Fritsche Maria (98 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Dust Jacket Condition: 48069794. 1781446363. 6/14/2026 2:12:43 PM.

Library Binding. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a society. Series: Film Europa. Num Pages: 272 pages, 10 ills. BIC Classification: 1DFA; 3JJPG; APFA; HBJD; HBLW3; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 237 x 158 x 21. Weight in Grams: 534. . 2013. library. . . . . Books ship from the US and Ireland.…

Condition: New. Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a society. Series: Film Europa. Num Pages: 272 pages, 10 ills. BIC Classification: 1DFA; 3JJPG; APFA; HBJD; HBLW3; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 237 x 158 x 21. Weight in Grams: 534. . 2013. library. . . . .…

Hardcover. Condition: As New. Never read, pages are clean and unmarked. Our copy is a new hardback, with printed covers, showing light shelfwear.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. pp. 360.

Hardcover. Condition: New. 1st Edition. Hardcover volume, measuring approximately 6.25" x 9.5", is new. xi/274 pages. "Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.".…

Condition: New. pp. 360.

Paperback. Condition: New. The US government launched the European Recovery Programme, otherwise known as the 'Marshall Plan', in order to save war-torn Europe from collapse in 1948. Yet while much is known about the economic side of the Marshall Plan, the extensive film campaign that accompanied it has been largely overlooked until now.The American Marshall Plan Film Campaign and the Europeans is the first book to explore the use of the Marshall Plan films and, importantly, their distribution and reception across Europe. The study examines every available film - the 170 that remain from the 200 estimated to have been made - and looks at how they were designed to instil hope, argue the case for economic restructuring and persuade the Europeans of the superiority of the liberal-capitalist system. The book goes on to reason that the films served as a powerful weapon in the cultural Cold War, but that the European audiences were by no means passive victims of the US propaganda effort. Maria Fritsche discusses the Marshall Plan films in the context of countries across Western, Northern and Southern Europe, covering the majority of the 17 European countries that participated in the Plan in the process. The book incorporates 70 images and utilises a vast number of archival sources to explore the strategies the US adopted to sway the minds of the Europeans, the problems they encountered in the process and, not least, the varied responses of the European audiences. It is a vital study for any scholar or student keen to know more about postwar recovery in Europe, the legacy of the Second World War or America's relationship with Europe in the 20th century.…

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. 1st.

Paperback. Condition: New.

Condition: New.

Condition: New. In English.

Condition: New.

hardcover. Condition: New. 1st.

Hardback. Maria Fritsche, Berghahn Books. Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.Maria Fritsche is a film historian and Associate Professor at the Department of History at the University of Trondheim in Norway, where she is currently investigating the American Marshall Plan film campaign in post-war Europe. Hardback.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 337 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: New.

Paperback. Condition: new. Paperback. Schmerzen sind zwar eine historische Konstante, aber stark kulturell und zeitspezifisch gepraegt. Geschlechterordnungen beeinflussen, was als schmerzhaft empfunden und wie Schmerz ausgedrueckt, vermittelt und gedeutet wird. Die in diesem Heft versammelten Beitraege veranschaulichen anhand von Fallstudien die Verknuepfungen von Geschlecht und Schmerz. Die behandelten Themen reichen von selbst zugefuegten Schmerzen in psychiatrischen Kontexten oder Selbstverletzungen in queer-feministischen kuenstlerischen Praktiken ueber Deutungen von Geburtsschmerzen durch maennliche Mediziner bis hin zu den von griechischen Frauen praktizierten Trauerritualen und dem Versuch einer juedischen Fotografin, das Trauma der Shoah kuenstlerisch zu fassen. Der Schwerpunkt der Aufsaetze liegt auf dem Europa des 19. und 20. Jahrhunderts.Aus dem Inhalt: Schmerzen unter der Geburt / Selbstbestrafungen im Fokus der Tiroler Psychiatrie im Vormaerz / Dora Kallmus Post-War Slaughterhouse Photographs (19491958) / Selbstverletzung als Self-Empowerment in der Performance Art / Imaginationen von Frauenemanzipation zwischen Deutschland und den USA bei Hugo Muensterberg (18631916) / Female Expressions of Pain in the Lamentation Songs of Mani in Modern Greece / Looking at History through the Lens of the Body: Kathleen Canning im Gespraech mit Heidrun Zettelbauer / Anti-Genderismus und Paedophilie-Diskurs als politisch-kirchlicher Kampfplatz am Fallbeispiel UngarnPain, although a historical constant, is culturally and temporally specific. Cultural gender orders influence what is perceived as painful and how pain is expressed, communicated and interpreted. The articles collected in this special issue illustrate the interlinkage of gender and pain. The case studies address a number of topics, from deliberately self-inflicted pain in psychiatric contexts and as queer-feminist art practice to interpretations of birth pain by male physicians to female Greek mourning rituals and a Jewish photographer's attempt to deal artistically with the trauma of the Holocaust. The focus is on Europe in the 19th and 20th century. Was weh tut. Geschlecht und Schmerz Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condition: Fine. 175 Seiten : Illustrationen ; 21 cm.

Kartoniert / Broschiert. Condition: New.

Condition: As New. Unread book in perfect condition.