Fudong Yang (42 results)

95 pages, illustrated. Text in Italian & English. Fine trade paperback in decorative wrappers (soft cover book).

Paperback. Condition: VG+. Paperback in Very Good+ condition with Very Good+ dust jacket. . 8vo 8" - 9" tall. 180 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Soft cover. Condition: As New. 1st Edition. 1st printing (2006). 180pp. AS NEW copy, still in shrinkwrap.

Softcover with dustjacket, 180 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Softcover exhibition catalog, 96 pages; in English and Italian; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Near Fine. Dust Jacket Condition: Fine. First Edition. Near fine in original wrappers and fine dust jacket.

dj. First Edition. First edition. Softcover. 180 pages. Text in English with an essay by Hans Ulrich Obrist. Includes numerous color illustrations, biographical information, and a selected bibliography. A fine copy in wrappers and in a very near fine dust jacket.

Soft cover. Condition: Fine. Dust Jacket Condition: As New. 1st Edition. Fine in dust wrapper looks unread. Yang's photographs and films are about moods and sensitibilites, thoughts and feelings, escape and entrapment, truth and deception. They plumb emotional depths, .

Paperback. Condition: new. Paperback. Parkett 76 features three rising stars of the international art scene: Julie Mehretu, Yang Fudong and Lucy McKenzie. As her marks and gestures are flung into motion upon the canvas, Julie Mehretu paints a picture of an infrastructure gone awry. Their layered, calligraphic density suggests Leonardo da Vinci's ecstatically charged tidal drawings. In the frozen situations encountered in Yang Fudong's images, the viewer must always ask, "Will the protagonist survive?" Fudong's narratives read like brief, melancholic confessions, an "abstract cinema" that, in his own words, functions as "a non-describable collision in one's heart." Over the last decade, Lucy McKenzie has been umbilically attached to Glasgow's underground, guided by her elegant draftsmanship and continuously undermining her own adopted visual rhetoric--which includes facades from Tintin, Socialist mural projects and Mackintoshian Modernism. Texts by Heidi Zuckerman Jacobson, Chris Abani, Madeleine Schuppli, Marcella Beccaria, Yuko Hasegawa, Zhang Wei, Neil Mulholland, Bennett Simpson, Isabelle Graw, Trevor Smith, Philipp Kaiser, Johanna Burton, Vincent Precoil, Hans Rudolf Reust, Matthias Haldemann and Bill Arning. Parkett 76 features three rising stars of the international art scene: Julie Mehretu, Yang Fudong and Lucy McKenzie. As her marks and gestures are flung into motion upon the canvas, Julie Mehretu paints a picture of an infrastructure gone awry. Their layered, calligraphic density suggests Leonardo da Vinci's ecstatically charged tidal drawings. In the frozen situations encountered in Yang Fudong's images, the viewer must always ask, "Will the protagonist survive?" Fudong's narratives read like brief, melancholic confessions, an "abstract cinema" that, in his own words, functions as "a non-describable collision in one's heart." Over the last decade, Lucy McKenzie has been umbilically attached to Glasgow's underground, guided by her elegant draftsmanship and continuously undermining her own adopted visual rhetoric—which includes facades from Tintin, Socialist mural projects and Mackintoshian Modernism. Texts by Heidi Zuckerman Jacobson, Chris Abani, Madeleine Schuppli, Marcella Beccaria, Yuko Hasegawa, Zhang Wei, Neil Mulholland, Bennett Simpson, Isabelle Graw, Trevor Smith, Philipp Kaiser, Johanna Burton, Vincent Precoil, Hans Rudolf Reust, Matthias Haldemann and Bill Arning. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: New.

Exhibition Announcement Cards. This is not a book. The original announcement card for three concurrent exhibitions at the Marian Goodman Gallery, NYC, July 8 - August 20, 2005: Chantal Akerman, "To Walk Next to One's Shoelaces in an Empty Fridge;" Thomas Struth, "Peru Photographs;" and Yang Fudong, "City Light." Stiff card, printed both sides; 6 x 6 inches. Condition: Fine, with a tiny scuff to one corner. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Trade Paperback. Condition: USED Very Good.

Soft cover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Near Fine in Softcover in a Very Good jacket. 1st Printing. 62pp 4to. White spine with black titles. Photography.

Condition: fine. Photo non contractuelle. Envoi rapide et soigné.

8vo, 142pp, black and white illustrations. A near fine hardback copy.

