color plates throughout. From the Collection of the Art Historian Peter Selz.
Published by San Francisco, CA: Design & Type., 1986
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 4to. [16 pp.] Stapled Wraps, Very Good. Color Plates.
Published by Santa Cruz, CA: Mary Porter Sesnon Art Gallery., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 8vo. [8 pp.] Stapled Wraps, Very Good. Color Plates.
Published by Santa Cruz, Calif. : Mary Porter Sesnon Art Gallery, University of California., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 4to. 10 pp. Very Good+. Soft Cover. Illustrated paper wraps. Staple binding. Color plates throughout.From the Collection of the Art Historian Peter Selz (1919-2019).
Højers Forlag, Aalborg 2008. 131 pages. Original soft cover. Light shelfwear. Near fine-.
Højers Forlag, Aalborg 2003. 169 pages. Original soft cover. Light shelfwear. Near fine-.
Published by San Francisco, CA: Achenbach Foundation for Graphic Arts., 1986
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible Signed
Condition: Good. Folio. Stapled Wraps [16 pp.] Very Good. Color plates. MS note signed by artist laid in.From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).
Published by Tokyo & San Francisco: Chikyudo Gallery., 1980
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 4to. [16 pp.] Tri-Fold Wraps, Very Good. Color Plates. Text in English & Japanese.
Published by Wiesbaden : Galerie B. Haasner, [1996]., 1996
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 8vo. 10 pp. Soft Cover. Very Good. Stiff illustrated paper wraps. Staple binding. Light wear, with bump to top edge, and rubbing to front cover. Text in German. One page of English text lain in. Color plates throughout. Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Published by New York : Ruth Siegel., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 6 x 8.5 inches. Very Good. Single sheet printed on both sides. Light signs of handling, else fine. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).
Published by Charles Campbell Gallery
Condition: Good. Good condition. Additional catalog from Chikyudo Gallery (Tokyo, 1981) laid in. (painting, exhibition catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Published by Santa Cruz, Calif. : Mary Porter Sesnon Art Gallery, University of California., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 6 x 8.5 inches. Very Good. Single sheet printed on both sides. Light signs of handling, else fine. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).