Frode Hellan (18 results)

Paperback. Condition: New. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsen's views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.'For anyone interested in Ibsen's plays-actors, directors, students, audiences-[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright.' Richard Eyre, from his Foreword. …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsens views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.For anyone interested in Ibsens playsactors, directors, students, audiences[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright. Richard Eyre, from his Foreword'Will undoubtedly help readers to understand what motivated Ibsen' British Theatre Guide A unique collection of everything that Ibsen wrote about the theatre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 272 pages. 9.00x6.00x1.00 inches. In Stock.

paperback. Condition: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condition: new.

Condition: New. pp. 256.

Condition: New. 2018. Paperback. . . . . .

Condition: New. pp. 256.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 256.

Paperback. Condition: new. Paperback. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsens views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.For anyone interested in Ibsens playsactors, directors, students, audiences[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright. Richard Eyre, from his Foreword'Will undoubtedly help readers to understand what motivated Ibsen' British Theatre Guide A unique collection of everything that Ibsen wrote about the theatre. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condition: Neu. Neuware - This volume compiles a unique collection of everything that Ibsen wrote aboutthe theater.

Condition: New. A unique collection of everything that Ibsen wrote about the theatre. An invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time. Ibsen on Theatre is in the Nick Hern Books .On Theatre ser.

Paperback. Condition: New. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsen's views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.'For anyone interested in Ibsen's plays-actors, directors, students, audiences-[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright.' Richard Eyre, from his Foreword. …