Hardcover without dustjacket as issued, 88 pages; in English and German; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Brossura. Condition: fine. 2008; br., pp. 180, cm 18,5x25. Libro.

softcover. Condition: Sehr gut. 62 p. Sprache: Englisch Gewicht in Gramm: 324.

Softcover, 32 pages; in English and Chinese; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: Very Good. Covers lightly worn and marked, otherwise very good indeed. No dust jacket. English and German text.

Poster, measuring 18 x 24 inches; very good condition; folded 4 times into 8 sections; a mailed copy with address and postal marks on rear. Will be mailed folded.

Gebundene Ausgabe. Condition: Wie neu. 88 Seiten; 2005. Buchdeckel minimal berieben/bestossen. Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt minimal nachgedunkelt! KEIN Mängelexemplar! Versand aus München V135 Sprache: Deutsch Gewicht in Gramm: 322.

Erste Auflage. 28,7 x 24 cm. 160 S. OKarton mit illustriertem OKlappenumschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogpublikation zur Ausstellung "Yang Fudong: Estranged Paradise, Works 1993-2013", Kunsthalle Zürich, vom 6. April bis zum 26. Mai 2013; UC Berkeley Art Museum and Pacific Film Archive, vom 21. August bis zum 8. Dezember 2013. Texte in englischer Sprache.…

Softcover. Square 4to., 184 pp. Illustrated. Very Good in french fold wraps.

Softcover exhibition catalog with interesting format: rectangular hole cut through center of all pages, 68 pages, texts in English and French on 2 video artists and an architect; very good condition, clean and crisp.

Paperback. Condition: new. Paperback. Parkett 76 features three rising stars of the international art scene: Julie Mehretu, Yang Fudong and Lucy McKenzie. As her marks and gestures are flung into motion upon the canvas, Julie Mehretu paints a picture of an infrastructure gone awry. Their layered, calligraphic density suggests Leonardo da Vinci's ecstatically charged tidal drawings. In the frozen situations encountered in Yang Fudong's images, the viewer must always ask, "Will the protagonist survive?" Fudong's narratives read like brief, melancholic confessions, an "abstract cinema" that, in his own words, functions as "a non-describable collision in one's heart." Over the last decade, Lucy McKenzie has been umbilically attached to Glasgow's underground, guided by her elegant draftsmanship and continuously undermining her own adopted visual rhetoric--which includes facades from Tintin, Socialist mural projects and Mackintoshian Modernism. Texts by Heidi Zuckerman Jacobson, Chris Abani, Madeleine Schuppli, Marcella Beccaria, Yuko Hasegawa, Zhang Wei, Neil Mulholland, Bennett Simpson, Isabelle Graw, Trevor Smith, Philipp Kaiser, Johanna Burton, Vincent Precoil, Hans Rudolf Reust, Matthias Haldemann and Bill Arning. Parkett 76 features three rising stars of the international art scene: Julie Mehretu, Yang Fudong and Lucy McKenzie. As her marks and gestures are flung into motion upon the canvas, Julie Mehretu paints a picture of an infrastructure gone awry. Their layered, calligraphic density suggests Leonardo da Vinci's ecstatically charged tidal drawings. In the frozen situations encountered in Yang Fudong's images, the viewer must always ask, "Will the protagonist survive?" Fudong's narratives read like brief, melancholic confessions, an "abstract cinema" that, in his own words, functions as "a non-describable collision in one's heart." Over the last decade, Lucy McKenzie has been umbilically attached to Glasgow's underground, guided by her elegant draftsmanship and continuously undermining her own adopted visual rhetoric—which includes facades from Tintin, Socialist mural projects and Mackintoshian Modernism. Texts by Heidi Zuckerman Jacobson, Chris Abani, Madeleine Schuppli, Marcella Beccaria, Yuko Hasegawa, Zhang Wei, Neil Mulholland, Bennett Simpson, Isabelle Graw, Trevor Smith, Philipp Kaiser, Johanna Burton, Vincent Precoil, Hans Rudolf Reust, Matthias Haldemann and Bill Arning. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

HARDCOVER. Condition: New. 1st Edition. 4to in thick boards, 95pp, colour plates, etc . [CONDITION: NEW unread copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Buone. Condizioni dell'esterno: Discrete con difetti, strappi macchie Condizioni dell'interno: Buone.

Paperback. Condition: New.